Hey Everyone! I hope everything is great with you today.  Today we are  continuing 

Backpacking theme. This weeks question "Where can I backpack at?"  This is a good question with lots of answers. I'm going to treat this series as if I'm talking to someone that is new to backpacking.  If your new to backpacking everything is going to feel strange.  If you have never camped before just setting up your tent or hammock will be a chore.  My first bit of advice is to get used to all of your equipment before you go on any backpacking trip.  You can work your way up to a bona fide backpacking trip. The first place I would start is your backyard.  Learn how to set up your tent.  Find a good spot in your backyard and practice setting up your tent. Depending on your tent learn how to stake it out how to put on the rain fly.  Do it a few times so it becomes easy for you.  You don't want to be learning how in the woods after a long hike to your campsite.  Blow up your sleeping pad and put out your sleeping bag just as you would or think you would while out in the woods.  Learn how to use your camp stove and how to make your dinner, coffee or whatever you're going to eat out there. This will be important because if you mess this up while out there there is no fridge to raid , you just get hungry.   Make sure you know how to use your water filtration system and how to refill your water bottles.  Hydration is very important. Hiking with a full pack on your back is hard work and you will sweat! Water is heavy! This is a number that you will remember each liter of water weighs 2.2 lbs. So if you have 2 liters of water 4.4 lbs.  This is on top of all of the other stuff that you will be carrying .  But you can't skimp on water it is a must have while in the wilderness so knowing how to filter it is essential.  The next thing is to sleep outside.  Learn how to get comfortable in your tent. It is a different sleeping experience than in your cosy bed.  I know all of this seems silly but it is learning that has to be done somewhere and in your backyard is a great place to start.  If you have kids they will have fun camping with you. You also have a bathroom near-by.  Using the bathroom is not a skill to learn at home your neighbors will not appreciate this. LOL  Thats a skill you will have to learn in the wilderness. After you get the backyard camping and all of your gear figured out its time to step it up.

The next place I would go to backpack is State Parks. State Parks are great resources to learn backpacking. I live near a state park and its where I try out new gear.  Practice hiking with a full pack on and have car camped several times.  Many State parks have back country camping which means that you have to hike in to a specific spot that you usually have to reserve.  I have had a ball at some of these parks and they can be a great place to learn how to backpack.  The sites can be from very sparse to sites with a picnic table and fire ring. Most of them do have some sort of pit toilet near by so using the bathroom in the woods isn't allowed here to protect the environment . (leave no trace has been discussed in a former blog).  This will seem like an big adventure the first couple of times you do it and it is!  You won't have running water many of the places don't have cell coverage so no phone.  They don't have lights so when the sun goes down lights out!  No trash cans so you haul your trash out with you. Its a very new experience.  At night there is no noise of civilization just the noise of the forest!  And its loud! Bring ear plugs.  A squirrel scampering across the forest floor sounds like an elephant to ears that haven't heard them before. But you won't hear a deer who may be sleeping 50 foot from you.  Around 2:00 am in the morning everything gets quiet.  All the animals have gone to sleep.  When you wake up in the morning its still quiet except for a couple of birds chirping.  I tell you about this because on your first night backpacking its different from car camping or in your backyard.  This is where you'll feel like you're in the wilderness.

National Parks and National Forest are the next places I would venture out to backpack. This is where I am in my backpacking.  I still like to go to some State Parks and go to places I haven't been yet but National Parks and Forest are where I do most of my backpacking.  National Parks and National Forest are larger and wide open spaces.  National Parks have rules and regulations and permitting that have to be adhered to because so many people go and we want to protect this wonderful resource and environment.  They usually have specific camping spots in the wilderness that you camp at. But these places are beautiful and have spectacular views that's why they became National Parks in the first place to protect the beauty.  There are thousands and thousands of trails in the National Parks system.   People from all over the world come to the US just to go to our parks.  In the back country there are less amenities than the state parks.  Usually no bathroom so you will have to learn how and where to poop in the woods.  Leave no Trace is a big deal in these area's because we want to leave this great resource for our grandchildren and theirs to enjoy like we do.  In some National Parks and most of the National Forrest there is what's called dispersed camping . Which means you can camp anywhere you like along the trail.  These sites will not have any amenities except maybe a man made fire ring that someone before you made from stones that they gathered.  This year I'm exploring the National Forest of North Carolina and am getting ready for my first backpacking trip of the year. It will be a small one because I still have my Covid weight on and I am out of shape but I'm looking forward to my time in the woods again.

Backpacking is a wonderful experience and way of life really.  Until next week keep exploring and keep shooting . Get Outside!

 

Hey Everyone! I hope today finds you healthy and safe. This week I'm going to start a series on backpacking. What it is, why I like it, and what gear I use. I don't do nearly the backpacking that I want to.  But over the last couple of days, I have decided that I need a new goal or at least refresh some older ones.  I need to get out and do stuff while I still can. I love to backpack, but for some reason I don't.  I have decided this year that is going to change and I will start again.

Let me first talk a little about backpacking. What is it?  Well, hiking is walking through the woods.  Most people just hike.  They go to their local park and go on a trail and hike for a day.  Maybe they pack a lunch or snacks and make a day of it.  Backpackers hike the trails also, but at the end of the day they make camp, pitch a tent, cook dinner, and sleep under the stars.  In the morning they pack everything up and start all over again. There are extremes to everything.  In backpacking there are also.  On one end of the spectrum, there are through-hikers. These hikers are in it for the long haul. They hike long trails like the AT (Appalachian Trail) at 2190 miles, the PCT (Pacific Crest Trail) at 2650 miles, or the CDT (Continental Divide Trail) at 3028 miles.  If they complete all three of these, they are triple crowners. There are many more shorter trails, but these people want to go from one end to the other non-stop. It may take up to 6 months of hiking to finish. These people can hike many miles in a day, but most average 20 miles a day. Then there are the section hikers.  These folks are like the through-hikers, but they don't have all the time the through-hikers have. So maybe they will hike 200 miles this year, and another 500 miles next year. They will do sections of the long trail until they have it complete. Then there are weekend warriors. This is the category that I fall into. I go out for a night or two and then it's back to work for me. I do envy the folks that can go out for longer stretches, and maybe I'll start to do more of that.  I really need to get back in shape first. The way these people think is also different. Their philosophy about hiking is different. Through-hikers are in for the miles mostly. They still love the views, but they have miles to make. They keep their pack weight down so they can travel faster and longer. The term they use is ultra-light, and they pack minimally. Section-hikers are sort of like through-hikers but probably carry a little more. Weekend warriors, like me, like to go lightweight, but it's not as important to us.  We are only going to be out for a night or so and can put up with the weight more easily.  Not to say we are stronger, but we are traveling fewer miles and only staying overnight a day or two. We are in it for the views, and breaks are welcome because we are out of breath and need them. LOL
 

I first started hiking when I was 50 years old.  A little late in the game. My son and I would go to state parks and start to hike.  I started watching YouTube videos of people hiking the AT (Appalachian Trail) and how they would camp out with the stuff they brought with them. The adventurer in me got excited, so we decided on a trip that we were going to backpack. It was a loop trail (one that goes in a big circle),  and we would have to do it by hiking over 10 miles a day.  We had to start training because we could only hike a couple of miles, and we had no gear.  So we started hiking and acquiring  gear. Our first 10-mile hike was from our house to the Cliffs of the Neuse State Park which is 10 miles from my doorstep. We picked this one so my wife could rescue us if we had troubles. But we made it! It only took 31/2 hours to do, and we looked homeless with our full packs on.  We made it to our campsite, and the ranger came by and asked us where our car was. When I told her what we had done, she looked at us like we were crazy. But it wasn't the first time we were looked at like that. When we went out for training hikes in state parks, we were the only ones in full packs with trekking poles. We got a lot of strange looks. But it worked. We went on our first long-distance hike in the mountains in the cold. It was so cold that the water in our water bladders froze. But we hiked our 10 miles down into the valley and back up. (up was much harder) LOL. I was hooked! I loved the views and the exercise it took to get to them. I loved taking photos in places that photos were not always taken because it was too hard to get to for most. I loved how we set up camp and made a fire to keep warm. How we cooked dinner. I loved everything about it, except for leaving.

 We did a lot of backpacking in those early years. A bunch of state parks but some of our best were in the national parks. The Smokies have lots of trails to hike and places to backpack in.  Our longest trip was 36 miles over 3 days and 2 nights on the AT.  We were there when all of the through-hikers were coming through.  We slept in a shelter with a dozen of through-hikers and a couple of dogs. We had a fire going and it was awesome. It felt great to be with these hikers who had hiked over 165 miles to get to this shelter.  It only took me 12 and I was pooped! I am looking to have many more experiences like that one in the future. I do need to get in better shape. I still have my Covid weight on and I was too big before then, so I have a lot of work in front of me. My photography goal for this year is to visit and explore all of the national forests in North Carolina, so this will be a big opportunity to get out in the woods again and do some backpacking.

So until next week please stay safe and healthy and get outside!
 

Hey Everyone! I hope today finds you 

Remote Shutter Release devices are essential equipment for a photographer as far as I am concerned.  They should be in everyone's camera bag. They are used to eliminate shake caused by your hand when pressing the shutter button. They are used for longer exposures to eliminate shake that could make your photos blurry. Using them while taking photos of waterfalls or astrophotography will make your photos sharper. They also come in handy when doing macro or close-up photography.

There are a few types of remote shutter releases. The most inexpensive is a cable shutter release. It uses a cable that hooks to your camera, and then you press a button on the other end of that cable.  You can pick these up at Amazon or any camera shop. Just make sure you get one made for your make and model of camera. The next type is an infrared shutter release. Much like a TV remote, you must have a line of sight between the remote and the camera. (This is the drawback to this one.) If you lose line of sight, your signal may be disconnected. The next type is by using an app on your phone. Many of the newer cameras have apps that can go on your phone, and you can hook your phone via WIFI or Bluetooth to your camera and control it via your smartphone. The last type, and the type I primarily use, is the radio-triggered shutter release. On these, you have a receiver and a transmitter. The receiver hooks to your camera, you hold the transmitter, and using radio signal you can trigger your camera to shoot. When using radio waves, you don't have to have a line of sight. This means you can be around the corner or have the transmitter in your pocket and still use it. This comes in handy, especially on cold nights when you want to keep your hands warm. There are cable-remote shutter releases that have timers built into them that will take multiple photos over a period of time. Very handy when doing astrophotography and taking many photos and then merging them together in Photoshop.

I use the Sony system so all of my releases are made to connect and control Sony cameras. My first shutter release is a cable release made by Sony. This release doesn't only control the shutter but can also control the zoom function Screenshot and focus when using certain lenses. It can also start and stop recording video. This is a nice remote, and it uses the battery in the camera to work. My other cable release is my primary one. It is a Korean-made device by the company SMDV. The model number is RFN-4rx. The receiver attaches to the hot shoe of my camera, and a wire then plugs into the camera. You can change the radio channel if it or another transmitter interferes with your camera. The transmitter and receiver use one AAA battery each. I found this company when I was a Nikon shooter, and they had a receiver that plugged into the 10pin connector on the front of the camera with a little antenna that I kept hooked to the camera all the time.  It Screenshot was a fantastic system and I loved it.  When I moved to Sony, I had to wait a little until the company made one that would work on Sony. And when they did I got one. I love the way it works and it is very dependable. The transmitter has a strap that can go around your wrist to keep you from dropping or losing your transmitter. This is very handy around water or waterfalls, one of my favorite things to shoot. The only drawback is that you have to make sure the batteries don't go dead in your bag over time between using the shutter release.

Using a remote shutter release will make your photographs better when doing long exposure. So until next week, please get out and shoot!

Hey Everyone! I hope today finds you 

Microfiber Lens Wipes- Now this might not seem like a first aid product but for me its real important.  I wear glasses and I need to keep them clean. I am a left eye dominate photographer which means that I smudge my glasses almost every time I take a photo.  So keeping my glasses clean is a full time job.  I use some pre-moistened cloths that I get from Walgreens. These are what I use everyday so I just slip a couple of these in my kit. These are also great for cleaning tough stuff of of your camera lenses too.

Sunscreen- My daytime job keeps me indoors most of the time so when I go outdoors I can burn fairly easily.  When I was younger I was outside all of the time and would burn once a year and that was it . I would tan up pretty good and didn't have to worry about the sun. But with age and my indoor job I have to be careful. I take a single pack of Banana Boat SPF 30 were ever I go.  I like taking these single packs instead of a bottle or a tube because it saves space.  I usually put on my neck , face and forearms and if I'm wearing shorts my legs also.

Insect Repellent- Here in North Carolina there are lots of insects but Mosquito's and ticks are what I'm trying to get away from me. I use a product through backpacking that I found to be very effective. I use Picaridin insect repellent lotion. I like this much better than any other repellent that I have used that has DEET in them.  What I really like about this product is that it can last up to 14 hours after applying .  Its not greasy or smelly and a little goes along way.  I buy these in single packs also. I use the packs when I go backpacking and now when ever I go to a mosquito infested area. (like my backyard sometimes) Its a little pricy but worth it.

Other Stuff- I have some other misc. things I bring. One is a couple of those toothpick Floss thingy's.  If your out and about having lunch these come in handy.  I also have an old film container that I put Tums, Ibuprofen and benadryl.  I usually have a bandaid of some sort put in my little kit also. Because stuff happens .

This might seem like a lot of first aid stuff to carry with you in your camera bag but its a very small kit and remember its not just for you but maybe a fellow photographer or hiker that could use some insect repellent or and Ibuprofen .  I have more than once given some insect repellent to a fellow photographer in need. So think about a little kit that you can customize for your camera bag.  Hey and don't forget water and food. I usually have some sort of power bar and I always carry water. You don't want to get dehydrated that's not good for you either.  Well until next week get outside and keep shooting !

Hey Everyone! Hope you're doing well today! Spring is here! In North Carolina spring is in full force with pollen, springtime storms, and weather changes. Here in North Carolina the weather can change from in the 80s one day and freezing the next in springtime. Today I want to talk about the hazards associated with springtime into the summer months.

Pollen - In NC in the springtime, everything turns green! Not only the flowers and the grass but the roads, your car, your house, everything turns green. The pollen that happens here is terrible.  I never used to notice it when I was younger, but now it seems like it's everywhere. And if you're allergic, I feel for you because this stuff is everywhere. For those who haven't experienced this, it can be crazy. You can park your car in the driveway, and the next day when you drive away you can see the outline of your car on the pavement.  You can see clouds of it coming off of the trees when the wind blows and streams of green when it rains. If you're allergic, take your meds because you Farm Springtime Fence will need it. If you're doing photography, keep your lenses clean and cameras put away when not shooting to keep them clean.

Bee's and things that sting - With the pollen come the bees, wasps, hornets, and all types of creepy crawlers. As the temps warm up things start flying. If you're allergic to bee stings, make sure you have your Epipen close by. It's been a while since I've been stung, but I know it will happen again one day. Mosquitos are something else to deal with here in NC, especially near the coast and water. Down east they are the beast that have to be reckoned with. They can really make or break a good hike or photo shoot. Summer Tree Flare

Reptiles - I'm not a big fan of these, but we have plenty here in NC. And when the weather starts to warm up, they start to move around. Good advice is to never put your hands or feet where you can't see them. Snakes are my biggest fear when hiking around in the woods. Copperheads and rattlers are my biggest fear, but any kind of snake can scare the bejeebies out of you if you're not looking for them. Being aware of your surroundings is the biggest thing you can do to prevent an unexpected encounter. Another reptile we have in NC is the alligator, mostly found on the eastern shores of the state. There are not a lot of them, but if you're in swampy water I would beware.

Furry Critters - Springtime is when all the moms in the forest seem to come out, whether it's bears, foxes, or rabbits. I don't really have much encounter with these animals, because compared to them I'm pretty loud in the forest and they can hear me coming from a mile away.  Beware of mothers with their young. Give all of the creatures in the forest space and respect. Don't rush up to a mamma bear with cubs saying how cute and try to take their photo. You'll certainly get an eye full. Full of Mamma Bear. So give these animals a wide space. Remember, you're their guest in the forest, not the other way around.

Springtime is a great time of year to be out in nature!  Flowers are blooming, things are turning green, trees are getting their leaves again. After being cooped up in the house for the winter, it's great to get outside and enjoy the warmer weather and all of the beautiful surroundings. Just make sure you're careful, and enjoy the outside. Get out and shoot!

Gardenia Hey Everyone! Hope all is well in your world. This week I want to talk about my close-up photography setup. When I say close up, I don't want to get people confused with the definition of macro photography, which is photography producing photographs of small items larger than life-size. Like a fly's eye where you can see all of the lenses in it. I use the same setup for both Macro and close-up and pretty much call them the same, close-up photography,  even though it may not be technically correct. Either way, my setup is the same. Close-up photography is a great subject for photography, and one can spend their whole career just shooting close-up. This can be done in your backyard or in your home photographing things Autumn Nut up close.  The same lighting principles apply to shooting close-up as portraits or product photography.  So if you can do either of those, you can light close-up subjects as well. Not many tools are needed:  camera, lens (macro lens ) or extension tubes

Camera- Just about any camera will do. I use a crop sensor mirrorless Sony for my main camera body. Full frame will work well also and even micro 4/3rds will work. There are even some point-and-shoot cameras and  Straw Circles Smartphones that will work. I prefer using a camera body that I can change the lenses on. I choose the mirrorless cameras because, for a few bucks, you can get an adapter that will let you use almost any kind of lens on it. I use what I call a vintage lens, but some just call it an old lens. LOL 

Lens- Like I just mentioned I use an older vintage lens for my close-up photography. It's a Nikor 60mm f2.8D micro lens. This version of the lens came out in the early 1990s, but you can still find them on the internet. If you get one in good condition, you have a great lens. These lenses were called the Swiss army knife of lenses because they were so versatile. They can be used as a macro at a 1:1 ratio. They are great for close-up photography and can even be used as a portrait lens, as the equivalent full-frame focal length is 90mm. On my crop sensor Sony, I use this lens with an adapter to my Sony A6500. The adapter is a $20 adapter, which will make this lens mount to my Sony and make it a  manual lens.  This is okay because focusing really close-up stuff with autofocus is really hard. The peak focusing on my Sony will tell me what is in focus and what isn't. This is a fairly small lens that isn't overbearing on my small camera body. I love this lens and will probably never get rid of it. It's the only Nikon I have left from when I was a full-time Nikon shooter. You can also use extension tubes that attach between your lens, say a 50mm lens and your camera body. This lets you get closer to your subject, keeping it in focus. This does work and I have had some success using them, although I do prefer using a dedicated lens. These extension tubes are cost-effective. You can get a set for under $50, and some have the connections in them that let you use autofocus and exposure.

