'Podcasts' The Ones I Listen to

May 31, 2018  •  Leave a Comment

PodcastPodcast In my current "real job" I do about an hour or so commute every day to and from work.  To occupy my time, I have listened to the radio, audio books, iPod, and all sorts of things to keep my mind working on these two boring hours a day.  I'm kind of slow to learn new things, and I have only found out and started listening to podcasts for about a year now.  I only listen to photography-related podcasts, and I do have some favorites that I will share with you later.  Photography podcasts are a great way to learn new things, photography news, tips and techniques, and learn from more experienced seasoned photographers. So for these two hours a day, I'm doing photography.  Maybe not taking photographs, but getting inspired to take photos or about new gear or to try a new technique.  So here are my favorites. Itunes podcastItunes podcast

1. The Digital Story Photography Podcast.  This Podcast is currently my favorite and has over 600 episodes that last about 30 minutes each. Derrick Story, a California-based photographer/Author/workshop instructor, covers a variety of different topics related to photography.  He also runs The Nimble Photographer and The Analog Story blogs.  He is truly a great storyteller and a pleasure to listen to. He is into lightweight gear and shoots Micro 4/3's cameras.  He is the one that got me back into film photography again.

2. The Landscape Photography Podcast.  This podcast is about landscape photography and is hosted by Nick Page, a Washington State based photographer and a young photographer that has become pretty famous in a short time.  He also has a YouTube channel where he will take you with him on his trips around the west coast and abroad on workshops shooting landscapes.  His podcasts are very informative and funny at times.  He does interviews with famous landscape photographers.  His photo editing tips and tricks with luminosity masks have helped me a lot.

3. Tripod.  If you like Nick Page, you will like this older podcast.  This podcast was done by Nick before he got his own show, and it is much like the landscape photographer podcast.

4.  Recompose Photography Podcast.  This is hosted by Juan Pons and Andy Williams, two very seasoned and famous landscape and wildlife photographers.  Based out of the Northeastern US, they conduct workshops all over the world.  They formerly ran the Alpha Mirrorless Podcast for the TWIP (This Week in Photo) network, which is also a great podcast.  They go over tips and tricks and gear.  Super podcast.

5. Photo Taco Podcast.  Hosted by Jeff Harman, a California-based photographer/instructor, this podcast covers a variety of subjects from backing up your photos to astro photography. Very informative. This is a part of the Master Photography Team.

So these are my top five podcast shows, and here is a list of good shows that you may also like. logopodcastlogopodcast

1. Master Photography Podcast.  This podcast has different topics from travel photography, portraits, landscape, street photography, and the business side of photography.

2.  Photography Tips from the Top Floor.  This is a podcast that originates from Europe and is very good.  It almost made my top five.

3.  The Candid Frame.  This podcast centers around interviews with famous and up-and-coming photographers.  This podcast has been around for years and is very interesting.

4.  This Week In Photo  Another well-established podcast with over 500 episodes. 

5. Picture This! This is a podcast by Chelsea and Tony Northrup.  Both photographers and instructors and very big on YouTube.  They usually have a different perspective of topics and are very funny.

These are abut 10 podcasts to listen to.  There are a lot more, but these are my current favorites.  Podcasts are good to listen to while you're doing house work or yard work or even editing photos.  They are a good source of info and keep your head in the photography game.  So try them and keep on shooting!


RAW+JPEG! and why you should shoot this way

May 30, 2018  •  Leave a Comment

Elvis in WindowElvis in Window "I only shoot in RAW because only amateurs will shoot in JPEG."  Have you heard this or something simular to this?  I have and I probably have said it myself.  Don't get me wrong.  I still think shooting RAW is the best way to shoot.  But what's wrong with a JPEG?  That's what you see when you look at your photo on the LCD screen of your camera.  And I bet that's what you see 99% of the time on your computer and mobile device.  So why shouldn't we shoot in JPEG too?  How many times have you gotten home after a shoot and what you saw on the back of your camera is what you wanted in the first place and you had to spend time processing your RAW photo to get back to the JPEG rendering that was on the back of your camera?  I know I have.  We have very powerful cameras that we have paid a lot of money for.  The technology of these cameras is amazing!  We have WiFi and all of these modes that we can shoot in.  But if you're like me, you're shooting in RAW and spending time on the computer changing photos to get them to look like what's on the back of your camera or changing them to B/W.  Why don't we let the camera do this for us?  I listen to a lot of podcasts (a future blog), and I started hearing about shooting in RAW+JPEG.  And there are some really good reasons to do so.  This weekend I shot in RAW + JPEG for the first time, and I loved it!  Flag SailFlag Sail