Lighting- When lighting your small subject, you don't need a lot of light.  I have a few small portable LED lights that I can use from Lume Cube. These little lights work great to put some light on your subject.  When things you're taking a photo of are so small, you have to get close and your body can cast a shadow on them.  Using portable lights is a great way to fix shadows that you create. Another way is to use an inexpensive ring light that hooks to the front of your lens and then hooks to your camera, so when you press the shutter button the lights brighten up to light up your subject. These are great for shooting flowers. I have an inexpensive one that I use.  The same saying for buying equipment "buy nice or buy twice" still applies.  But I only shoot close-up every now and then, so I skimped on my ring light. But if I were doing this all of the time, I would buy a more expensive one just for the durability.

Tripod- This is something that every photographer should have.  You don't have to buy anything special, but using a tripod will help you get nice crisp sharp photos. I use my main tripod, which is a travel carbon fiber tripod that I use for everything else. There are some clips made especially for macro work for flowers that you buy to attach to the flowers to keep them still in the wind while you're trying to do close-up photography.  They attach to your tripod, and then a small arm like a pipe cleaner with an alligator clip attached lets you position the flower and keep it still. I don't have any but would like to get some because the wind is always blowing when I want to shoot close up.

Well, that's pretty much my gear setup.  It doesn't take much to do close-up photography. It does take time and imagination, like any type of photography, to make great images. So until next week keep safe and healthy and go explore the world of close-up photography.

 

Hey Everyone! I hope everyone is healthy and safe today. This week I want to talk about teardrop trailers. I have been a teardrop owner for 5 years now, and I have some things I like about them and things that I don't.  Teardrop camping trailers have been around since the 1930s, and there are almost cult-like groups that love the little trailers. Some build them from scratch and are works of art, and some are mass produced like mine for those of us that aren't as handy as others. These small trailers are cute and full of neat things, like kitchens, TVs, queen-sized beds, and some have air-conditioning also.  The little tear-shaped trailers are lightweight so any vehicle can tow them, from a mini-cooper to a full-sized truck. So here goes my list.

Likes

- I love the build quality of my trailer, and most if not all are well made, sturdy, and built to last a lifetime.

- I love that my wife can come with me camping. We used to do tent camping, but as we gt older I wanted to get something nicer for her to go _DSC6464 camping with me. Camping in the trailer is really "glamping" or glamor camping. With everything, including the kitchen sink, it's really a comfortable camping experience.

- I love all the gadgets that come with mine. I have a TV, refrigerator, stove, sink, stereo, Blu-ray player, and even air conditioning. All of these work off of a battery, except for the AC.

- I love that it is very towable. I have towed this with my truck, Honda Pilot, and CRV.  It's very lightweight and you don't even know you're towing it.

- I love how it sleeps. Much better than a tent.  Plenty of room for me, my wife, and Forrest the wonder dog.

Dislikes

- The price.  These little trailers can be pricey. You can get a basic model for maybe $5,000, but they can easily get into the tens of thousands of dollars.

- The freedom I lose having to pull a trailer. When you drive pulling a trailer, you have to really pay attention to where you go, making sure you have room to turn.

- Set up of the trailer.  If it was just me, this would be an easy task. Level and done. But when my wife comes with me, we have a side tent that we set up for her to stand in to dress. We have an awning that we put on the back with a separate bug net that takes time to set up. So after driving a few hours to get somewhere, you still have to back up the trailer (I suck at this) into the spot and set up the awning and side tent.

- The attention that it draws. In the campground we always get people coming up to check us out and say how "cute" our setup is.  It's all very nice, but I still don't like it being called "cute" LOL

- Planning. With the camper, getting into campgrounds takes some planning. You just can't pull into a campground expecting to get a place to stay. You will probably get no room at the inn. With the increased popularity of camping and the outdoors, especially since the Covid outbreak last year, the campgrounds are booked and you must plan at a minimum a month to three months in advance to get a spot. The really popular places may be up to six months. 

Now don't get me wrong. I love my little camper, and now I'm starting to customize and update our little trailer. As I make customizations to the trailer, I'll keep y'all in the loop. We've just gotten back from a trip last weekend, and if it wasn't for the trailer we wouldn't have gone. It was a very windy weekend, and we just hung out in the trailer, watched a little TV, and cooked in our little side tent that kept us out of the wind. So another trip salvaged. Hope you enjoyed this blog about our teardrop trailer, and maybe you can check one out for yourself. So until next week get outside and explore!

Hey Everyone! I hope everyone is safe and healthy. This week I want to talk about exploring one of North Carolina's four national forests. At 159,000 acres, it's the third largest of  the NC national forests. Located in Eastern North Carolina, it has lakes, rivers, and hiking trails. Lots to explore. This may take longer to explore than I previously had planned in my yearly project, but I'm going to stick with this plan even if it takes me many years to do. I plan on doing most of  my exploration mainly in colder weather because the bugs and the heat are crazy during the spring and summer. This national forest is the closest to my home, and I plan on taking many one-day trips to explore and a few overnighters. I'll be using my trusty old truck Betsy that I have talked about in previous blogs.  She's a 21-year-old truck but in very good condition with a camper shell on it, and on top of that I have my new exploring vessel, my canoe. No name for the canoe yet, but I'm still searching. 

Last weekend I took my first exploring trip to Croatan.  I have taken a couple of look-and-see trips just to get my bearings. But the weather has slowed down my exploration. We have had a very wet end of last year and start of this year.  The ground everywhere is very saturated with water, so just a little rain floods the land.  The rivers are swollen and the currents strong, so I haven't ventured onto the rivers yet with my new canoe. Being a new paddler, I don't want to have to fight currents and such yet until I get some more experience with the canoe. Next year I plan on starting river exploration in North Carolina, but I need to get my skills better with the canoe first. My first trip was to Catfish Lake where I planned to do some paddling around this lake.  I went to this lake fairly early in the morning.  You have to go on a forestry road that is not paved to get to the lake. The main road was in good condition, and I could tell that it had been graded recently. The road to the lake off of this main road was another matter.  The rain had done its damage to the road, and large potholes were everywhere.  I had to dodge and endure the holes and probably could only do 5mph down this road. The lake is surrounded by thick overgrowth and can only be accessed in a couple of places. I came to the first place just a turn out with about a 30-foot clearing.  I decided to go farther to the main boat launch. When I got to the road, it was flooded in one place. My truck is not 4-wheel drive, so I didn't go to the main launch. I turned around and went to the first launch. I got my canoe off the truck, got my camera and all my stuff together, and went out on the lake. I was probably the only one on the lake.  As the wind started to pick up, I tried to stay close to the shore out of the wind in the protection of the trees. I really didn't see any wildlife but did see a lot of duck decoys, so I'm sure if you're here at the right time of year there would be migrating birds here. I had my camera loaded in a pelican case, and as it was my first time with my camera in the canoe, I practiced getting it out and back in the case.  I took a few photos, but just at decoys. After about an hour, the wind got too strong for my paddling skills, so I did the smart thing and got out of the water and put my boat back on old Betsy. It was now mid to late morning, and I wanted to do something else while I was in Croatan. So I found a trail to explore.

Island Creek Trail is about 2.5 miles off the trail and follows the creek. This is a black water creek where the minerals from the soil and trees make the water tea-colored, but in the creek it makes the creek turn black. I am horribly out of shape and overweight. I was already overweight when the virus started, and I just got fatter after that.  Its been a while since I did some hiking, so even this little hike was quite a workout for me. I started at the trailhead. This is a loop trail, so when I came to the fork, I took a right and went by the creek. The creek is filled with cypress trees and knees by this winding creek. This trail gets lots of traffic as the path was well worn. There are lots of side trails that can take you toward the creek.  The trail has some signage telling you what trees are what and very little in trail markings to let you know that you're on the right trail. But it's very easy not to get lost. This is a delightful trail and took me about an hour and a half to complete.

My first exploring trip to the Croatan National Forest was a success. The idea that I had taking my canoe with me was a success and there will be plenty more trips. I already have reservations to take my little teardrop to Cedar Point Recreational Area to do some more exploring with my wife. Forrest, the wonder dog, did not accompany me this time. I want to get better at paddling before I try to get him in the boat, but I hope to soon. I have another trip planned with my wife and the teardrop trailer to Cedar Point near Swansboro. So until next week keep exploring and get out and shoot.

Bluff Mtn Summit Hey Everybody! I hope everyone is healthy and safe today.  Today's subject is about backpacking and the things I love and hate about it. Now, I'm no expert. I haven't hiked the Appalachian Trail, but I've been on it. I'm not super fit or young.  I'm just an upper-middle-aged old guy (LOL) that likes to get out into the woods every now and then. For those of you that don't really know the difference between hiking and backpacking, hiking is something that you do in a day. "I'm going to hike this trail today." Backpacking is hiking on steroids. When you backpack, you're planning to be gone for a couple of days, and you're carrying everything in your backpack to survive on the trip. Your shelter, food, clothes, everything that you think you will need for the trip. It's hiking and camping all rolled into one, and being a pack mule is part of it. So with that explained, I'll start with the things I love and the things I hate list.

Love 1 - Isolation. I love walking in the woods, and backpacking can take you deep into the woods. And the deeper you go, the less people and civilization that you see. Depending on where you are, you might not see anyone at all, or maybe one or two other people that are backpacking also. You are away from all the sounds and smells of the city, and you can really smell, feel, and taste the forest. It's a wonderful feeling.

Love 2 - I love the exercise that you get. Hiking 10 miles with a 35 or 40 lb pack doesn't seem like fun, but if your gear is dialed in and adjusted properly, you really don't feel the weight. Backpacking in the woods is much different than taking a walk in the park. The uneven ground up and down hills really gives you a workout. You really have to be careful that you don't overdo it because you can get injured if you're not careful. And deep in the woods is not the place to get hurt.

Love 3 - I really love the gear. I am a gear head and love all of the backpacking stuff I take with me. Backpacking gear needs to be lightweight, durable, and dependable. Minimal is less. So managing what you bring and what you don't bring is key to a successful experience. Weight is very important. Remember, you're carrying everything from water to your tent. There is an old saying, "Ounces = Pounds and Pounds = Pain."

Love 4 - Sleeping in the woods.  After a long 10-mile day and setting up camp doing all of the camp chores that you have to do, settling into your tent or hammock and finally resting for the night is awesome. Be warned, you might need some earplugs because of all the noises in the forest, which is all the bugs and creatures doing whatever they do. But after they have gone to bed, it's quiet.  I mean QUIET! It's fantastic.

The "AT' Grayson HighlandsMax Stansell Photography Love 5 - The speed.  Traveling at 3 miles per hour or less is fantastic. Everything is not in a hurry  If you drive to work or to the grocery store, it's like a race on the roadways. Everyone is in a hurry. When you're in a hurry, you miss a lot of things. When you slow down to a walking pace, you see more. Seeing things that other people haven't seen is awesome. As a landscape photographer, it's nice to take photos that you know a lot of people will not get because they haven't traveled to get there.

Hate 1 - Carrying water. Water is the most important thing that you will carry with you. It is also the heaviest one. At 2.2lbs per liter and with all the exercise you are doing, you need a lot. It can be bulky and cumbersome to haul water.  This is where planning comes into play. Knowing when the next water source will be close by and having a water filter to purify it is key. So carry enough water to get to the next water source.

Hate 2 - Going uphill. HATE, HATE, HATE.  This is an old fat man thing. Many people enjoy going uphill, but I have to take many breaks because my heart is pounding and I'm out of breath. If you're young and fi,t this is no problem. My son cruises up these hills like they are nothing and is constantly waiting for me to catch up. 

Hate 3 - Going downhill.  Not as bad as uphill, but my knees take a pounding.  Another old fat man issue. But I do like it more than going Walking down the PathWalking down the Path First edits with Luminar as a plugin to lightroom. I think I'm going to like it. #MaxStansellPhotography #funwithphotography #Getoutandshoot #awesomestuffisee #SonyA6300 #alphashooter #NorthCarolinaPhotographer #NorthCarolinaLiving #visitNC #NorthCarolina uphill.

Hate 3 - Snakes EEEEK!  I'm not a fan. I am always on the lookout. Now to be fair, I have only seen a few while hiking, but I am always looking where I put my feet and hands when out in the backcountry. If you stay on the trail, you will most likely not see any because they know that the trail is traveled by humans, and they want to stay away from you also. But when you go to the bathroom, you have to do it like the bears do and go in the woods, so you have to be careful where you step.

Hate 4 - Driving. Where I do most of my backpacking it's a good 2, 3, or even 4 hour drive to get to.  I really hate the drive to and especially back home. On the way there, driving takes so much out of you that your first day is usually a struggle. You drive a few hours there through traffic, and then you get to the trailhead and have to hike 6 to 10 miles. On the other end, you've just hiked 6 to 10 miles, then you have to drive through traffic home. It sucks.

Hate 5 - Leaving the trail. After you have backpacked for a few days, you are just getting in the groove. I once took a 36-mile backpacking trip for 3 days split into 12 miles a day, and each day I got stronger and stronger. I would love to take a week-long trip to see how I would feel after a week. But that last day getting to the car as your goal, when you get there you feel a good sense of accomplishment, but then you have to put your stuff away and drive home. It's a big change in such a short amount of time going from forest to interstate.

These are just a few of my loves and hates. There are many more, and most of them are loves. The overall experience is great. You get the sense of adventure, exploring, and seeing the world from a 3-mile-per-hour perspective instead of a 70-mile-per-hour rush to get wherever. You also get the accomplishment of planning a trip and carrying it out. Instead of using horsepower from your car, you're using human power to get somewhere. It's quite a thing.  So until next week, get outside and explore and shoot!
 

Hey Everyone! I hope today finds you safe and healthy! Today I want to talk about my studio lighting set up and the strobes, flashes, and light modifiers I use. Now if you follow me I am primarily an outdoor photographer, and usually the only light I use besides sunlight would be some kind of LED portable light, like a Lume Cube. But did you know that I used to do a lot of tabletop photography and used strobes quite a bit? I have done portraits, mainly head shots, but I have shot weddings and even a bridal shoot. Now, I hardly do any of that type of photography and have scaled down my strobes that I used to use.  Usually, I just shoot portraits for family and friends.

Metering- When using external flashes, I find that an external flash meter is a must to get perfectly exposed shots. The meter that I use is an old one that you can't even buy anymore. It's a Sekonic L-358 and I just love it. Sekonic is the brand that I would always go to.  These meters help you get the perfect exposure using incident meter reading instead of  TTL or reflective meter reading that your camera gives you. Using this meter is easy. You just dial in the settings that you want to use and adjust your lights to it. I love this type of metering using flashes or strobes.

Blue Water Splash Flashes/Strobes- Now I have to say I have a lot of flashes. When I first started with flash photography, I started with inexpensive flashes that only 20170826_untitled shoot_0001 shot in manual mode, no automatic modes and no TTL(through the lens) capabilities.  You can get these flashes for about $50 each. The ones I got were from Yongnuo, a third-party company that makes inexpensive flashes. I have made lots of amazing photos on my tabletop studio with these flashes, and they still work great.  And if they break there is no big deal because they are so inexpensive compared to a brand name flash that comes in at over $300. I probably have four or five of these and don't use them too much anymore except for fill flash on special occasions. I have other flashes also that I use that are more high-tech and use TTL. I can use these on the camera for fill flash, like if I was shooting an event. I have a Flashpoint and a Yongnuo one, and they both work great. I also have a small flash that is the Neewer brand that is small and kind of matches my small mirrorless camera that is handy to carry around. My main strobe light is a Flashpoint Evolve 200. This small flash-like strobe is about 2 1/2 times the strength of my other flashes and is what I use for my main light when doing portraits. I only have one but would love to have another. These are fantastic strobes that have many heads that can attach to Portrait Workshop them. They are battery powered and strong enough to use outside if you wanted to overpower the sun for a special shot. They are radio-controlled, which means I can change the settings on the fly, and they also do TTL and high-speed sync. I used to have very large strobes, but these are just a little larger than a traditional flash.

Wine glass Splash Triggers- You can set off your flashes or strobes in a number of ways. They can be wired to one another and then to your camera so that when you push the shutter you get a flash. You can trigger them optically when you make one flash, like on your camera, then the rest of them flash. You can trigger with IR (infrared) like the remote control of your TV, or you can use radio signals to trigger the flash or strobe. Radio triggers are the most dependable because they do not depend on the line of site like optical and IR do, and they are not physically connected to your camera so you have freedom of movement. I have two different sets of triggers. The first one is Radio Poppers, similar to Pocket Wizards that used to be the industry standard but much cheaper.  They are a simple trigger that just makes the flash pop. My other trigger is an Godox X Pro trigger, and it talks to my Flashpoint Evolve and Flashpoint Flash and to an Godox Receiver that I can hook to different flashes. I can control each of the flashes separately with this trigger. It's very high-tech and awesome and may become the new standard, but as I'm not into flashes and strobes like I used to be, I'm not up on the latest and greatest.

Stands/Modifiers- This is where you can really go crazy because these things do not cost that much for a home studio.  You can get stands, booms, and any hardware relatively cheap, especially getting them a little here and there. Before long you have quite the setup. For light stands, I use fairly inexpensive ones. I think they were $25 each, and I have accumulated more than I need over time. Modifiers can come in many shapes and sizes. From the basic shoot through umbrella (my go-to) or the more elaborate soft boxes and beauty dishes, these are all fairly inexpensive if you're getting them one at a time.  My soft boxes are made by Wescott, and they fold up like an umbrella for easy storage as do a couple of different sized beauty dish soft boxes that are hexagon in shape. You can get lots of shapes and sizes on Amazon very inexpensively. Let me squeeze in backdrops in this category. I used to have some very large backdrops and stands that I would use when doing portraits, but I sold those and have many cloth remnants that I can put behind someone's head to make a simple back drop. These are very inexpensive, and you may already have these at your house. Also, for tabletop photography, a simple black foam core board on one side and white on the other is great for backdrops for product photography. They are less than $5 at your local craft shop.

As you can see, I have accumulated quite an array of items for my home studio. One thing I didn't mention is an old table that I use for the tabletop stuff.  I actually found this in a dumpster, but its like a 4x3 foot table that sits in the corner waiting to be used.  Like every other table, it catches anything when I walk in the room, so when I use it I have to clean all the stuff off of it. 

Well, I have rambled quite a bit this week.  So until next week, get out and shoot!

Hey Everyone! I hope today finds you healthy and safe. This week I want to talk to you about my GoPro action camera setup. Now I'm no videographer, but I do like to document my travels and exploration trips. I have a YouTube channel with some of the videos that I have made. Now, I am no expert on motion photography and don't need to do anything fancy. The GoPro is the perfect camera for me. It's small and simple to use. It's waterproof, so no need to worry about rain or dropping it into a lake or creek. It can be recharged on the fly with an external battery. These little cameras tick all the boxes for me on what I need for an action camera. The cameras I have are not the latest and greatest or the top-of-the-line GoPros, but this was done on purpose. First and foremost, the older models are less expensive but still quite capable to do what I need. The other two cameras I use are my phone and of course my main camera, although I don't use my main camera much, but maybe I should. 

The first GoPro I bought was a GoPro Session 4. It's a small square camera that can be easily hooked to a coat, a hat, or a backpack.  It's easy to use.  And like all GoPros, when used with your phone, you can manipulate all of the settings. You can also use your phone as a viewfinder, which this GoPro does not have. This older GoPro is the one that I use for my truck. I have a mount on my windshield and have it running to give me road footage while going to and from different places. It shoots in 1080p, which is just fine for me because I am not interested in shooting in 4K for many reasons. One, it takes up too much computer space, and two, because the files are so large, there is a longer upload time to YouTube.  But this little camera still works for me.

My newest GoPro camera is the GoPro Hero 7 camera.  This is a very cool camera, and it is much more high-tech than the first one. It has in-body stabilization that gives the look a much smoother shot, not as much jumping around. Much like using a gimbal to stabilize your shot, but maybe not quite as good. This little camera also has a screen on it so you can see what you are shooting without using your phone. But you can still use your phone to adjust settings if you want. The touch screen on this little camera works well. It also has removable batteries which means you can take extras with you and swap them out when one gets exhausted. My GoPro Session 4 does not, so when the battery dies you have to recharge before you can continue filming. The GoPro Hero 7 comes in a black and white model. The black model shoots in 4K and the white does not. 

How much do these older GoPros cost?  I just checked Amazon, and for the GoPro Hero 7 Black, you can get it for $249, and the white you can get for $160. Pretty cheap compared to the GoPro 9 that comes in at $450.  I'm sure it's a great camera, but I like the savings I get with the GoPro 7.  The GoPro Session 4 you can't even get off of Amazon because it's so old, but maybe you can find it on eBay or used somewhere. These prices are subject to change.

I like my little cameras and have fun using them. So until next week, get out, have fun, and explore!

Hey Everyone! I hope today finds you healthy and safe. It has been rainy and dreary here in North Carolina the last couple of months, and I haven't been on many trips to explore because of it. So today I thought I would talk about the photography phone apps that I use. Now, I'm not a big phone photography nut and use my regular camera most of the time. But there are times when the mobile phone is the best camera to use. When I take photos with my phone, I use just the camera app that came with the phone. There are apps that you can get that are supposed to be really cool, but I haven't really researched or played with any other than the ones that came with the phone. But I do have apps that I can edit my photos with and apps that help me take the photos. There are also apps that share between my computer and my phone so I have all my photography all the time. And there are apps so I can buy more stuff. Here goes a list of apps and how I use them.

Buying Gear Apps. I really use only three apps here: of course Amazon, B&H Photo, and Adorama. These are great to use when you're on the go and not at your computer. I like to use them when maybe I'm at a local camera store to compare prices or especially after I have purchased something so I can track it to my house. Three of my favorite words are "Out For Delivery!" LOL

Camera Operation Apps.  As cameras have become more high-tech, some features can be controlled by your phone, things like shutter release, lens control, and all of the settings. You can even see what your camera is seeing. I have three brands of cameras that I use to do this with: Sony, Canon, and GoPro. For the Sony I have Imaging Edge Mobile. With this, I can do all of the things listed above, but mainly I use it to connect my phone and camera together to use the GPS from my phone and transfer to my photos in my camera via Bluetooth. I can also download photos to my phone or tablet via wifi. I usually only do this if I'm out and about and want to post a photo to social media quickly. The Canon Connect app is what I use for my Canon point and shoot when I want to post quickly to social media. I can download to my phone via wifi and do a quick edit and post.   The GoPro App for my action cameras is almost essential while operating these little cameras because you can use it as a viewfinder to see what your camera is seeing to make sure it's pointing in the right place to capture the action you want. I also have one other camera-related app, and it's for my Lume Cube light. The LUME-X app lets me control the power and the color of the light from my Lume Cube. It's great if you're using it for video, and when pointed at yourself you can adjust without getting up to manually do it.

Photography Assisting Apps.  These are apps that can assist you in taking photographs. I used to have many, and now I only have a few because one app really does it all. The PhotoPills app is an app that can tell you where the Milky Way is going to be. It has a long-exposure calculator that can help when using neutral density filters for long exposures, depth-of-field tables, hyper-focal length tables, and a time-lapse calculator. It has an augmented-reality feature so you can see what your scene is going to look like in the day for night shots when it's pitch black. As you can see, it can do a lot! This app does have a price of about $10, but it is totally worth it for what you get. I also use weather apps, especially when doing night work or sunrise and sunsets. Weather Bug is my choice for weather apps. I just like it better than the Weather Channel as it seems to be a little bit more accurate for me. I also use an app called Clear Outside that will give you the percentage of low-level, mid-level, and high-level clouds in the place which will help determine the type of sunrise or sunset you will have.

Photo Editing Apps.  For me these apps are for on-the-fly editing for social media. I don't use them often, but they are handy when using my phone or tablet when on the go. The first one is the Lightroom app. This is a great app for a couple of reasons. One, you can take a photo with your phone and edit as you would pretty much on your computer and export it out the same way. But you can also sync photos from your main photo library, and they will go to your phone or tablet. This is great if you want to show off some of your photos, or you can edit on the go and your edits will sync with your mail library back home. Pretty cool! The next app is Photoshop Light. You can also make edits with this, but the main thing I use it for on my phone or tablet is to make a multi-photo collage to post to social media. It has some pre-made templates that you just plop your photos into, and it works great. The last one is the one that I  probably use the most, and that's Snapseed. It is a simple photo-editing app made just for the phone or tablet. It has tools and looks that can transform an ordinary photo into something special. Great for quick edits and posting.

Of course, there are more apps that could be classified as photo-related, like Google Earth, but I'll leave those for another day. I hope this gives you an idea of what I use as photo apps. There are hundreds of apps out there that are photo-related that I'm sure are really fun to play with, but these are the few that I use. So until next week, keep shooting and get outside!

Hey Everyone! I hope today finds you healthy and safe. Most every year I usually get myself something camera or photography related. But this year I decided to add something to my exploring adventures that didn't have anything to do with photography. I wanted to expand my exploring not just to land travels but to water travels also.  I have been doing a lot of research and decided to get a canoe. I didn't want to get a boat that was on a trailer I had to haul around because it would be too much trouble. I wanted something that I could load and unload off of my truck by myself. Now, I needed something that was lightweight, because I'm not getting any younger.  I also needed something that could handle me! LOL I'm not getting any smaller. The canoe was a perfect choice. But which one?  The search started, and let me tell you, there is a lot more to canoes than you think. First is the size. I wanted something large enough to carry Forrest and me comfortably and that could haul our things. But I also wanted something small enough so I could carry it by myself. So that meant a solo canoe. I found out that a new one ran from $700 to thousands of dollars and that they can be made out of all kinds of materials, like Kevlar, Carbon Fiber, thick plastic, Royalx, and all kinds of materials. Usually the lighter the canoe, the more expensive and fragile.  I also found that the hull shape also made a difference. The flatter the hull, the more stable the canoe, and the more rounded the hull, the less stable the canoe. Rounder, more curvy hulls are for rapids and not for long cruising, which I hope to do. Then there is the length of the boat. The longer the canoe, the truer it is in the water (it will stay in a straight line longer), and the shorter the canoe, the less true. So my research for the perfect boat began, and I decided that I wanted a boat that I could handle, lightweight with a flat bottom.  I decided that I wanted to buy a used one, so I started looking on Craigslist, Facebook Marketplace, and places on the internet that specialize in finding used canoes and kayaks.  I searched for a few months and found a few, but they got bought up before I could get a hold of them. It seems that larger and heavier canoes are easy to find and fairly cheap. But solo ones are hard to come by.  A friend of mine has an Old Town 12-foot pack canoe made out of Royalx material. It weighs 35 lbs, and Royalx is almost indestructible. And of course, they don't make Royalx anymore. These are very hard to come by and go used for over $1,000.  Brand new they only cost around $500, and you could get them at REI. But now supply and demand make them a very valued boat. Now, I have been saving for quite a while and have looked for quite a while for a boat and finally got tired of waiting for that perfect used boat to show up, so I decided to go new. I had it narrowed down to three boats: an Old Town Discovery 119 (119 is 11feet 9 inches), The Old Town Next, and the Esquif Adirondack. They ranged in length from 11-13 feet and weighed from 37 lbs to almost 70 lbs. They were all good boats, but the choice was easy after I saw them. It was the Esquif Adirondack canoe that is 12 foot long, weighs 37 lbs, and can carry over 500 lbs in cargo. So me and a buddy of mine went to Virginia to a paddle company, Appomattox River Company, and got my boat. So let me tell you a little about my new Exploring Vessel.

The Esquif Adirondack boat is made in Canada. Now, if you don't know, in Canada the canoe is what the horse was to us in discovery out west. We went out west in wagon trains and on horseback, and they went on canoes through the rivers and lakes of our northern neighbor. Now, if you remember, earlier I said that they don't make Royalx anymore, the material that is light and almost indestructible. When they quit manufacturing the material, Esquif decided to make their own material that is very similar to or even better than Royalx, and it is called T-Formex.  They even sell this material to other companies that used to make Royalx boats.  So anyway, the hull of my new boat is made from T-Formex, which is lightweight and durable.  The boat is 12-feet long and almost an exact copy of the the Old Town Pack canoe that I spoke of earlier that they don't make anymore. The Esquif pretty much replaced the void of the Old Town Pack when Old Town quit making the Pack canoe because of the lack of Royalx. The Esquif is a very basic canoe, and I have already made some adjustments to it. I added some bungee cord in the back, or stern, of the boat to hold cargo in place when I go on canoe camping trips. I put in a new seat that goes over the existing seat to give me some back support. I installed an accessory rack so I could install things like a Go-Pro camera mount or a rod holder or paddle holder. I plan on doing a few other things to customize the boat for me.  I'm sure there will be more blogs to come on the modifications and adventures I make with this new acquisition. 

Now that I have talked about the boat, let me tell you what I plan on doing with it. As you know, I am primarily a landscape photographer, backpacker, and hiker.  I love to explore and see new places and take photographs along the way to share with you. My project this year is to explore the national forests of North Carolina, and that also includes the lakes and rivers that run through them. This year my main goal with the boat is to get used to it, learn all of the ins and outs of paddling, and also do a little exploring.  In the next year or so, I may be doing a project on the rivers of North Carolina. I am looking forward to having many adventures with the new canoe and can't wait to share them with you. Until next time, please stay safe and healthy, and get outside, explore, and shoot!

AT Sign Hey Everyone! I hope today finds you healthy and safe. Today's topic is "Trip Planning." I love to take trips to photograph, camp, hike, or whatever. But I'm not one of those people that can just get up one morning and go. I need to have a plan, know where I'm going, and how I'm going to get there. What will I do when I get there? What will I see? I like to research all of this before I go and try to answer all of the questions I may have.  

This year my photo project is to explore all of the National Forests in North Carolina. I plan on doing them one by one, starting with Croatan Screenshot National Forest first because it's the most buggy.  I plan on doing most of my exploring in cooler weather to keep the bugs and snake activity to a minimum. So that is the first decision I made. When. My next decision to make is where in Croatan will I go? To figure this one out, I will use many resources. The first one I will use is maps. I use digital and actual maps to find out where things are. Things like trails, creeks, rivers, lakes, and campsites. Using maps lets me figure out how far things are. As I'm doing this, I'm making out lists, writing down the specific places Screenshot
that I find on the maps. Then I start the research.

Using my computer, I start to research the places that I have identified on the maps by using just a simple search on Google. It may or may not bring up stuff, and I can drill down further on stuff that it brings up.  If it's a photo trip (and most are), I'll go to one of my photo sharing sites like Instagram, Flickr, or 500PX and see what other people have seen at the places I've found. Maybe I'll try to take the same kinds of photos, or maybe I'll look just to see what others have taken so I don't do the same. Either way, I check. If it's going to be an overnight trip, I look for a place to camp. I try to look at places that I have not been to before. The type of camping accommodation is how I decide on what type of camping I do. If it's a really good campground, I might bring my teardrop camper.  But then that opens up a whole other can of worms because I have to get reservations to these campgrounds, many times months in advance because they are so popular.  Will I be backpacking into the woods? What are the trails like? What is the mileage that I will be expected to hike? Where is the parking area for my truck? Do I need to get permission to park? These are flickr
all questions that I have to answer using my computer while planning my trip.

Just before I leave, after I have come up with a game plan, I need to check a few more things. First, a week or so out I start looking at the weather. Using weather apps on my phone, I look in advance to see what the weather is going to be like.  I don't want to be out backpacking and a hurricane comes that I didn't expect. But I also want to look at how hot or cold it will be.  This will help me figure out what kind of clothes to bring with me.  I don't want to be overdressed or underdressed for the weather. 

Planning on what to bring with me is one of the last things I do.  I make a packing list based on what I found out with all of the research.  Will I be backpacking, camping out of my truck, taking my teardrop, or staying in a hotel?  This and the weather will determine what I bring.  If I'm backpacking, minimal is the word of the day. This is for cameras as well. When you're backpacking, ounces equal pounds, and pounds equal pain when you have it on your back. You have to pack accordingly. If I'm going to be camping in my truck or camper, I can bring almost anything. But I'm a list guy and have a list of all the things that I will take with me, from raincoat to camera kit and everything in between.

As you can see, this can be a very involved process, and my process might not be right for you. But if you're like me, you will need a process. So come up with your own.  Start planning a trip today!  So until next week, stay safe and healthy, and get outside and shoot!

Hey Everyone! I hope today finds you 

Exploring new things doesn't necessarily mean looking for forests or hilltops that I like to go to.  It could be a new town or place you haven't been to before and learning about the history of it.  Or it could be taking a walk and seeing the new stuff all around you.  If you're into history, there are usually plenty of historical things you can see in any city.  Antietam National Cemetery Learn the culture of the town and why it became a town. Maybe there is historic battlegrounds or settlements around the town. Maybe, if you're a foodie and love food, you could try out local restaurants in the towns you're visiting.  It could be a BBQ joint or diner that serves fantastic food that you would have never found if it wasn't for exploring.  I call these little day trips, exploring your backyard seeing what's in a day's drive from where you live. For example, from where I live, in a day's drive I can see the mountains, the ocean, civil war battlefields, revolutionary war battlefields, slave plantations, cotton fields, rivers, lakes, wildlife preserves, national forests, national parks, state parks, museums, cities, and small towns.  And that's just what I could think of off the top of my head. So when someone says that they have nothing to do or nowhere to go around them, they haven't looked.  Last year, during the virus and all of the shutdowns I still managed to visit all of the state parks in North Carolina. So it's possible. I'm a planner, so I like to look up where I'm going to see what I can find on the web, like major attractions, places to eat, local history, and what kinds of photos other people have taken while they were there.  This can all be done with Google searches.  

Cass Scenic Railroad State Park WV Exploring far-off places can be fun too, but to be honest I haven't done as much of this as I would like to. I haven't done a lot of traveling two or more states away from mine, mostly because of time constraints and having to have a real job to pay for everything. I just don't have the vacation time that I would need to explore the way I want to. But I do have friends that have that kind of time, and they plan trips to other countries and across our nation to do some exploring. If you have the time, this would be a way to go also. I know I would if I had the time. You can usually find a plane ticket on sale, especially if you book it in advance. I once went to Washington DC and took a train, Edenton Tea Pot and it was pretty awesome to explore the city on foot and by the mass transit system.  It really took me out of my comfort zone which was awesome! But if you can't do any of the long-distance travel, don't stop exploring! Explore your backyard like I do and take day trips or overnighters to explore the wonders of the world. Don't just watch it on TV.  It's only a car ride away.