Shooting in RAW+JPEG lets you use the power of your camera for processing your images.  First, you shoot in RAW because of all of the reasons that you've always heard about.  You can correct all of the mistakes better, you can change the white balance on the fly, you can do a lot of stuff with a RAW file that you just can't do with a JPEG.  But at the end of the day how many photographs do you really do all of this heavy lifting of the shadows and really working the photograph?  The answer for me is not much.  This weekend I went out with my photography club and I took 300 photographs.  Out of those 300, I really only had to work hard on one photograph to make it look the way I wanted.  And I had the RAW file to do that with. When you shoot RAW, what you download onto your computer isn't what you saw on the back of your camera.  So you spend time getting that RAW image to look like the JPEG that you saw.  Why not just use the JPEG if it looks the way you want it to out of camera?  Why spend the time making the RAW look like your JPEG?  Just use the JPEG.

_MSP9038_MSP9038 I love black and white photography.  When I shot film, that was what I shot most of the time.  Did you know you can set your camera up to shoot RAW + JPEG and then set your camera profile to shoot B/W.  You will now get the RAW file with all of the color and all of the info and a JPEG in B/W.  You will also see on the back of your camera the photo in B/W.  And I'm telling you the JPEG rendering is very good!  Your camera company has spent a lot of time and research money to make them look great!   The most work you'll have to do in post is crop.  Depending on your camera you may have many modes:  portrait, vivid, B/W, sepia, sunset, and many more to play with.  This will free up your creativity because you know you always have that RAW file in the background if you need it.

Using WiFi and posting to social media.  Posting to social media is what I do with most of my photographs.  Cameras have been out with WiFi for quite a while, but how many of us actually use them?  I must admit that I don't use it often.  But using the JPEG file makes it easier because there is less processing that needs to be done, and the file is smaller and easier to transfer via WiFi.  I did this this weekend (Memorial Day Weekend).  I went to my local Veterans Cemetery and took some shots of the tombstones with the flags.  I sent the JPEG to my phone using WiFi, sent it to "Snap Seed" to do a little crop, and then sent it to social media.  And it looked great!  I could have done this with my iPhone, but I wouldn't have gotten the shot I wanted.

Would I do this for all types of photography?  No, I wouldn't.  I wouldn't do this for portrait photography.  Landscape? Maybe. Sports, no.  I would shoot JPEG.  But photography like travel, urban, street, and almost anything else I would.  And I will.  So the next photo walk you do, try RAW+JPEG and see what you get.  You'll be surprised.  Have fun and keep shooting!


My Work Flow

February 03, 2018  •  14 Comments

Screen Shot 2018-02-03 at 7.16.10 AMScreen Shot 2018-02-03 at 7.16.10 AM Hey everyone!  I have done a few blogs and videos on different portions of my process but haven't really gone through the whole thing.  So just imagine that you've just gotten back from an outing of shooting and you have taken all of these great photos.  You've looked at them on the back of your camera, but you need to get them off and into your computer for processing.  I shoot in RAW format.  But when looking at the back of your camera, you're looking at JPEGs which have been compressed and have been processed by your camera.  So if you really like the photo that's on the back of your camera, you still have some work to do to make the RAW file with no corrections to look like the back of your camera. We also want to safeguard our images, make backups for safety in case of equipment failure.  So now you have your SD card with all of your images on it.  This is Copy 1 of your images.  Let's get the images onto your computer.

Import into Lightroom

Getting the images onto my computer, I will hook up a card reader and insert my SD card.  I use Adobe Lightroom to do almost all of my editing and all of my organizing. I have made a video that is a couple of years old, and it's basically how I do things now, except I don't store any of my photos on the hard drive of the computer.  I keep all of my photos on an external drive.  I also just copy to my external.  I "don't copy as DNG."  I still like the DNG, but it takes too long to convert.  Everything else is basically the same.  Lightroom stores everything in catalogs.  I have one master catalog that has all my images through the years in it.  It is stored on my main IMac computer.  When I'm traveling or camping, I have a mobile catalog that is stored on an SSD external drive so I can edit and cull photographs while I'm away.  When I get back home, I can transfer those photos back to the master catalog with all my edits from my mobile computer/laptop intact.  Think of the Lightroom catalog like your iTunes library.  All of your images edits are kept there like all of your music on iTunes library.  Notice I said all images "edits" are kept there.  Your original RAW files are still on your hard drive, whether it's internal or external. Here is the link to the import video that I have on YouTube.  