So until next week, please stay safe and get outside and explore around you!

Hey Everyone! I hope today finds you healthy and safe.  The holidays have passed, and I hope Santa brought you something for your stocking. We as photographers have all kinds of gadgets and accessories to go with our camera kit.  And sometimes that takes more space than the camera and lenses do. I am all about being a quick and nimble photographer. To do that, you need to get rid of all the excess, even though I love all the gadgets. But sometimes I'm messing with all the gadgets and don't take the time it takes to see what I'm photographing, and I get too technical. I sometimes long for the days when I first started taking photos and used one camera body and one lens.  All of my time was taken up with looking and exploring for that next shot. I shoot a mirrorless crop sensor camera, so my kit is pretty small. But with all the extra stuff I can get bogged down. But here lately, the last year or so, when I'm out walking around, I like to take just one camera and one lens or so and even a prime lens (without zooming capabilities) and just shoot like I used to. It's really fun and frees me up because I don't have all that stuff to think about using. I just have a camera and a spare battery.  How liberating! When I'm out walking or hiking, I either have my Canon point and shoot or my Sony with one lens on and just go.  It's lightweight, I can carry in a fanny pack or a small backpack, and I'm not loaded down with all kinds of equipment. Now if I'm going to a certain place that I'm going to stop and shoot (like a waterfall), then I will bring all of my stuff (my main camera bag) with me.

This is how I do it. For my day-to-day travels like to work or running around town, I usually have my Canon G7xMII with me. It's a point and Bell & Howell /CannonHere is the new addition to my film cameras . 1961 Canon Canonet 19. shoot that can be shot in manual and has RAW capabilities and a large range focally from 24-100 (full frame equivalent) and can usually shoot everything I need. I keep it in a small pack that can become a fanny pack or an over-the-shoulder bag. I'll be doing a blog about my camera bags at a later date. (Stay tuned in.) I do take my main camera Sony A6500 and just one lens attached. My favorite lenses to attach are my 24mm Rokinon (36mm full frame equivalent) and a Sony 35mm that gives me a 52mm full frame equivalent. I love just walking around with the point of view with one of these lenses. Now if this is too restrictive for you and you have a newer smartphone, especially one that has multiple lenses on it, take it with you and use it for different focal lengths you may need.  A smartphone does great on wide-angle shots and panos. You'll still be quick and nimble and have all the lenses you will need. I have an older phone, but I still take it and use it when I need to. I have a shoulder bag that I call my purse that I use when I'm out with this setup (again a blog is coming on bags).

Being light and nimble with your photography will make you enjoy the experience better. If you're like me, getting older and bigger, not lugging around lots of stuff all the time is great. There are still times I like to take all my stuff with me, and I have a great pack to use with it (blog later LOL) that fits great and doesn't pull on you to make you uncomfortable. Saves your back. Photography is supposed to be fun and not a workout carrying stuff that you don't need. There is a time for all of that photography stuff you have, but it's not "all the time." So just take what you need in the smallest bag you can so you can be quick and nimble. I see people going to shoot taking everything they own packed into a bag that is heavy and bulky. So try going small and minimalist, and you will be able to travel farther quicker, clear your head of all the technical things, and just shoot.  

So until next week, stay safe and healthy and get out and shoot!

Hey Everyone! Hope everyone is healthy and safe today.  I have finally done it. I have made the 

This year I plan on (drum roll please) visiting and exploring all of the national forests in North Carolina.  There are four national forests in North Carolina, covering over 1.25 million acres of land: Croatan National Forest in the eastern part of the state, Uwharrie National Forest located in the central part of the state, and Pisgah and Nantahala National Forests located in the mountains of the state. Now you may say that there are only four forests to visit. That is true, but they are so big that to "explore" them it will take many trips to each forest to get the full experience of it.  That's the main theme of  this project is to "explore." Last year was more of a let's complete this checklist, but this one is more fluid, not set in stone. I will take as many trips as needed to feel like I have truly explored the forest that I'm in. I'm going to do one at a time. I will camp, hike, backpack, and photograph. This will be more of the experience from that of last year which was more of a checklist feeling. I plan on taking my fishing rods, maybe even get a canoe and paddle lakes and ponds, rivers and streams. Documenting the trips will also be a big part of it. I will make a couple of videos, but photography of course will be the main medium that I will use to document this project. My camera set up will not change. I have my kit pretty much dialed in. My trusty Sony A6500 will be my main camera body. I believe that it has many years left in it. My lens selection will be the ones that I have been using. Also, my little Canon G7XmII will also be with me, especially on the backpacking trips. It's small size and versatility make it a great backpacking camera. For video, my GoPro setup will be the same with a GoPro 7 being my main camera.

I will be doing a lot of camping with this project, which is something that I wanted to incorporate.  Hammock camping will be my first choice and hopefully a lot of free camping.  In most national forests, dispersed camping is free, although there are established campgrounds that I will also be visiting that charge a minimum fee. I hope to have backpacking be a big part of this project also, which means I have to get back into shape! UGGH! There are many trails to hike and explore, especially in the mountains. My truck, Ole' Betsy, will be my mode of transportation and my camping and exploring vehicle.  And of course Forrest, the Wonder Dog, will accompany me when possible.

So there, I have said it out loud. My project for 2021 will be exploring the national forests of North Carolina. So until next week, get outside and keep shooting!

Hey Everyone! I hope today finds you healthy and safe. Today I want to talk about something that is near and dear to my heart. Camera bags! I have had dozens of them, and I now find myself with what I think for me is a great combo. To me, camera bags aren't just a fashion statement but must function with ease and have all the bells and whistles that I want in a camera bag. To me they are tools, and no one bag fits the bill although I do have one that is close. I use three bags and, depending on what I am doing or shooting, will decide what bag and camera setup I use. Out of the three bags I use, only one of them is actually a camera bag. I have adapted other bags to take the place of camera bags. The three bags I use are the Shimoda Action X 30 liter camera bag, the MountainSmith Daylight Lumbar Pack, and the Zpacks multi-pack. I have used all kinds of bags over my many years of photography, and these three are the best and the longest-used camera bags that I have used. I'll start from the smallest and work my way to the largest.

Zpacks multi-pack - I first acquired this pack for backpacking. It was made by Zpacks that is a leader in backpacks in the backpacking industry. They were one of the first to use Dyneema for material in their packs. Dyneema is a material that pound for pound is stronger than steel and is waterproof. This pack was made to be a chest pack on my backpack, but it can be used as an over- the-shoulder bag and as a fanny pack. I use this bag for my everyday camera use. I carry a point and shoot Canon G7XmII for my everyday use, and when I go for lunchtime walks or driving from town to town, this is the camera that I have next to me. The bag is large enough to hold my camera and a few other things.  I can throw it over my shoulder or use it as a fanny pack. I love this little bag and will keep using it.

MountainSmith Dalight Lumbar Pack - I got the idea for this pack from Chris Burkard, an adventure photographer. He uses this bag as a shooting bag. I bought this bag and got a cheap insert to put into the bag to protect camera lenses and such. I use this bag mainly if I'm shooting an event or when doing street photography. I had an extra Peak Design camera strap (another story), so I used this to make a shoulder strap which is much better than the one that comes with the bag. This bag is large enough to carry one body and up to three lenses, filters, and such.  I usually carry one body and a few prime lenses when doing street photography. It works great, and I can change lenses quickly. People who have shot with me know that I call this bag my purse. It can even tote my iPad mini with no problems, another plus when doing street photography. I can stop at a coffee shop, have some coffee, and pull out my iPad to edit or browse the net.

Shimoda Action X 30 liter Backpack - This is my landscape and hiking bag. I love this bag and have had this one for over a year. I got it off of a Kickstarter production. It's made out of a ripstop water-resistant material. It was made for action photographers who ski and mountain bike, but it is perfect for landscape photographers. I shoot a crop sensor camera, so the 30 liter is perfect for me. But they make 50 and 70 liter bags also.  Attention to detail from a photographer's standpoint is what I love about this bag, and the craftsmanship in making this bag is great. Very high quality. I won't go over all of the details of the bag, but you can look it up on Google and read all about it. It is used by modern professional landscape photographers such as Nick Page. I like that it has a roll-top to it so when I go out in the morning all layered up I can shed the layers and have room in the bag to put them with no problems. I usually carry one to two bodies and three lenses: my 10-18, 16-70, and 70-350mm. 

With these three bags, I have the tools to move quickly and protect all of my gear while out and about shooting the world around me.

Until next week please stay safe and healthy, and get out and shoot.

Hey Everyone! I hope today finds you healthy and safe. Today I want to talk to you about why I think you should calibrate your monitor and how to do it. If you're a serious photographer in the modern age, calibration of your monitor is a must, and here's why. When you see colors in a scene, you want the same colors to be printed and published online. When we develop our photos on the computer, we use the screen, and we want to make sure that the colors we saw are the same colors that we have on our monitor. In other words, you want to make sure that the red ball you shot with your camera stays red throughout the process of processing your photographs to screen or to print. Your monitor must know what red is. Monitors' colors tend to drift, but with our eyes we don't really see it. So if I bring in a photo that I think was more red than I'm seeing, I can boost the color in my photo editing software. But if your monitor is seeing red, lets say more pink, then the output that you choose can be different than you saw. Have you ever printed something and the colors were wrong?  The reason is that your monitor was not calibrated and you made adjustments that you didn't need to, and then when you printed it looked wrong. When you calibrate your monitor, you are telling it that red is red, green is green, and so on. So when you edit your photos, what you see are the real colors. If you're like me, I don't see colors as well as everyone else, and I depend on the monitor being calibrated to keep me in check. And if you go further down the chain, you can also calibrate your printer, but that's a discussion for another day. Having all of your machines calibrated also helps. If you have a laptop and a desktop computer and you go between them editing photos, you want the monitors to be calibrated so that when you adjust one it looks the same as the other.  Okay, I may be rambling a little, but the point is you want your monitors to be calibrated for the best results.

How and when to calibrate. I calibrate mine monthly. You could do it more often but for me once a month seems to do the trick.  The how to this question is a little more involved. First, you'll have to get a monitor calibration tool. This tool hooks to your computer via USB, and then you place it on the screen of your computer. You start the program, and your screen will go through a sequence and show all of the different colors in the color spectrum. This device will see those colors and, when the program is finished going through its sequence, it will make adjustments to your screen so the colors are correct. Like anything else, you can spend as much as you want on calibration tools. But for about $150 you can get an entry-level one. X-Rite or Datacolor Spyder X Pro seem to be the leaders in this.  I have an older Color Monkey from X-Rite that I have been using for years, and it does okay.  

I highly recommend calibrating your monitors for accurate colors and also for the consistency that it will give to your photography. So until next week, keep shooting, get outside, explore, and have fun!

Hey Everyone!  I hope today finds you healthy and safe!  This week I want to talk about coming up with ideas that can become photo or just 

Another big project this year was my state park project.  I wanted to visit all of the state parks in North Carolina in one calendar year. This took a lot of logistics and planning to do. Some of these parks were far enough away that I had to plan overnight stays, which meant camping. You know how I like to camp. There were 34 parks and 52 weekends. I should be able to handle that, right? Well, then the virus hit us, and all of the state parks closed for a few months. But I got around that and took a week of vacation and went to 9 state parks to get me back on track.  I had a printed state map with all of the state parks and a spreadsheet where I would check off each state park as the year came around. I kept track of this on the dry erase board in my room. This project gave me the drive to go out and shoot while the virus and everything associated with it tried to keep me down and out. So projects keep you going.

Another photo project I had this year was to post to Instagram each day. I wanted the photos to be better than just a bunch of iPhone shots just to fill up space. At first, when my state park project started, I had plenty of photos to choose from. But then when all of the state parks closed, the project got me back into older photographs and maybe reprocessing some of them. That was a blessing, as looking back at all of those old photos brought back memories of times past.  

Right now I am trying to come up with a big project like the state park project for next year. On my idea board (dry erase board), I have many ideas of projects. I am still thinking about and researching what project I'm going to start at the beginning of the year. I want it to be a big project, and I want camping to be a part of it also. So that's a challenge. But right now I have 6 project ideas on the board to choose from and hope I get more in the coming days.  Also on my idea board I have big "to do" items, like paint the trim on the house and clean the garage. These are items that I just want to get off of the board. I would much rather be out shooting, fishing, camping, or almost anything else, but these to-do items. LOL  I also have some special projects on the board that I want to do, like there are some modifications that I want to do to my teardrop trailer to make it more specialized/unique. My idea board helps me prioritize what projects to do and what to do next. Some people may be able to keep all of this in their head, but for me the board makes it much easier to make decisions on what to do. The idea board also helps me keep up with upcoming trips. The virus has made campsites hard to get (everyone is trying to get outside), so I have to reserve well in advance and the board helps me keep track of that.  And of course I also put all of these dates in Google Calendar to help remind me. 

Well, that's enough rambling for now.  I hope this idea will help some of you make some photography projects and get you outside to shoot. So until next week, keep safe and healthy.

Max Stansell Photography Hey Everyone! I hope today finds you healthy and safe. This week I want to talk about black and white photography and why I like it. Way back when, when photography was shot on film, black and white photography was much more prominent than it is now.  At the beginning of photography, it was all black and white because there wasn't any color film available. But even after color film was invented, black and white was still the norm. In what I call the hay days of photography, from the 1920s to the 1960s, just about everything was on black-and-white film. I love looking at all of those old photos from my family and even in the National Archives from all of the famous people you think about when studying the art of photography, all shot in black and white. Majestic landscapes, news, sports, and portraits were all shot in black and white. Maybe I'm just nostalgic from the days gone past. But to me, things shot in black and white have that "timeless" feeling that I don't get with color photographs. There are lots of blogs and all kinds of tutorials that explain all of the techniques of shooting in black and white, but I'm more concerned about how a photograph makes you feel. I imagine that younger photographers who grew up with Goldsboro Fire House all-color all the time don't feel the same way that older photographers do about black and white. Don't get me wrong, there are some younger photographers that dabble in black and white. But most of the time it's color, vibrant color, that they go to. So when do I like to shoot black and white?

Max Stansell Photography Portraits - I love black-and-white portraits. To me, they seem to be sharper, show more detail in the face, and show more expression than color portraits. Think of all the black-and-white portraits of old movie stars or politicians that were taken in decades past. You see those photographs, and they just pop off the page. You get to the soul of the photograph without cluttering up the photo with all of that color.  I have a wall in my house where I have photos of my family members, but I made them all in black and white because I think they just look better. An old saying about portraits that I really like  is "If you take a portrait of someone in color, you're taking a photo of their clothes; when you take a portrait in black and white, you take a photo of their soul."

Landscapes - Big majestic landscapes are great in black and white! Ansel Adams, one of the most--if not the most--famous landscape photographers, shot in black and white. Even though in his later years color was available and he dabbled in it, he preferred black and white. I think that in some landscape photographs color just muddles up the photograph, makes it too busy. But if you change it to black and white, sometimes it just jumps off the page. Try to change some of your favorite landscapes from color to black and white. All of them won't work well, but some of them will be a lot better than the originals that you thought were great.

The MetroCommuters waiting for the Metro in Washington DC. Street Photography -  Nothing says black-and-white photography like street photography. Capturing scenes and cityscapes in black and white is the norm. This style of photography is where I think black and white really shines and is probably where it is the most used in today's photography. I think, again, it's the timeless look of the photograph that it shows.

As you can see, I'm a big fan of black-and-white photography. Please experiment with black-and-white photography, and I'm sure you'll become a lover of the "monochrome experience" like I am. Until next week, please stay safe and healthy and get out and shoot.

Hey Everyone! I hope today finds you healthy and safe. This week I want to talk about making an end-of-year book. This is something I started a few years ago at the suggestion of my photography club. We were making them to share at an end-of-year holiday party. But I really think that everyone should have one. So what is an end-of-year book?

An end-of-year book is a collection of all of your best shots from your year of photography. There are all kinds of books you could make, from family books to books on your pets, but this end-of-year book would be a book of all of your best work. If you're like me, I may go on a photoshoot and shoot 500 shots. Out of those, I may only have one or two that I would like to share. And out of those, maybe only one of them is noteworthy of printing in a book. But over the course of a year, you may have 40 or 50 really great photos that you should print. An end-of-year book is a great place to put them.  

Let's talk about why I think you should print a book. The first reason is that most of us, myself included, do not print enough. We don't have shoeboxes full of things we have printed like we did in the past. Instead, we now have them on a disc or drive somewhere, and nobody will see them or pass them down when we are gone. An end-of-year book is an easy thing we can do once a year to print our great work and have something tangible for people to hold, something to pass down to our grandchildren and theirs.  I recently made a book of all of my mother's photographs. She has Alzheimer's and knew her memory was going, so she sat down and labeled and sorted all of her photographs that she had. I found all of them in boxes, took them to my house and digitized a lot of them, and made a book that she could hold onto and look at the photos. I had them labeled with the names of the people from her past so she could remember now that her memory is not good. Books are a great way to do this. I should do more of them, but I'm pretty lazy like everyone else. 

This year I had a solid photo project of photographing and visiting all of the state parks in North Carolina in one calendar year.  I've got it all done now (pat on the back), but now I have to make my end-of-year book about state parks. There are 34 state parks, so the book will be at least 34 pages long and probably double that. There are all kinds of places where you can get a book made, from Shutterfly, Blurb, Snapfish, and a lot of others.  You can even get a book made at your local drugstore, like Walgreens. They usually don't cost much, and it usually depends on how many pages and the quality of the book you're making.  The bottom line is that it's much cheaper to make the book than it would be to print all of the photographs.