Importing into Lightroom

Library Module and Culling

After you have your photos in Lightroom, the culling process starts.  This is choosing the best images (the ones you want to process).  This can be Arrows and blocksArrows and blocksArrows and blocks. Correlation of the parts. Relations. a big job!  If you say took 500 images, out of those images you'll probably only have maybe 50 at the most that are worth processing.  So getting down to the 50 or 20 good photos that you want to process is culling.  There are many ways to do this, and you kind of have to figure this out for yourself.  But this is how I do it.  I go through four or five images at a time and pick the ones I like by rating them to a "1" rating.  I do this very quickly, and here is my logic for this.  When you walk into a room full of people, it doesn't take but a few seconds for you to find the prettiest/most handsome in the room.  Our mind's eye picks out the person in a flash and will also find the best photo in a flash.  Now after going through the photos, I have knocked out the 500 number to about 100 real quick.  Then if I need to I'll do it again and rate a 2  to the best photo and I have knocked the images down to 25.  I can process those photos and then I can pick all of the unrated photos and delete them.  By doing this you will keep the number of useless photos down and keep the speed of your computer up.  Now, I don't get rid of everything.  If I have photos with family or friends in them, I usually keep them.  But the rest of the unrated photos are deleted.  I don't need 50 shots of the same tree that I will never use taking up space on my computer.  One or two will do.  Here is a video that I made a couple of years ago on the library module and my culling process.

Library Module and Culling 

Processing (Five-Step Tango)

tango-party-design-poster-vector-illustration_10083-26tango-party-design-poster-vector-illustration_10083-26 My processing  procedure has not changed in many years.  I use a process called the five-step Tango that I hijacked from a photographer/teacher, Jack Davis, a long time ago, and it works well for me.  I usually take less than five minutes on most photos to process unless I'm doing a portrait or a composite that will take longer when I bring it into Photoshop. Some people really get into this portion of the workflow process and that's great.  But for me, the least amount of time I spend on the computer after a shoot the better.   I have a couple of videos on processing that I will link here also.  Here is the link to the YouTube videos.

Five Step Tango

Lightroom Develop Module Part 1

Lightroom Develop Module Part 2

Exporting Photos

fb-artfb-art Now that you have your photos processed, what next?  How do you share what you have done so far?  In the film era, you sent your film away or you processed it yourself and had prints made.  Today you have many options.  You can share with family and friends many ways through the internet.  Facebook, Instagram, Flickr, 500px are just some of the ways you can share your images.  What about prints?  What about Canvas?  Putting your photos into calendars, cups, stickers?  For me personally, most of the photos I take flickrflickr and process are shared through the internet with the above-mentioned websites and of course this site!  I love to see the feedback and ratings I get from these sites and friends.  I also create a couple of canvases and I do print small for my house or family and friends, usually 5x7 and 8x10's.  But what about the future when I'm long gone?  I think prints are one way for future generations so see my work.  I've also started making books.  We did this for an end-of-year project this year with my camera club, and it was pretty great.  So that's one project that I will be doing yearly and maybe for large trips in the future.

Storage

I still have my original RAW photos on my SD card.  I also have another copy of them on my external drive that I have been using for all of my edits.  In the digital age at least two copies of your work is needed to be safe that you don't lose what you have done.  So now I have to place the SD card back into my camera to use again.  So I will need to format the card which will erase all of my RAW data, and I will only have one copy of my images.  I have done many backup strategies in the past, and the one discussed in my last blog post Backup Strategies (check out that blog for more detail)  is the one that I use now.  Backing up to a cloud-based storage.  That backs up my main computer and external drives.  But what about my laptops and mobile devices?  I also back those up to external drives every couple of weeks or so using time machine or PC's backup program.  I'm real big into backups after I had my Macbook Pro have some problems with a video card and I had to have the motherboard replaced.  I had just done a backup of my laptop.  So when I got it back from Mac, I just ran a restore and it was back to where I left it and I didn't lose anything.   By having one copy of my files at home and one on the cloud, if anything happens like a fire, a hard drive crash, or a stolen computer, I still have a backup on the cloud.

I hope this helps in some way and doesn't confuse anyone.  This is my workflow process, and it works for me and for what I do in photography.  I am not a professional photographer, just a photography enthusiast/hobbyist who loves to share.  Keep shooting!