I know I have rambled quite a bit here, but the bottom line is that this is a great way to share your work with something that is tangible and something that you can pass down through the ages. So until next week, take some notable photos and get outside!

Hey Everyone! Hope I find you healthy and safe this week. This week I'd like to talk about winter photography and how to dress for it. Now, living in the mid-Atlantic 

Hands - Keeping your hands warm is key to photography, and our cameras in the cold are just cold hunks of metal that can suck the heat right out of your hands. Wearing gloves or mittens is the way to go. There are special photography gloves that you can get where the fingertips peel back out of the way while you are adjusting the knobs of your camera which comes in handy. I bought a pair of these special gloves a year or so ago and wish I had bought them earlier. Another thing you can do is use hand warmers. These are a must in my camera bag when it's cold outside. These are small chemical-filled bags that get warm when you shake them up. They can stay warm for hours and feel as good in your pockets as they do in your hands. They are inexpensive and great to have in your camera bag.

Head - Most of the heat in your body leaves through your head, so wearing some sort of head covering is a must in cold weather. I like to wear a stocking cap that is made out of fleece. It covers my ears and feels great. I also have one that has insulation built into it that also works great. The biggest thing is that it keeps the heat in and is comfortable and lightweight. I also like to wear a neck gator. This is a tube of cloth that is made out of fleece that you pull over your head to wear around your neck. You can also pull it up over your nose to keep it warm too. Eyes also need protection, especially when you're in the snow. The reflection can really harm your eyes, so wear sunglasses to protect your eyes.

Body - The key to keeping your body warm is to dress in layers. No cotton!! In hiking and backpacking, the term "cotton kills" is a popular saying.  Cotton may be comfortable, but it holds moisture. If you get it wet by sweating or by falling in a creek, cotton will hold all of that water, making you freeze. You want to wear layers of clothes that are made of a moisture-wicking type of material from your base layer (underwear) to your outer layer. Multiple layers will help you regulate your body temperature during the day. If you are hiking to your photo spot, you can take off some layers and put them in your camera bag. Then, as you heat up during the exercise of hiking, you won't sweat as much. When you get to your location, you can put on those extra layers you carried to keep you warm as your body cools off. Lightweight clothes are what you're looking for as you are layering, and heavy bulky clothes is what you want to stay away from. We want to be comfortable while we are on our adventure.

F eet - You must keep your feet happy when in the cold. Wear socks that are not cotton. Again, "Cotton Kills" in cold weather. Wool socks are a good option. They make wool socks that aren't itchy like the ones you're probably thinking about. In cold weather, I usually take an extra pair of shoes and socks and keep them in my vehicle in case I get my feet wet while out and about. A clean, dry pair of socks and shoes feel great after slogging around in wet conditions all day. Again, they do make feet warmers like the hand warmers that fit into your shoes to keep your feet warm.  I haven't used them much, but they could come in handy--or footy. LOL

As you can see, the key is to keep yourself dry and layer up to stay warm in cold weather. Now for extreme cold weather, you would have to have some heavy-duty outer wear to keep you dry and insulated. But for general cold weather, the above suggestions should help. So don't let the cold weather keep you from getting outside to do photography. Dress the part and then get outside!

Hey Everyone! I  hope everyone is healthy and safe this week.  This week I want to talk about light meters. There are basically two camps on this: those who are for light meters and those who are against them. I am for light meters in certain situations. Let's talk about light and how your camera works. First, light is the basis of all we do in photography. Without light, it's just a black square. Being able to measure light accurately is important when taking photographs. 

All modern cameras have built-in light meters that measure the light coming off of your subject. Your _MSP9577 camera sees this and makes corrections via computer for the shot, and you have a great photo. But the reflective light can be misleading, causing your camera not to get the best exposure. When you're shooting a dark subject, the light that comes off of it will be darker than everything around it and cause your camera to lighten your photo incorrectly, creating an over-exposed shot. And if your subject is white, just the opposite will happen. Your camera can get fooled. This usually only happens in very extremes of the light spectrum, and you will have to override your camera by some sort of compensation. Your camera is set to expose all of your photos to 18% gray. So technically, if you are over or under 18% gray tones in your shot, your camera will try to get you to that 18%.  Most of the time you won't notice this except on the extremes, and you can usually fix it in post-production software. The type of metering in your camera is reflective metering, meaning it measures what is reflecting off of your subject.

A handheld light meter works in a different way. It measures what it sees. For example, if you're taking a photograph of a dark subject, you measure the light at the subject. If you measure the light before it hits and reflects off of the subject, you will get a truer reading. So if you're taking a photo of a dark subject and you set your camera manually to the readings your meter got and take the shot, you will get a perfectly metered shot. If the light stays the same, you can move a white subject into the same spot, take the shot, and the same settings will apply because the light didn't change. Take the shot and you will have a perfectly metered shot. If you're doing a landscape, measure the sun and set your camera to the meter's readings, and you will have a perfectly metered shot. Using a handheld meter is incident metering. You are measuring what hits the meter not what bounces off of the subject.

So when should you use a handheld meter? Should you use it all the time? Okay, now let's get practical.  You could use a handheld meter all the time and get great photos, but it's not practical to do so. The meter in your camera will work great for 90 percent of the photography that is done. Landscapes, sport, Portrait Workshop-6 wildlife, and street photography are things that can happen fairly quickly, and using a handheld meter would get in the way. The one type of photography that I always use a handheld meter for is when doing off-camera flash and/or portrait photography with strobes. I find this to be the best way to set your lights and get the metering perfect each and every time. If you have a model, go to the model's face, point the meter at the light and pop the flash, and you can set your camera to what the meter says and have a perfect exposure. If your lights and subject stay in the same place, you don't have to meter again. With your Head Shot 2 camera in manual, you just shoot and everything will be properly exposed. Others will say, "Well, I only have to take a couple of test shots and adjust my camera or lights until I get it right in camera." And that is true. But to me it's sloppy, and I can meter once and have it perfect. Then I only have to think about my subject, posing, and composition. So in my humble opinion, when doing off-camera flash/strobes, it's much easier to use a meter, put everything in manual, and shoot that way. So I am in the for meters camp of thinking. There are many ways to get a light meter. And of course, the old saying "buy nice or buy twice" applies here. You can get apps on your phone that may also work. I bought one years ago, and it still works great. Sekonic is a brand name that is the industry standard for photography light meters.  

So if in these hard times you're stuck inside, do some off-camera flash and use a handheld meter and see how easy it is to use. Until next week, please stay healthy and safe and get outside!

Hey Everyone! Hope today finds you healthy and safe. Today I want to talk to you about something that I just started doing myself. That's using my photography camera as a web camera or webcam for my computer for video conferencing. This is something that I had to teach myself how to do, and if I can do it anyone can. If you have a modern mirrorless, DSLR, or even an advanced point and shoot, these cameras also have video capabilities that are far better than the camera that is hooked to your computer. With a little bit of lighting that you already know about with your portrait photography, then you should be able to wow your friends and co-workers with professional-looking video when you make your video conference calls. There are two basic ways to achieve this. Software and hardware.

Software:  Depending on what brand of camera you own, you may be able to hook your camera up to the computer with no out-of-pocket expense.  Since the pandemic, many camera companies have come out with software that will make your camera act as a webcam, at no cost to you. You just download the software and follow their instructions, which is to just hook up your camera with a USB cable and you're in. Your camera works as a webcam. Audio will still be handled through your computer. There are other hacks where you can download third-party software and make your camera work also. There are many to try.   YouTube is a place where you can learn about these, and they seem to work. Working with software does have some drawbacks though. Sometimes the video and audio do not sync properly, and you may look like you're in a cheap Chinese Kung fu movie. It might not be that bad, but it may be noticeable. But if your setup works and you don't have a lag, then you're in.  All you have to do is choose what video conferencing software you are using and then go to settings and choose your camera for the webcam.  

Hardware: Instead of using software to connect to your camera, you can use hardware to do the same thing. This will cost some money but shouldn't break the bank. The things that you will need are a video capture card and an HDMI that will hook up to your camera and your computer. Most modern cameras have an HDMI cable port. You may also have this cable if your camera came with it. If not, or if you're like me and couldn't find it, you'll have to get one. Like with everything else, you can spend as much money as you want on these things, but you don't have to. I spent $22 for the video capture card and $20 for the cable to hook up between my camera and the card. I bought an inexpensive capture card that plugs into my computer via USB port (the regular port, not the USB C port). Then I plug in the HDMI cable to the card (regular full size), and the other end of the cord hooks to my camera via an HDMI MICRO/MINI connector. This is the connection that you have to make sure you get right for your camera because they can be different on different models of cameras. When all is hooked up, you go to the video conferencing app of your choice, go to settings and pick USB camera, and you're ready to go. Your camera can now be used for both video and audio. This can fix all of the audio lag that you may have gotten on the software option. You can use the onboard camera microphone, or you can attach an external mic to the camera. I have another cheap option where I use a $20 LAV mic that I bought a while ago that I can plug into my camera and improve the audio. All of the hardware I use I got off of Amazon.

Now. I'm no expert at this. As I said, I just started to do this myself. But you can really see the difference, and by using your photography skills you can really make a professional-looking video through your computer. You will be able to use a low aperture on your camera and blur out the back. Depending on what type of camera you have, you can have the autofocus follow your face so you are always in focus and the background is blurry, making it look very professional.  

So until next week, please stay safe and healthy and explore with your cameras. Get outside!

Hey Everyone! I hope today finds you healthy and safe. Today I want to talk about the three-legged monsters known as tripods and when and if we should use them. This discussion is mainly for newer photographers, but old folks like me might benefit also. A question I sometimes get asked is, "Do I really need a tripod?" I could give you a short answer, but let's get into it a little deeper. Let me say that I have had all sorts of tripods from 7-foot tall ones to ones you can hold in the palm of your hand, so I know a little about tripods. First of all, tripods have been around since the beginning of photography by necessity. Back in the days of film, film came in lower ASA (ISO's) than modern cameras. Say you get a film of 100 ASA indoors. You would have to drop your shutter speed way down to get a properly exposed film, and that brings in camera shake. Thus, the tripod is needed to get sharp photos. This is why initially tripods were necessary to get sharp photos. Now, let's move to today with modern digital cameras. You may think that the newer digital cameras come with IBIS (In Body Camera Stabilization) or some kind of lens stabilization, and so now we can shoot at higher ISO's.  And all of that is true. But with higher ISO's comes more noise or less sharp photos. IBIS and lens stabilization is great, and I love it. But you still can't drop the shutter as low as I would want without camera shake. 6400 ISO will never be as good as 100 ISO.  It's good, but not as good. So I think the question comes down to what type of photography you shoot and will you need a tripod for that type. Some old-timers will argue that you always need a tripod and that you can use it with all types of photography, and I kind of agree. But it's not always practical. So let's go over some different types of photography and see if you need a tripod.

Portrait Workshop-6 Portraits - Portraits may be the one type of photography that you can get away with not having a tripod, especially if you're using strobes. Portraits can be done without a tripod, but most formal photographers still use a tripod. Here's why. It's not for camera shake or blurry photos. It's for framing and posing. If you have your camera on a tripod and your subject in front of you, it free's up your hands to position your model and move lights around without having to re-compose your subject. And I am a big fan of using a tripod in these situations. Also, if you're doing a natural light photo in low light, a tripod is a must to eliminate camera shake. So my answer on tripods for portraits is, no, you don't need them, but they are recommended. 

Sports Action/Wildlife - Photographers that shoot sports or wildlife very often use long, heavy lenses. Yes, they can hand hold them, especially on bright sunny days. But the cameras and lenses do get heavy, and most sports/wildlife photographers do use a tripod, if for nothing else, to support the weight of the lens between shots. A wildlife photographer may sit in one spot for a long time just waiting for an animal to show up, and the camera sitting on a tripod will help frame and support the lens while doing so. So my answer for sports or wildlife photographers is, yes, you need a tripod.

The MetroCommuters waiting for the Metro in Washington DC. Street Photography - The art of being a good street photographer is being stealthy, quick, and nimble and shooting from the hip. This is where a tripod will not come in handy because it is none of those things. Street photographers usually use small cameras with a fast response to the scene in front of them. Now, for urban landscapes or architecture photography, you will need a tripod to get the photo as sharp as you can. So my answer for street photography is, no, you don't need one, but for urban landscapes, yes, you do.

Landscapes -  Good landscape photography is often shot in the early morning or late evening to get the best Curtis CreekCurtis Creek in Pisgah National Forrest. light, the blue hour. Using a tripod is necessary to get the ISO down as far as possible to get clean shots with slower shutter speeds. For long exposure shots with neutral density filters like shooting waterfalls or moving clouds, it is a necessity to use a tripod. You just can't do without it. So I would say using a tripod with landscape photography is a must.

Astro Photography - Shooting the stars, whether you're shooting the milky way or using a telescope to shoot a single star, you will need a tripod to do this kind of photography. There is no way around it.

So, as you can see, for most kinds of photography, in my opinion you do need a tripod. But what kind do you get? Like I said before, there are all kinds of tripods, and I have owned a bunch of them. My best advice is to get the best one you can afford. Like most things, you get what you pay for. The old saying goes, "Buy nice or buy twice."  I am a firm believer in this. You can get cheap tripods that you will have to replace, medium-range ones, or very expensive ones. I usually go for the mid-to-expensive range. I now have a tripod that is a carbon fiber travel-sized tripod. I shoot with a small camera, so I can use a smaller tripod. People with big DSLR's will have to buy bigger, heavier, and more expensive tripods. You have to find the one that is right for you. Make sure you get one that you can lug around. Because if it's too heavy, you'll never pull it out of the car. And that's not where the best photos are.

Well, that's all for this week. Until we talk again, please stay safe and healthy, and never forget to get outside and explore!

Hey Everyone! I hope everyone is healthy and safe today. Today I want to talk about an old friend of mine, Betsy. Ole Betsy has been a friend of mine for more than 20 years. She has taken me to places I have never been to before. She has hauled things, towed trailers, and moved children from place to place. She has helped clean my yard, and she doesn't leak or leave stains on the carport. What? Yep, Ole Betsy is my 1999 Ford F150 truck! Now, you're saying how does your truck pertain to photography or hiking? Well, without this old faithful friend, I wouldn't have made it to all of those places to hike or to photograph. She has been my transportation to get me to all of those places. I trust Ole Betsy to take me anywhere I want to go. 

Ole Betsy isn't the most sporty on the block. She's not the most powerful, but the most important thing is that she, like any good friend, is dependable. She has some nicks and dings that give her character just like anyone else. She has quirks and things that she does differently than others. Unfortunately, she has been neglected from time to time. But here lately I have been giving her a lot of attention. I try to do maintenance things that I can do, like when I changed the front bearings and brake pads. I have found a mechanic I can trust to do the things that I don't want to tackle myself to keep her running smoothly. And I can say honestly that she runs better now than she ever did when I first got her. She's a 21-year-old truck, and there are going to be some wear-and-tear  things that happen. But I'm very pleased with how she runs now and would trust her to drive across the US at a moment's notice. I am starting to do some upgrades and modifications to her to bring her up to date.

Betsy is an extended-cab, short-bed truck.  For many years, I drove her with just a tool box on the back that would hold my tools and such, and I could easily haul things I needed to work on my house. A couple of years ago, I got a camper shell to go over the back that would allow me to put stuff inside and have it protected from the weather. I recently modified the camper shell to have a bed platform inside with a pull drawer and some storage containers underneath so I could use the truck to sleep in if I had to. And I have. Maybe not my first choice because it's a small fit and I'm a large guy, but after getting in place I really slept well. I have room for all of my camping gear, and I always carry a hammock, tent, stove, and all of the accessories, including a battery to charge and run things like lights. So she has become a camping vehicle. She can easily tow our teardrop camper and was my primary tow vehicle until my wife got her new Honda Pilot a year ago. A new and fancy (to me) touch screen blue tooth stereo with a backup camera that can hook up to my iPhone for Google Maps on the screen has been a great upgrade.  I'm planning to put a roof rack on the top of the camper to haul extra things and maybe an awning to make a good quick campsite with shelter.  And I'm sure more will come.

Is Betsy my dream vehicle?  Well, no.  But a dream vehicle is just that, a dream, something that I can't afford and never will (unless I win the lottery) LOL.  But even if I won the lottery and could get my dream vehicle, I wouldn't get rid of  Ole Betsy. She has become a part of the family. Ole Betsy still gets 19mpg on the highway (flat land) and 16 or so in the mountains.  That's pretty good for a 21-year-old 8-cylinder engine, full-size truck. I'm sure with some tender loving care that she will last many more years to come. She is a very clean truck and stays under the carport most of the time, and I only drive her on the weekends. I'm a sticker guy, and the stickers of the places I have been scatter the back windshield and the camper topper windows.  The other day when I was in the mountains, I caught a guy looking at all of the stickers and places that Betsy and I have been. So she's not my dream vehicle, but she is a dream to own and drive. Without her dependability and longevity, I would have had to buy another vehicle and would not have the money to do the things I do, like investing in photo gear and traveling to different places.

If you follow me on Instagram or Facebook, I'm sure you've seen Ole Betsy in the background at a campsite, and I'm sure you'll see more of her in the future. So until next week, please stay healthy and safe, and get outside and shoot!

Hey Everyone! I hope everyone is healthy and safe. Today I want to talk about doing landscape photography in the rain. Yes, that's right, rain! Shooting in the rain is something that we all seem to avoid with our cameras. We don't want to get them wet with all of the electronics and all. And we certainly don't want to get all wet and deal with all the inconvenience of shooting in the rain.  Believe me, I know how you feel. I felt the same way for years. But just a few months ago, I went out shooting in the rain, and it was an eye-opening event for me. I was visiting one of my state parks, and I had to drive four hours to get there.  And of course, it was raining.  Well, I didn't drive four hours not to get some shots, and it wasn't raining hard. So I grabbed my stuff and started hiking and shooting.  And I had a ball and got some great shots. So in this blog I'm going to talk about how to shoot in the rain.

First, you need to be prepared to shoot in the rain. Some cameras are very weather-sealed and some are not. You need to know your equipment. You also need to be prepared for the rain. Using rain covers and microfiber cloths will be a must to keep your equipment dry. Lighting will be even thanks to the clouds but also dim. So you'll be shooting at higher ISO's or using a tripod with longer shutter speeds, and you'll need to be able to do this quickly. With the rain come other challenges also.  Everything is wet with a lot of shiny places and reflections that can be taken out with a polarizer filter. Yep, that's right, a polarizer filter, which will also affect the ISO and shutter speed. But it will make your colors pop and get rid of all the shine on the leaves. Let me tell you, all of the efforts you take while shooting in the rain will be worth it in the long run. Like all things, effort in getting prepared and effort in the process will produce great results. So here is a list of things that you will need to shoot in the rain. 

1. Camera - Of course you'll need a camera, and the one you have is fine.

2. Tripod - This is a must with the dim light that you will be getting. With the longer shutter speeds, you'll need the stability of a tripod.

3. Camera Cover - To keep your camera body and lens dry, a plastic or waterproof-type material can be used. They can be as cheap as five dollars or as expensive as you want. I made mine but just because I could.

4. External Light - You could use a flash, but I use a LumeCube LED light.  It's small, waterproof, and powerful. This will help light up any shadows.

5. Rain Gear for Yourself - This also doesn't have to be expensive. I have a raincoat that only cost 20 bucks, but you can spend a lot more. Don't forget head gear to keep the rain out of your eyes or off your glasses if you wear them.

6.  Micro Fiber Cloths - Or something similar to dry water drops off of your lens. The more the better because they will be getting used.

The biggest thing to do after you have everything covered above is to relax. You're going to get wet, and your gear hopefully will only get damp. So just get over it and start seeing and looking for compositions.  Slowly, after you get over being wet, they will start to jump out in front of your camera. Take your time and work the scene.  When you get home and put the photos on your computer, you will be amazed at what you've got. So until next week, get outside, don't hide from the rain, and shoot.

Hey Everyone! Hope everyone is healthy and safe today. State parks are one of your state’s treasured resources. These hidden gems are scattered all over the United States and are sometimes overlooked for their big brother national parks. However, state parks can be as nice, or even nicer, than the national parks, and the facilities and camping amenities are sometimes better than those of the National Park System. Most of these parks are less crowded than the national parks, which makes visiting more enjoyable. Here in North Carolina, there are 34 state parks and 7 recreational areas. At these parks, the experience can be anything from walking in the sand at the beach to hiking up to the highest peak east of the Mississippi. There are trails for hiking, riding your trail bike, riding a horse, or even riding your ATV or off-road vehicle.  There are scenic overviews and wildlife viewing areas looking over the most pristine nature that you will ever see. To visit the parks is mostly free. You may have to pay to visit an exhibit or to camp, but other than that it's free. Your taxes have paid for the upkeep and management of these areas, and hopefully, it will last. I would love to see my grandchildren and their grandchildren able to enjoy the wilderness as I have.

_DSC6464 The list of activities that you can do at these state parks is endless. There are too many to list them all, but some include hiking, biking, swimming, kayaking, canoeing, fishing, bird watching, a day at the beach, and hang gliding, just to mention a few. The state rangers at these facilities are well-trained and motivated to help assist and teach the public as much as they can while keeping the parks safe and fun to visit. Backpacking and camping are available to enjoy at most parks, from car camping with showers and all the luxuries of home to primitive camping and backpacking in the backcountry. Have an RV? Most parks are equipped to handle some of the largest RV’s around, with or without electrical hookups. If you don't have a tent, some of the parks have cabins to rent that are even heated and air-conditioned.

Carolina Beach Sunset State parks are spread throughout the United States, and you probably have one near you. You might not even know it. I lived near one for years before I first visited the park. I visit it dozens of times a year now if for nothing more than just to exercise and have a quick hike in nature. So far this year, I have visited 32 of North Carolina’s state parks and plan to visit the last 2 before the year's end.  I have also visited parks in neighboring states and states that I have lived in in the past. If you’re a photographer like I am, it is a great resource for landscape and nature photography. So get out and enjoy your local state park and keep exploring!

Screenshot Hey, everyone! I hope everyone is healthy and safe. Today I want to talk about something new that I have added to my camera bag and camping backpack. It's the iPad Mini. I have been looking for something that I could use on the go to edit photos, use for navigation, and of course, consume media. Now, of course, everyone has a phone in their pocket, and they are great but small. Our phones are also doing a lot of things like storing maps and photos, and this really bogs them down and fills them up.  I needed something that could be used for photo editing on the go and something that I could also use for map storage that would not fill up my phone. I have an iPad Pro that is provided by my employer, and it works great for doing all of these things; however, with the attached cover and keyboard, it weighs more than my MacBook Air that I use when I go on trips. I am getting older, and weight in my pack matters, especially with camera gear weighing it down. I have an older iPad (not sure what version it is) that is so old that the operating system can't be upgraded, and it will not run the programs that I want to run on the iPad like Lightroom or Gaia GPS, a mapping program. I needed something new, so Screenshot I decided on the iPad Mini. It is small in form with a 7.9 inch screen. It is also lightweight, maybe twice the weight of my iPhone. I am heavily invested in the Apple ecosystem, so it was the choice for me. There are some Android choices that I could have gone to that were cheaper, but I'm an Apple guy and wanted to stick with what I knew. One of the features I like so much about my work iPad Pro is that it is cellular + Wifi.  This means that almost anywhere I go I will have the internet at my fingertips.  It also means that it has a GPS chip that I can use for maps when I'm camping or off-grid. I also wanted as much storage as I Screenshot could get to store maps, movies, and things like that. I do like watching a good movie while I'm snug as a bug in my hammock. So I opted for the largest storage that is available for the iPad, which is 256 gig of storage. So how will I use this big, bad little iPad?

Let's talk photography first. The iPad Mini will never be my main way of editing photographs. That will always be my 27" iMac at home. But for those on-the-go "let's edit this one and post to Instagram or Facebook" moments, the iPad Mini will do nicely.  It's small enough that I can carry it easily with any photo bag Screenshot I choose, from my Shimodo backpack that I use for doing landscape photography when I'm hiking to my over-the-shoulder Mountainsmith bag that I use for street photography, the bag I like to call my purse. It will fit in either of these bags. It's perfect for a morning walk around a new town, stopping at a coffee shop, or sitting on a park bench and transferring a photo from my camera using the wifi and doing a quick edit in Lightroom. Sure, I could do this on my phone, but it's much easier on a larger screen. Another advantage to the iPad Mini is that I can use my Apple pencil and make precise edits that would be hard just using my finger. I can also just jot down a note or draw something, that is if I were talented enough to draw. LOL. The iPad Mini is also just the right size to share photographs with people. If you're like me, I have my winners from Lightroom Classic synced with my mobile devices via the Cloud. They are all on my phone and now my iPad Mini. So that's the photography part of the iPad Mini. What about camping and hiking?

Screenshot When camping or hiking, one of the most important things to do is, as the Scouts say, "Be prepared." And one of the most important ways to be prepared for hiking is to have a map. I use Gaia GPS, which is a mapping program that uses all of the known nationally provided maps, and you can layer them to fit your needs. If you're looking for trails, it can find the trails for you. If you're looking for forest service roads, it can find those also. It can also give you all of the topographical areas of a place you're going to. It's a big, powerful program that will allow you to plan and route your trips in advance. The trouble is when you lose the internet or it quits working, unless you download online maps and use some sort of GPS, whether it's an external GPS like a Garmin or the internal one like what is on the iPad Mini cellular version. When you have the GPS and the downloaded maps, then you can see where you are in realtime. I was going to get a WiFi-only version of the Screenshot  iPad Mini that would have been cheaper, but the GPS with Bluetooth capabilities would have been between 100 and 400 dollars depending on what I got, and then I would have two things to worry about - losing it and keeping it charged up with fresh batteries. So I opted for the cellular version that comes with a GPS chip. I have gone ahead and added the iPad Mini to my cellular plan at less than 20 bucks a month for unlimited data, but I could still have used the GPS part of it without activating the cellular portion of the iPad. Like I said before, it is also great for media consumption, so I have some movies, TV shows, and podcasts downloaded to the iPad in case I get bored at the campsite and don't have cellular reception. If I do have cell reception, I can watch regular TV, Netflix, or any other type of media by camp firelight. I can also edit photos while backpacking.

Here are a few specs of the iPad Mini version 5.  The screen is a 7.9-inch retina display with a resolution of over 330 ppl. So it's sharp! You can use the Apple pencil, but only the first version of the pencil. It works great and is cheaper than the newer versions. It is rated at a 10-hour battery life, which is a long time using this without a charge. It can be either WiFi only or WiFi+cellular. With the cellular version, a GPS chip is included. Storage capacity is either 64 gigabytes or 256 gigabytes, nothing in between. It has the A12 Bionic micro-processing chip, so it is very fast and snappy.  

The iPad Mini is sometimes referred to as the iPad Pro Mini because it can do just about anything that the iPad Pro can do.  But because of its size, it's just called the iPad Mini. It's a great little device that I think will enhance my photography and camping experience, and I highly recommend it. So until next week, be creative, explore, and get outside and shoot!

Hey Everyone! Hope everyone is healthy and safe today. Today I want to talk about car camping. First, let's describe what I mean about car camping. There are all kinds of camping. There is backpacking where you carry all of your 

possessions on your back into the woods to a campsite. There is RV camping where you either drive or pull behind your vehicle an RV (Recreation Vehicle) or camper. But today we're going to talk about car camping where you load up the car and the kids, go to a campground, park right beside where you'll be camping, and then set up camp. Now, I have been camping for almost 40 years, and if you count Boy Scouts even longer. But most recently, since I turned 50, I have been camping quite a lot. I do all of the camping mentioned above, but I probably look down my nose at car camping the most.  I don't know why. I actually do it the most out of all the other kinds of camping. But I usually say something like, "I was just car camping" when someone asks me about camping. Last weekend my son and my travel companion Forrest came with me to the mountains of North Carolina, and we did some car camping.  And it was great! We camped at a National Park Service campground. It's an older campground with old-growth trees and large campsites, over 100 campsites at this location even though it doesn't seem like it. This weekend the campground was full. This was my first trip to this campground, so I don't know if it's full like this all of the time or if it is because of the COVID virus and everyone just wants to get out of the house. We camped very simply. My son and Forrest put up a tent to sleep in, and I slept in the back of my truck in the bed that I had made in it. This was my maiden voyage in the truck, and it went okay.  I slept well, but getting in and out was a pain. We cooked on an almost 40-year-old camp stove that we use for car camping. We cooked steaks and veggies, and we made fresh ground coffee with a French press we brought. The temps were cool and the weather was great. While I was sitting in my camp chair looking around at the campground, I got a great feeling. I could see all of the campfires going with people huddled around enjoying each other's company, children playing, and people cooking. It was a beautiful sight to see all of these people from all walks of life, rich to poor, all races young and old, and everyone was enjoying themselves and being very polite while doing it. What a contrast it was to the nightly news of riots in the streets, politicians calling each other names, and of course all of the death from the COVID virus. It was how life is supposed to be, everyone getting along.

Soon it was time for bed. And as old men do, I had to get up in the middle of the night to relieve myself.  While I was by that tree I looked up and saw all of the stars. There were thousands of them! I have taken photos of the night sky before, but tonight it was chilly and I wanted to get back into that warm bed in my truck. So I got in and went back to sleep.  Now, people that know me know that I am a morning person and a very early riser. So about 4:30-ish I got up and as quietly as I could made some coffee on the camp stove.  It was still dark and I didn't want to make any noises, because dogs go crazy when they hear noises and I didn't want to wake all of the dogs in the campground. I got my coffee without much commotion and noise and also got my sleeping bag and sat in my camp chair and watched all of the stars. As I sat there and as the night slowly turned into day, the stars slowly went away. The weaker ones first, and then finally the strong ones just went away when enough light was in the sky. I have to say, this is the first time I have ever looked at the stars that way and it was fantastic, maybe the best part of the trip.

After my son and Forrest got up, we made some breakfast burritos, and they were great. We decided to take an almost 3-mile hike around the lake which was nice, and it was like we were the only ones out there. Forrest had fun exploring new things and smells. When we got back to camp, we packed up everything, cleaned the site, and stacked the wood that we didn't use by the fire pit. Then we departed. This was a fantastic little trip, and I could talk about it for quite some time. The bottom line is, I'm not going to look down my nose at car camping anymore. Although I enjoy the other types of camping, I still enjoy car camping, and I think you will too. So get to your local campground and do some camping. You'll meet some great people and have a great time in nature. So until next week, get outside and make some memories.

Hey everyone! Hope everyone is healthy, safe, and inspired. This week I'm going to talk about something I thought I would never talk about. It's something that I really enjoy and is 

Some of my first projects were very simple, like making storage bags or stuff sacks to put things in, like sleeping bags, tents, and smaller bags for small loose stuff. I'm an organizational freak and love to have everything separated and in its proper place.  I was surprised at the quality I got and how with just a little training (YouTube) I got quite good. I even made Christmas gifts for all of my family by making toiletry bags or cosmetic bags for everyone in the family. They were all customized for each person with different colors and patterns. They had waterproof zippers and really turned out well. Everyone was surprised that I had made them myself. I even made some bags for my camera gear also, and everything turned out great.

My first big project was a backpacking tarp made for my hammock setup. It was made out of silnylon and waterproof.  If you have watched any of my videos, it's an orange tarp and it works great! I have been through a few rainstorms in it, and it's held up great. I even made doors for it so when it rains the mist doesn't waft in. The sewing on the first big item did have some mistakes. But it has been a good functional tarp for a few years, and my son has been using it lately.

My next big project was an Under Quilt for my hammock. An under quilt provides insulation underneath the hammock to keep you from getting a cold butt.  The wind or air that goes under a hammock can pull all of the heat off of your body and make you cold. Even in summer.  So I made an adjustable underquilt with insulation inside and all of the attachments to hook it to the hammock. It's good for about 50 degrees. I wouldn't go much colder than that without getting a bigger underquilt. This one works great and is the underquilt that I use in the summer.

Making a hammock and a separate bug net was my next project. The hammock was simple enough to make, and my sewing had gotten much better.  The bug net, which is actually a big sock that encases the hammock to keep the bugs out, wasn't too bad either. This particular hammock is the one my son uses now with the bug net, and it keeps the bugs away and works great. There are also other parts of the hammock that are not the cloth part that have to be made too, like tree straps, the ridgeline, and a storage bag. Tree straps are the straps that go around the tree and should be webbing that is at least an inch wide so as not to harm the tree that you are anchored to.  Whoopie slings are adjustable cord made out of kevlar and are very strong. They hook to the hammock and to the tree straps to hold the hammock in place. And then there is the ridgeline, which goes from one end of the hammock to the other to keep the hammock in a good "hang" if you will no matter what the distance is between the trees. I also make the bag that all of these things fit into and then can also be used as an organizer to put your phone, wallet, water, and what not on the ridgeline. I make all of these items.

My biggest and toughest project was making a hammock with a zippered bug net that could be zipped off and on. It took me some time to make it, but what was neat was I could customize it to fit my needs. I call this hammock the red canoe because it looks like one when hanging alone. It works great, and I can zip the bug net on or off as needed. It has clips to help keep an underquilt in place and can be staked out for more comfort if needed.  This is my personal hammock, and I do have plans for making another one with some more modifications. I have since made a winter tarp with built-in doors for privacy and to keep the wind out. I used it last weekend for the first time, and it was great.

All of these projects would not have been possible without the help of YouTube and Ripstop by the Roll, a company out of Durham, North Carolina, where I get my materials for all of the projects, from the fabric, cordage, and accessories. They are a great company and have lots of projects you can do, and they even make kits with all of the materials that you need for a very good price. Now with the time I put in and the cost of the materials, I could probably get a hammock cheaper, but I don't think I could get one that is customized to me.  And it's just fun and a good feeling seeing the finished product in use.  While camping the other weekend, someone asked me where I got my hammock setup.  I just looked and smiled and said, "I made it."

Well, that's about it for this week.  Remember, keep shooting and get outside and enjoy life!

IMG_0470-Edit Hey everyone! Hope everyone is healthy and safe. Last weekend my son and I took a trip to the mountains for a little backpacking and to visit some waterfalls. While out, we visited two North Carolina State Parks, Gorges State Park, which is the farthest from our house, and Crowders Mountain State Park. The main theme for the trip was people and crowds. It was Labor Day, one of the busiest weekends of the year.  And with the COVID virus keeping people home and hungry to get out, the crowds were heavy. Both parks were IMG_2014 managed very well, especially Gorges. We had a young female ranger who we came in contact with throughout the weekend, and she was professional, courteous, and informative. Very professional! We weren't in Crowders Mountain long enough to come into contact with many rangers, and they all seemed to be busy directing traffic.