 

 


My Mobile Computing

January 14, 2018  •  9 Comments

_MSP6749_MSP6749 Hey Everyone! Hope everyone is dealing with the cold weather better than I am.  As I get older the cold affects me more than it used to.  Anyway, this blog is about my mobile computing solution.  I have two main computers.  Both are Macs:  my iMac, which has a 27-inch Retna screen which is awesome, and a 15- inch Macbook Pro that is awesome!  It's an older one, but I have upgraded the ram and the hard drive and it's quick and works great. To replace it would be very expensive with a new model, and then to have it broken or stolen would break my heart.  And it's pretty large and heavy compared to newer models.  So I wanted to get a mobile computing device that ticked three boxes. Box 1, it had to be inexpensive so if it broke or got lost not a big deal.  Box 2, it had to be small and lightweight.  And Box 3, it had to be able to run Lightroom so I could backup files to an external hard drive.  So I went on a search for the machine that would tick those three boxes.  And let me tell you that was hard, but I finally made a _MSP6753_MSP6753 decision and went with a machine that will work.

The machine I went with was the Lenovo Miix 320.  It is a 2-inch laptop/tablet with 4 gb ram and 128 SSD hard drive.  The operating system is Windows 10 64bit with a 10.1 display at 1920x1200 resolution. It has a detachable keyboard and can be used as a tablet. I got this machine refurbished off of Ebay, and it looks like brand new.  I was a little nervous ordering it off of Ebay, but everything worked out okay.  This little machine has ticked all of the boxes mentioned above.

Box 1, had to be inexpensive.  My goal was to try to keep the price under $300, which is almost impossible, so that's why I went with refurbished.  That actually kept the price down and brought in all kinds of computers that were available.  I wanted a laptop that had a real operating system not a Crome Book that are selling for the price range that I want.  This machine came in at $199!  Tick!

Box 2, small and lightweight.  This little 10-inch screen machine only weights 2.2 lbs.  It does have a small screen, but the resolution is great and sharp.  The keyboard is crunched together a bit, but it has full-sized keys and doesn't take long to get used to.  It's small enough to go into a small backpack or small shoulder bag. Tick!

Box 3, has to be able to run Lightroom and make backups to an external drive. This is probably the most important box of all.  The minimum ram requirement for Lightroom to run is 4 gb of ram, which this machine does have, just does. That's one of the reasons I wanted an SSD to increase the speed.  It does run Lightroom.  I won't be processing a lot of photos on it, but it's nice to know I can without any problems. The machine comes with 2 USB 2 ports and one USB C port, so transferring files via USB works fine. Tick!

_MSP6755_MSP6755 So this machine handled all of my criteria for my mobile machine.  Would I love to have a 13-inch Macbook Air?  You bet.  But they just cost way too much.  If money weren't a factor, that's the way I would go.  But it isn't.  I'm really surprised at how well this little computer works.  Browsing the internet and all other regular computer functions, this little computer works great.  It runs Lightroom well enough to process photos, cull, and backup with no problem, although it is a little slow but not that bad. I think that this little machine will work well for what I need when I go camping or on a photo outing without worry of theft or breakage.  I'm not really promoting any brand or operating system because I'm a die hard Mac guy, but for this purpose I hope this little machine will be the ticket!  Only time will tell.  Keep shooting!


Photo File Backup Strategy

January 07, 2018  •  13 Comments

Hey everyone!  I hope the holidays were safe and full of happy memories.  It's the beginning of the new year, we've had our first snow of the season, and it's very cold outside with temps in the single digits in the mornings.  Very cold for Eastern North Carolina. So I have been taking this time to clean up photo files from last year, deleting the ones that I will never use and making sure the ones I keep are key worded and making sure things are backed up. Which leads me to this blog's discussion, backing up our files.  In the age of film, it was a lot simpler.  You could print your photo and hide away your negatives in a box somewhere and there you have it.  It was backed up, your photo in one place and negative in another.  Now if you had them both stored in the same place and there was a fire you were done!  Lost everything.  So if you were real serious about safety, you could store your negatives in another place in case of fire.  Seems simple enough, but in the age of digital it seems to be a lot more confusing.