We left the house in Eastern North Carolina at 7:00 in the morning for a six-hour drive to Gorges. We left on a Friday and the traffic wasn't too bad. We arrived at Gorges and went to the Visitors' Center, which was closed. I IMG_0434 would like to come back when it is open because it is a beautiful, very modern-looking building with a waterfall coming down one of the walls. We got back to the parking lot at the trail head and hiked into a primitive campground. It was only a 3/4 mile hike and very manageable. My son and I have taken backpacking trips in the past where we hiked 10 miles or more in, but I was healthier then. I'm trying to get back into hiking shape. OFG is what I call myself, "Old Fat Guy."  We set up our campsite, which had a small creek just behind us and a small lake nearby. We used hammocks to sleep in which are lightweight, but more importantly, they are comfortable. After setting up, we decided to hike to Rainbow Falls, which is a 1.5-mile hike to get to. The trail is MSP04650 ranked by the park as a strenuous hike, and for a non-hiker, I would say that is accurate. My son, who works at a job where he's on his feet all day and probably puts in 25,000 steps a day, thought it was a breeze. I, however, who sit for most of the day and am out of shape, thought it was a good strenuous hike. It was a nice small waterfall, and we had a good time photographing and hanging out there. After that we hiked back and chilled out at camp, cooked dinner, and had a good night's sleep.

MSP04604_Luminar4-edit_0 Saturday we woke up, and I had figured out that White Water Falls and Dry Falls weren't too far a way. So we hiked out after some coffee and drove to Dry Falls. This is a waterfall that you can walk behind and mostly stay dry.  This was my son's first visit, and he had a blast going behind and filming the falls.  We saw Bridal Veil falls on the way.  Then we traveled to White Water Falls to see the largest waterfall in North Carolina. After that we decided to travel to Brevard and get us some lunch and then went to a local park to eat. We headed back to the campsite to relax a little, and when we got there about 2:00 the park was closed. We told the ranger that we already had our stuff at a campsite, and she told us to come back in an hour. So we went to the local country store and hung out, ate ice cream, and looked at all of the traffic. And there was a lot of traffic. After an hour, just like the ranger had said, the park was back open and we got into the park and hiked back to our site, slid into our hammocks, and took a good nap. We IMG_0473 decided to get up early the next morning and head to Crowders Mountain State Park.

I really slept good that night, even though the ranger had told us of a momma bear and four cubs in the area! We got up early, packed up in the dark, and hiked out under the light of a headlight. We got to the car and went to the Visitors Center to take photos of the sunrise from the observation deck. We then headed out for a 2.5-hour drive to Crowders Mountain.  But first we stopped at the country store and got ourselves a breakfast sandwich (sausage, egg, and cheese biscuit ). Best Biscuit Ever! When we arrived at Crowders Mountain, I had my son pull over so I could get a photo of the welcome sign. We had 15 or more cars pass us as I took the photo. We thought maybe there was some type of event happening since there were so many people. There were two IMG_0502 parking lots that were full and an overflow parking lot. We got lucky and slipped into a spot. Having never been to the park before, we just followed the crowd into the park to the Visitors Center that was closed. We hiked to a fork in the trail with two trails that go to mountain peaks. We took the shorter of the two, the Pinnacle Trail. It was a four-mile hike to the top and back, and I do mean up to the top. But if you look closely you can see the Charlotte, North Carolina skyline. After we made it back, it was a ride home.

Overall it was a great trip, and we had a ball and can't wait till the next trip, which is soon! I've got 29 of the 34 state parks visited this year, so I've got 5 to go before I reach my goal of visiting all of the North Carolina state parks in one year. We got to see some wildlife too, from a heard of buffalo, deer, snakes, and I even got to see a white squirrel. So until next time stay safe and get out and shoot!
 

_MSP6434-Edit Hey Everyone! Hope everyone is healthy and safe today.  This week's blog is a review of the Lume Cube Mini bi-color light. This is a small but powerful LED light that helps you control the color of your photos. This light is perfect for video conferencing and small lighting projects. It's about the same form factor of a business card and about 1/2 inch thick. I originally bought the Lume Cube 2.0 light and have it in my camera bag. I wanted a companion to it and almost bought another Lume Cube 2.0, but when I saw this light I thought it would be perfect. This light is great for video conferencing and for macro and tabletop photography. It can be used for video work and fill light. It is not a waterproof light like the Lume Cube, so I wouldn't recommend it for use in inclement weather. What's neat about this light is that you can control the color of the light from 3200 kelvin to 5500 kelvin to match the light that you are shooting in. Very cool! It cannot be controlled via Bluetooth like the Lume Cube, but it has a digital readout on the back of the light to tell you what your light is set at and how long much longer the battery will last. Here are the specs for the light:

Mount Type - 1/4"-20 Female _MSP6437

Dimensions - 3.6 x 2.2 x .5 "

Weight - 3 oz

Power Input Connector - USB Type-C

Power Source - Integrated Battery

Battery Runtime - 1.2 hours Full Power

Color Temperature - 3200 to 5600 K

Number of LEDs - 60

_MSP6453 I really like this light. It comes with a built-in white semi-diffused panel and an external flexible diffuser that will go over the light. Like the Lume Cube, it can be adapted to fit all sorts of mounts to include GoPro mounts, tripod traditional 1/4-20 thread. This means there are all kinds of mounts you can connect this to, and most of it you already own. I can see all kinds of situations that this little light could be used for. At around 60 bucks these little lights are affordable and could really come in handy as portable lights to use for your photography and video needs. 

So until next week get out and shoot!

Hey Everyone! Hope you're doing fine today and are safe, healthy, and inspired. As you all know I sometimes have GAS (gear acquisition syndrome), the act of buying expensive gear to take photos with. This blog is about inexpensive things that can spark your creativity instead of buying a new body or lens. I got this idea from a podcast that I listen to, "The Digital Story," by Derrick Story who gave his ideas of inexpensive things, so I'll  use some of his ideas and some of mine also. It only takes something different to spark creativity, and you can think of these ideas as anti-GAS items. Most of these things are less than 100 dollars, or at least in that ballpark, and can spark some kind of creativity. We all can get in a rut sometimes where we seem to take the same kinds of photos that we always do, or we just get bored and don't even pick up the camera. This could be for weeks or months on end, but we must recognize it and do something to correct it. Sometimes it's big gear that we need, like a lens or a new body, but it can be something small too to get those creative juices going again. So let's start with the list. This list is in no particular order, just what popped up into my head first.

1. A new LED light. I have just done a blog on the Lume Cube 2.0, but there is also the Mini from them also. Any brand will do.  These lights are portable and can be used in all kinds of situations, like tabletop photography if you're worried about going outside or for extra lighting when you're out in the woods for fill lighting.  They can also be used for light painting while doing astrophotography. It's just something to get you thinking more creatively.

2. How about a new camera strap or attachment system? I am not a camera strap guy. I don't like the camera hanging around my neck or shoulder, but sometimes its more convenient to wear one. I use the Peak Design system for all of my straps. Personally, I use a wrist strap 99 percent of the time, but what I like about the Peak Design system is the ease of changing or taking the straps off with their unique attachment system. When I'm using a tripod, I don't like to have the strap dangling from my camera giving me movement if the wind is blowing, so I can easily detach it from the camera in a second. They also make easily-detachable and secure clips to put the camera on a backpack strap or your belt, which makes hiking or whatever else you're doing hands-free and allows you to easily get into different locations.  I think a new camera strap or system or even a case, like a leather half case, can get you looking at the camera differently and taking it with you more, thus taking more photographs and being more creative.

3. Neutral Density Filter, A ND Filter can be a very creative tool, used to slow down the shutter to create motion blur. It's commonly used on running water but can be used on all kinds of things like clouds and other moving subjects. This tool, which can be commonly found for $100 or less, comes in different degrees of density measured in stops. 10 stops is darker than 3 stops. I carry 3 with me a 2, 6, 8 stop filter. Usually, the more expensive the better the filter.  I use Breakthrough Photography filters, but there are others that will work fine. A ND filter can make a ho-hum scene, like a barn with puffy clouds, look mysterious with streaking clouds coming over the barn. It can even make people disappear. If you're at a busy crowded scene, you can put on a 10 stop filter and let it go for 20 seconds or more, and the people that are moving just disappear. It's a magical tool and every photographer should have one.

4. Small tripod or stand. I have a platypod plate that I got, and it's like a small tripod that will easily fit into your bag and will give you a stable platform on the fly.  You could also get a Jobo tripod that is small and will do the trick. Small tripods come in handy, and when used usually give you a different perspective of what you're shooting, usually from down low. Go out and try to take only tripod shots from a little tripod and you'll discover a whole new world that you've just been passing by. You can easily get one of these devices for 100 bucks or less.  Make sure to size it to your camera size.  If you have a large DSLR, you will need a larger one than if you're shooting a mirrorless camera that is smaller.

5. New Software. Try getting some new software to add to whatever you're already doing in your editing software now.  I am a Lightroom and Photoshop user, but I purchased Luminar editing software and run it as a plugin in Lightroom. It has features that Lightroom doesn't, and I can easily go back and forth between Lightroom and Luminar. It has lots of AI (Artificial Intelligence), so it can do stuff like replace skies, make fog, make sunbursts, and lots of stuff for portraits also. It runs about 80 bucks and is worth every penny.  It can super charge your creative mojo while you're editing.

6. How about a vintage lens?  Maybe an old lens from the system you're using or another company. Manual focus is a plus. If you're using a mirrorless camera, you can get an adapter for 20 or so bucks and put almost anything on your camera and use it. You can easily pick up one of these from a pawn shop or yard sale or eBay and really cheap also. I use a vintage Nikon macro lens for my macro work on my Sony. I have a cheap adapter that I got for under 20 bucks and it works great. So I have a macro set up for about 150 bucks that has a max aperture of f2.8. These old lenses can really make shooting fun. Everything is manual so everything slows down. These are film lenses and may not be as sharp as the newer ones, but they have character that newer lenses don't have. _MSP9732

7. 5x7 Picture Frames.  Simple, cheap black picture frames are a great way to get you started taking photos again. I have about 10 or so in my little office/studio/gear closet/laundry room. LOL This is a room I took over after my daughter moved out of the house.  It's what I call "my room."  I have a little photo gallery, and I change the photos every couple of months. I'm way behind on this. But photos look good in a plain black frame. Everyone has some sort of printer that they can print a 5x7 on. And while I'm talking about printing, there are all sorts of different types of paper you can print on, and different papers will give you different looks. These plain frames are cheap, and printing your best work from the last month or so and displaying it (even if it's only for you) is kind of cool. So this one you got a two for one - frames and papers.

As you can see, there are all kinds of things that you can do to get your photography jump started.  I've listed a few, but I'll bet you have a few more that could help someone or yourself. Most of all of these things can be purchased from Amazon or any of the photography sites like B&H or Adorama. So get your creative MOJO going again and get out and start shooting. Until next week stay safe, healthy, and creative. 

Hey Everyone. I hope everybody is healthy and safe today. Today I want to talk about my newest lens that I got a couple of months ago. It's the Sony 70-350mm f4.5-6.5 G lens, and its effective focal distance as compared to a full frame is 100-525mm. Most of the time, three zoom lenses for landscape and travel photography. This one replaces one I used to carry, a Canon 70-200 f4 L lens.  I used the Canon with an adapter so it would fit my Sony camera. It is a fantastic lens in itself with pin-sharp images and great contrast. I have some great photos with it, but I also lost some photos because of it. With an adapted lens, the focusing becomes slower and not as accurate as it will sometimes "hunt" back and forth before it finds focus.  With an effective full-frame focal range of 100-300mm, it was too short for any wildlife I might happen to come upon unless it was in a controlled environment like a zoo. So I wanted something that would be faster and with a little bit longer reach that wouldn't kill me in the wallet. Sony has some full-frame stuff, but they are more expensive and heavier than crop sensor lenses that are made just for a crop sensor camera like mine. But a little while ago Sony came out with this lens, and I was waiting for the right time to get it.  Let me give you some of the specs of the Sony 70-350 lens.

Key Features:

• E-Mount Lens/APS-C Format
• 105-525mm (35mm Equivalent)
• Aperture Range: f/4.5 to f/32
• One Aspherical Element
• Three Extra-Low Dispersion Elements
• XD Linear Motor AF System
• Optical SteadyShot Image Stabilization
• 7-Blade Diaphragm

As you can see, it is a "G" series lens which means the build quality is very good. It feels solid in the hand. Sony's highest quality is "G Master," but that is only for lenses for full-frame cameras at the moment. It has built-in image stabilization, so if I'm using it with my Sony A6300 that doesn't have stabilization, it will be stabilized.  And if I'm using it with my Sony A6500 that is stabilized, it will work in conjunction with that camera also. It has an XD linear motor for autofocusing, which is the fastest you can get, and it works well with my Sony A6500 which is a few years old.  However, when I upgrade to a newer body it will be even faster. This lens is smaller, lighter, and has a farther reach than the Canon that I was using. The only maybe negative that it has is the f4.5-6.5 minimum focusing aperture. With cameras that can handle higher ISO's like all of the cameras in the last couple of years, I really don't see this as being a problem with getting enough light in. I have used it for a couple of months and have not lost a shot because of this.

Shooting this lens is a dream. It's lighter weight makes it more manageable than physically larger and heavier lenses, and its reach is about all I can handle or want. It has a lens lock on the side that keeps it from creeping open like some larger lenses do.  Out of the box it doesn't creep at all, but later in life it might. It has three other buttons on it:  a  manual/autofocus switch and a switch to turn on OSS (optical steady shot) or turn it off, and a third button is a focus lock button that I think you can program to do other things also. I really haven't used it yet or seen a use for it, but maybe later I will. I always like the saying, "Better to have and not need than to need and not have."  It also comes with a lens hood.  This lens is sharp and fast focusing, and if you're a Sony crop sensor shooter like me, it's a must-have. I highly recommend this lens.

So until next week please stay safe and get outside and shoot!

Hey Everyone! I hope today finds you healthy and safe. Where's your gallery? What a question. I thought of this at my virtual camera club meeting when we were discussing a local exhibit that we were going to put our photos in.  And I got to thinking, why would I go to the effort of printing a large print of something, frame it, and get it ready to hang?  I'm not trying to sell it. The local Arts Council, although nice, is small and doesn't get that much traffic. So I started wondering about galleries and the purpose of showing off your art there. I guess most of us dream of being a professional photographer, traveling the world, and living off of our art like the people we see on YouTube or Instagram. But the truth is 99.9 % of us are never going to make this into a profession. I know I'm not and really don't want to.  I love taking photographs, the act of it. The photo is the byproduct of the shoot to me. The experience of traveling or seeing something new is what I treasure. I am and always will be an amateur. And I'm okay with that. I'm also okay with people that want to be professional or semi-professional or just do it on the side for a few bucks. Well, I see I've gotten off on a tangent. Back to galleries.  

My galleries, I guess, are Instagram, Flickr, and occasionally Facebook. I also consider my house a gallery,  and I like to hang my work around the house as well as photos of family and friends.  Within the last couple of years, I've been making a Year in Review book of my work that I hope will be handed down through the generations of my family.

Instagram- If you follow me you know that I post to Instagram daily or at least try to. If you want to keep up with my work, it is here that you should go. I like the interaction and all of the great photos you can see there. But it has been acquired by Facebook, my least favorite place to post photographs. I don't like the way that they compress the photos, and sometimes they look blurry when they are not blurry. But for right now Instagram is doing fine, so I'll keep posting for now.

Facebook- I used to post most of my stuff to Facebook, but then I don't like the compression, like I mentioned before.  I do like all of the social interaction that you get with everyone, but there is a lot of negativity happening on Facebook that I don't like.  I usually check Facebook once in the morning and once in the evening. Other than that I try not to look at Facebook too much.

Flickr- In the early-2000s I started posting to Flickr. I don't post much anymore because it has changed hands a couple of times. However, in the last year or so it has been bought by SmugMug, which is a great photography company.  I've got a feeling that this will become my next daily-post platform. I love the way my photos look on Flickr and all of the groups that you can join.

500 PX - Another platform that I have occasionally posted to but not in a while, and I don't know why.  Your photos look great and there is a lot to look at. When I go to a new place, this is one of the sites I go to so I can see what other people have posted and what's already out there.

I do think that you should share your work, but formal galleries may not be the place to go for most of us. I do think it is important to print your best work. But for most of us, I think that an online gallery is the best choice and maybe the best way to get others to see our work.  Social media is big in our culture now, and photography is a big part of it. So sites like Flickr, 500 Px, Instagram, and even Facebook are some places to have your online gallery. Being a photographer is more than what you can do to make money, and formal galleries, to me, are geared toward making money in some form or fashion. So I will not be submitting photos to be hung in a gallery this time with our club. To tell you the truth, I don't think I have anything that is formal gallery worthy. For those who want to see their art hung in a formal gallery, I think that's great, and it is fun the first time you see your work on a wall. Well, that's my two cents on that subject. Until next week keep shooting and get outside.

Hey Everyone! I hope today finds you 

healthy and safe. This week's blog is about my landscaping lens setup and what I think a good setup is. I am primarily a landscape/travel photographer. I like getting out in the woods, setting up my tripod, and waiting for the shot; or at a sunset or waterfall and setting up my composure; and going to town and trying all kinds of different things to get that perfect shot. The lens setup that I have might not be right for you. My landscaping lens setup is an ongoing evolution and will change in the future as I try to get that perfect lens setup. Now some landscape photographers shoot wide, wide, wide and that's all they shoot. So a 16-35 mm lens might be all they carry. Some might carry a wide-angle and a telephoto to get both ends of the focal ranges. I'm not that way. I like taking wide as well as telephoto for tight detail shots and in-between shots too. I shoot a Sony crop sensor camera, so my specific lens choice might not be right for you. But the focal range should be able to be matched up with what you may have. Another choice I have made is to keep my minimum aperture at f4. I do this for a couple of reasons. First of all, as a landscape photographer, I don't need the wide-open apertures like a portrait photographer would. The f2.8 lenses are great for portraits, but most of my photography is shot at f8 or smaller like f11. I usually want the biggest depth of field (what's in focus) that I can get. The f4 lenses are also lighter than the larger aperture lenses. The second reason is that I shoot a crop sensor camera and I try to use crop sensor lenses which make them smaller in size.  And the really big reason is that there were not any large aperture lenses made especially for crop sensors until recently for the Sony that I shoot. I also shoot zoom lenses for the flexibility that they provide. Primes are great, but you don't always have the chance to use your feet to zoom in the woods. So let's get to the lenses.