First, let's talk about mobile backup.  When you're on a vacation, trip, or workshop that lasts a couple of days, how do you back up files? In film days you didn't.  You just put your roll of film in a safe spot and hoped for the best.  With digital it's good to have multiple copies of your files for safety when the storage device you are using fails, and they will fail.  Here is the system that works for me and how I back up my files.  First, let's say I'm on a week-long workshop somewhere very remote, no internet or phone service, just beautiful landscapes everywhere.  My first backup is my SD card.  I have purchased enough of them to last a week.  SD cards are pretty cheap now.  You can get them wherever you see a sale, and before you know it you'll have quite a few.  Before my trip, I format all of my cards and put them in a card case that I have labeled Day 1, 2, 3 etc... On day one I use the Day 1 card.  At the end of the day, I back that card up to an external drive that I take with me, then take the card and put it in the case and put the card labeled 2 into my camera and am ready to go.  I don't format anything while Im on a trip.  Now I have two copies of my images from Day 1.  Pretty simple and fairly inexpensive.  When I travel, I have my cards in one bag and my external drive in another.  The external drive doesn't need to be real fancy.  You can get one for 50 bucks, give or take.  If you get an SSD external drive, it will cost a little more, but for speed and durability I would recommend it.  These external drives don't need to be huge. They could be 250-500 gig because they are only temporary until you get home to back them up again.

At home, back up.  I have gone through so many different strategies for backing up files.  I have bought external drives, put files on CDs and DVDs, and tried to mirror external drives, but I really haven't found a system that has really been easy or efficient until now.  First of all, let me say that most people save way too many images.  For example, if you took 20 photos of this spooky tree and you picked one image to process and used that one for making a canvas five years ago, why are you keeping the other 19 that you didn't like then and haven't used since?  DELETE them!  Save space, time, and effort backing them up.  Now, I'm not talking about family photos.  I keep all photos of family members that are halfway decent.  I do.  But workshop or just riding around photos, cull out the ones that you know you're not going to ever use again. What I usually do when I import photos into Lightroom after a shoot is I go through them, and the ones I like I'll give them one star.  I then will go through those and cull even more, etc... At the end of the year, I'll go through all my photos, and anything without one star I get rid of.  I'm probably not going to use anything after a year anyway. So that's step one. Get rid of excess.

Step two has changed over the years.  Let me start by saying there are many ways to back up your files, and my way is by no means the best for everyone, just best for me so far.  The most important thing is to back up your files.  No mater how you do them make a back up of your art. My first backup plan was like most of your plans I had none! I put everything on my hard drive with no backup incase of drive failure.  Of course as my drive got full my computer slowed down so I had to find a way to get files off of my computer.  So I started making CD's with files on them.  I would take older folders of photo's and put them on CD's and that got them off of my computer but still didn't have a backup.  Then I got my first external drive and I would put one copy of my photo's on computer and one on external drive my first real backup. But I didn't have a backup of what was on the CD's.  So then I got another External drive and Copied all of my files from the CD's to the external drive and copied my external to the other external drive. Now for the first time I actually had a backup of all my files.  But how to keep the backup? Thats the trick it actually takes me to physically make the backups.  Which if your like me "Lazy" its hard to do.  So then I tried to import to both drives but then I had raw files on one drive and processed files on the other.  What to do?  I want a system that will be simple.  I want a backup that is safe away from my active backup (the one that I'm using in Lightroom).  

I'm on a podcast listening craze for the last couple of months and one of the podcast that I've listen to was Alpha Mirrorless with Juan Pons and Andy Williams.  Both are wildlife and Landscape photographers that travel half of the year and I've pretty much copied what Andy Williams does for his backups. You can listen to their backup episode #17 which gets into detail. So I've just started a cloud based backup system through a company called BackBlaze which can automatically back up your computer and any external drives connected to them for 50 bucks a year. There are many more companies that do this but I used this one on the advice of Andy Williams and Juan Pons.  What I like about it is I don't have to think, its simple I don't have to take the time to make the backup.  If something should happen to my system you can retrieve from the cloud or they will ship you a external drive with all your files on them.  They have been in the business for quite a while with a good safety reputation.  The only downside of this is that it takes a while for the initial download of all your files.  Im still in that process but after the initial it should be fairly quick.  Then Ill have a copy at my house and one away from my house incase of a fire theft or computer crash or whatever. And I can access from any computer anywhere to download a file.

Thats pretty much my system when I import to lightroom from my SD card or from my mobile external drive (I keep my photo's on external drive not computers hard drive) it goes to my drive and will be backed backed up by Backblaze on the cloud. I have tried to make my back up plan like my camera situation by making it simpler, smaller and more efficient.  Again this is my system use any system you want but please use a system and keep on shooting!

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