My first lens is the wide-angle lens. A Sony 10-18mm f4, a 15 to 27mm full-frame equivalent.  This is a small and sharp lens. I use this lens a lot! I use it for waterfalls and wide-open shots when I want to show the vastness of a scene. This type of lens is the staple of any landscape photographer's bag of tricks. What I like about this lens is that I can get really close up to subjects like a flower and get that distorted look that only a wide-angle lens can give you. This lens is also great in tight spaces. Some trails can be small and tight, and this lens will give you the room to shoot. So it's great for hiking.

My next lens is my middle-range lens.  It's the Sony/Zeiss 16-70 f4, a 24-105mm full-frame equivalent. This is a super walking-around lens. This is an older lens, but mine is very sharp and still works well.  I use it for waterfalls, for small detail shots, and just general shots. When you're hiking and come to a clearing with maybe an overlook, this is the lens to use. You can get the wide shots at the 16mm range and a small telephoto with the 70mm range. This is also a great lens for walking around your favorite trail town. The size is small to medium and is easy to handle all day walking around. I do have my eye out for a larger aperture lens that Sony just came out with that will give me a 2.8 aperture. But for now, this lens gets the job done and that's the important part.

My last lens is my long lens. It's a Sony 70-350mm f4.5-6.5, which is a 100-525mm full-frame equivalent. This is my newest lens and I plan to have a blog to review it later on. The long lens I used to have was a Canon 70-200 f4L lens, but I wanted some more reach for those times when wildlife happens. So far I have fallen in love with this lens. It is sharp and quick to focus. I use it for isolation shots at long range. It is a larger lens, especially for my crop sensor, but it isn't really long. It's shorter than the 70-200 lens that I had before and much lighter. It's not the brightest lens with its smaller aperture range. But with the newer cameras capable of shooting at higher ISO's, this is not as much of a problem.

I do have one other accessory lens only used for a specific purpose. When I do astrophotography I use a Rokinon 12mm f2.0 manual focus lens. This is a fantastic lens and almost became my all-around wide angle but was edged out by the Sony. This lens is great for astrophotography.  It's sharp, small, and bright. At f2.0 it lets in lots of light which is needed when shooting in the dark. It is a manual focusing lens that works well for astrophotography. It is an inexpensive lens also coming in at just a couple hundred bucks. If you don't have a wide-angle lens and are on a budget, this is the lens for you. It comes in all kinds of mounts for any camera. Of course, I have it in the Sony E Mount.

Lenses are the eyes of our cameras and to me the most important. If you have to invest in your kit, this is the place to do it.  A good lens can last for decades. So get out and shoot some landscapes and have some fun in nature. Until next week get out and shoot!

Hey Everyone! I hope everyone is healthy and safe today! This week's blog is about a trip I took a few weeks ago to get to as many state parks as I could in one week. I have a personal project to visit all of the state parks in North Carolina in one year. I have visited a lot of them already, but I wanted to visit all of them in one calendar year. There are 34 state parks and 7 recreation areas that I had planned to visit on weekend trips.  Shouldn't be a problem until Covid-19 showed up and shut down the parks for a few months. Well actually here in North Carolina everything shut down for a couple of months and some stuff is still shut down.  At my work all vacations were canceled, like we would have somewhere to go, so I had some extra vacation. So when the parks opened back up for camping, I configured a week-long camping trip that would take me to 10 state parks to make up for the ones that I missed during the lockdown. My wife, Forrest, and myself took our teardrop trailer for our trip and had four different camping spots reserved.

The first leg of our trip we headed out "on time," which never happens.  We drove to Haw River State Park for our first state park. There we took a lovely walk around the lake and had lunch there. After lunch we went to Mayo River State Park where we actually did the same thing hiking around a lake.  Of course we were taking photos during the whole time. Our last stop was to Hanging Rock State Park where we were scheduled to be for two nights camping. While there we hiked and enjoyed ourselves camping. I got to use a new solar panel kit to try to keep my teardrop battery charged and it worked well. We did not have electric power at this campsite.

The second leg of our trip we left on time again, a really great job to my wife. When we headed out we went to Pilot Mountain State Park where we went to the observation deck and had great views. After that we went to Stone Mountain State Park where we had lunch and hiked to a historic farm site at the base of Stone Mountain. We then took off to New River State Park the furthest point of our trip. This is one of the parks that I haven't visited yet, and I was really surprised at how nice the campground was and the park in general. The trails were nice and well-maintained. We stayed there for two nights where we had an electric hookup and were able to enjoy the A/C in our little trailer, although this was the coolest spot on our trip. While we were there we took a trip to Elk Knob State Park where again I was pleasantly surprised by the small trail that we hiked and how well it was maintained. On our way back to New River State Park, we stopped at Mount Jefferson Recreation Area at one of the lookouts overlooking Jefferson, North Carolina. I can easily say that this was my favorite leg of this trip with cooler temps, and weather matters when you're camping.

The third leg of our trip started out not so good. We actually left on time, filled our trailer up with water, and were on our way. But the fog was going to be a problem. We were scheduled to drive the Blue Ridge Parkway to the Aquaduct by Grandfather Mountain State Park. But when we got up on the Parkway, it was fogged in and we drove for about 20 minutes on winding, foggy roads with no views. So we canned that part of the trip and went straight to Lake Norman State Park where we were scheduled to be for two nights. We had a nice spot but the temp was hot, hot. We had no electric hookup so no A/C, but we did have a battery-powered fan that we ran off of our RV that helped a little. We did a 2.5-mile hike on the morning of the first day and saw lots of deer. The lake was pretty, but it was hot. We drove into Statesville to cool off in the car and went to Walmart and got some supplies and water. Back at our trailer we did have lots of TV channels on our TV, so we could do that and we had a pretty good cell signal.

The last leg of our trip was to Morrow Mountain State Park. This is a park that we had visited and camped at in the past and had fond memories of. We were scheduled to be here only one night. But the difference was that when we visited before it was in cooler weather. When we arrived at Morrow Mountain, the heat index was 105 and very hot and sticky. The campground was half empty. When we arrived we partly set up, as we were only going to be there one night, and tried to stay cool. It was too hot to hike and even Forrest got under the trailer to try to hide from the heat. After a few hours of this, my wife and I figured that we were only three hours from home and A/C,  so we decided to leave and go home. So we packed up all of our stuff and headed home. This was maybe the best decision that we made because the extra day of rest before going to work was really needed.

So that's how we went to nine state parks in one week. We had a good time and enjoyed the sites. I have visited 25 parks so far and have 9 more to go.  It will take me four or five three-day weekends to reach the parks that I haven't gotten to, but hopefully I'll meet my goal. Please go out and visit your local state park. You might be surprised like I was of all the things there to do. So until next week, get out and shoot!

Hey Everyone! Hope you are doing well. Today is a review of a new addition to my camera bag -- the 

Lume Cube 2.0. This is an LED-controllable light that can be described in two words -- small and powerful! This is a small, rugged, waterproof, and powerful light that is perfect for the landscape photographer. But to tell you the truth, I really didn't buy it at first for my bag or landscape photography. I bought it for video. With the way our society is now with the Covid-19 social distancing rules, video meetings are starting to be the norm. So I initially got it to shine on me when I was video conferencing. But when I got it I quickly figured out how versatile this light was. It quickly found a place in my bag. It comes with a 1/4 20 thread tripod mount that will go right to the hotshot of your camera for fill light in darker places. And with a cheap adapter you can make this light fit on all of your GoPro mounts and tripods. I rigged a suction cup mount to fit on the back of my monitor, and the light fits right to it to shine on me as I video conference. Let me go over what you get when you get this neat package.

In the package you get the cube light in, you get a USB-C adapter cord to charge the battery. You also get an adapter to fit on the front of the cube that is magnetized. It comes with two gels. One is a white defuser and the other is a warming gel.They use magnets and just stick on the front of the light. You can buy other gels and accessories for the light like a barn door or a shoot-through snoot. Here are a few of the specs of the Lume Cube.

• 1.6" x 1.6" size (approx. the size of a golf ball)
• True Daylight Balanced 5600K Color Temp & 95+ CRI
• Custom Lens /w 80º Beam Angle and ZERO Hot Spots
• USB-C Charging
• Durable Aluminum Body & Water to 30 feet
• 750 LUX @ 1M
• 1.5 Hour Run Time @ 100% Output
• 2 Button Control System (increase & decrease brightness manually)
• Wirelessly Control via Lume-X iPhone/Android App from 60 feet away
• 360º Optical Sensor for Slave Flash Capability
• Built-in 1/4" 20 for Tripod Mounting
• Low Light Mode (adjust in 1% increments) for Night Photography
• Accessories Included (Shoe Mount, Warming Gel, Diffuser, etc) 

To wirelessly hook up to the light with your phone is easy using Bluetooth, and you can control the intensity of the light with a slider. You can choose if it's for video or photo. It also has an optical trigger for using with flash for fill flash. So if you have an onboard flash on your camera, you could control the trigger with your camera. You could also use this light with small light painting projects for foreground interest in astro photography.  I've always wanted to take a small flash in my bag, but it was too cumbersome with batteries and triggering the flash if its off-camera. But with this little light the size of a golfball, I now have extra light that I can control with a slider on my phone. It can hook up to any tripod or GoPro mount I have that makes it very easy to use in the field. Being waterproof is another plus for the landscape photographer. It is built like a tank. I have been talking about all of the uses for landscape photography, but it could also be awesome for tabletop photography.  I'm thinking about getting another one and doing all of my tabletop photography with them. As you can tell, I am very excited about this little light and I think you should be too. It would be a great addition to any photographer's kit, no matter what type of photography you do.

As you can tell, I highly recommend this small LED light to expand your photography kit to make you a better photographer. So until next week stay safe, keep shooting, and get outside!

Hey Everyone! I hope today finds you healthy and safe. Today's topic is what camera mode should you shoot in? Let's go back in time a bit. When I started using an SLR (Single Lens Reflex) camera, it was a manual camera that you had to kind of figure out how to shoot. This was before digital so you had to shoot a roll of film, send it off to get developed, and then see what worked and what didn't. You also had to take notes because there was nothing to tell you on the film negative what your settings were. But I learned and became pretty good at getting a properly exposed photo. I shot like this for years. When I finally went digital Technology had flown past me and I had to learn the other modes like aperture priority, shutter priority, and all of the camera settings that you can get now. It is actually overwhelming how many camera modes there are now. But what is right for you? I am a firm believer that you, as a photographer, should know how your camera works. How a photograph is exposed and the exposure triangle. That said, I don't shoot in manual all of the time now, but it is because I know how I can revert back to it when I need it.

So what do I shoot in? Ninety percent of the time I'm shooting in aperture priority. I set the aperture and the camera does the rest. I set the depth of field for the shot I want, and I let the camera make the decisions on what my ISO and shutter speed are going to be.  We pay a lot for our cameras and they have powerful computers on board to make decisions to get a properly-exposed photograph. And 80 to 90 percent of the time they get it dead on. It's that other 20 percent that we have to take over and fix what the computer is fooled by. That's why I think when you're a beginner you should shoot in manual all the time until you fully understand what you are doing. Then you can change to one of the other modes on your camera and not worry about what setting you have. You can just shoot and compose your shots. The other 10 percent of the time I'm shooting in manual mode, usually when I'm using a tripod and working slowly and methodically or when I'm using studio lights. Other than that I'm in aperture priority. But that's just me. There are tons of other shooting modes that can be found on almost any camera from a point and shoot to a DSLR. So let's talk about some of these.

The MetroCommuters waiting for the Metro in Washington DC. Shutter priority is when you set your shutter speed and let your camera make all of the other decisions like aperture and ISO.  This mode would be good to use if you're trying to show motion, like a car passing by and blurring out. Or just the opposite, it could be set really high so you don't get the blur, maybe for shooting flying birds. Now shooting in manual, aperture priority, or shutter priority you still shoot in raw, but most of the other modes your camera puts you into shooting JPEGs. So you might want to take that into consideration before you use them. But some of them are great. For instance, fireworks, soft focus, underwater, background de-focus, water painting effect, fish eye effect, handheld night scene, stars, portrait, panning, panorama, self-portrait. These are just ones I pulled off of my Canon G7XII. They are all self-explanatory, like for shooting fireworks you use the firework mode. For nighttime, you use the hand-held mode. ISO for shooting dark night scenes that are handheld, not on a tripod. Some of these modes will take multiple shots and combine them to give you the best photo. All of these modes are found under the scene setting on my camera and should be under something similar on your camera. So out of all of these, what is the best mode to shoot with? Well, it just depends. It depends on what kind of photographer you are, it depends on what you're shooting, it depends on your experience as a photographer. It just depends on lots of things. But one thing is for sure. You should know the basics first and then experiment with the other ones. So figure out what is best for you and get out there and shoot. So until next time, get out and shoot!
 

Max Stansell Photography Hey everyone! Hope ya'll are doing well and are healthy and safe. What's up with the title this week, "Photographers Are the Ultimate Scavenger Hunters"? Well this again might just be a me thing.  But I think that to be a good photographer you need to be able to pick out subjects or scenes out of your larger field of view.  In my real job I commute to a lot to different towns and places and do quite a bit of driving.  But while I'm doing that I'm framing different shots as I go with my eyes. And it's not just when I'm driving. I do it all of the time. Looking for leading lines, putting the subject of whatever I'm looking at on the 1/3 line. I think photographers as a whole tend to see in photographs. At least I do. I think it's a lot like a scavenger hunt, looking for different things in everyday scenes to pick out and shoot.

Have you ever done a photographic scavenger hunt?  It's pretty fun. You and some friends or maybe your camera club can do this. You don't need fancy equipment or a camera. A phone will do. Then make a list of things to find or shoot. Maybe a portrait of a stranger, shoot through Goldsboro Fire House something, a pair of something, you get the picture. LOL  Then just set up a time frame, maybe a couple of hours, and the location it will be shot like downtown. Then everyone goes off in a different direction looking for the items on the list. After everyone is done you can get together and compare, and you will be surprised of all of the different photos you will have for the same subject. It's pretty fun and you can see how other people see things also.

When you're taking a trip with the family and you have a long car ride, look around and see what kind of  photos you can take with just your eyes. It doesn't have to be a grand photo, but maybe an opening through a fence or maybe a horse grazing in a field. Work the scene with your eyes and your mind's eye on how you would frame up the subject and how it would look in the end. You can do this in a split second. Then move to the next thing, a farm house sitting on a hill. Man on a bicycle. Just keep going. What your are doing is getting your photographic eye in shape, putting it through a workout if you will. So the next time you're out with your camera, your photographic eye takes over and you only see in pictures and photographs. And you can quickly pick out the important things in a scene without struggling for a composition. Like anything it takes lots of practice, but it will help you in the long run. You might even see something that you just can't pass up and have to stop that car and make the shot that you've seen.

Cotton Sail HotelCotton Sail Hotel, Savannah Ga on River St. Another way to develop your photographic eye is to look at others' photographs. Looking at sites like Flickr, 500px, and Instagram can help you improve your mind's eye. Other people post photographs that are their best ones or they wouldn't have posted them, and looking at these over and over again will help you develop the way you look at things and the way that you want to see things. So be a scavenger and look at as many things as you can as a photographer to develop your photographic eye. Try to pick other photographers' photographs apart, try to see what they saw and how they took the photograph to improve your own.

Well that's enough for this topic. Until next week keep shooting and get outside!

Hey Everyone! Hope everyone is 

Leave No Trace has been around for years and isn't just a politically correct statement that is popular. I was taught this in Scouts 50 years ago. Outdoor enthusiasts have been practicing this for years, but with the onslaught of the internet, we have brought new people to the wilderness that haven't ever strayed from their local Starbucks. But now, because they saw a post on Instagram, they just had to have a selfie at Mesa Arch. According to the Leave No Trace Center for Outdoor Ethics, there are seven principles to Leave No Trace. They are: 

1. Plan ahead and prepare.

2. Travel on durable surfaces.

3. Dispose of waste properly.

4. Leave what you find.

5. Minimize campfire impacts.

6. Respect wildlife.

7. Be considerate of others.

Do all of these really relate to a day photography trip? Most of them do. We were given a great gift with the national parks and forests and the state parks and nature reserves. We need to be stewards of the land that was given to us so we can give it and its natural beauty to the ones that follow us in the future.  If we don't they could be gone forever, and our grandchildren and their grandchildren will never know the beauty of our great nation.  Forest rangers aren't there to pick up after us like we are at a hotel. That's not their job. It's yours and mine! So let's go through the principles from a photographer's perspective.

1. Plan and prepare ahead of time. If you're going to the wilderness, look for trail maps and find out the rules of the place you're going to. There may be special rules in the area to protect some species of plant or wildlife that you don't know about.  2. Travel on durable surfaces.  That means stay on the trail making the least amount of impact as possible to the environment. With the amount of people going into the wilderness areas now, this is especially  important.  We don't want to trample the area like a herd of elephants. This is a big one. 3. Dispose of waste properly!  I have been five miles off the beaten path in the middle of the Smokeys and found a gum wrapper! Haul all of your trash with you out of an area. If you eat a power bar, take the wrapper with you when you leave. I won't even get into what backpackers do when they have to use the bathroom in the wilderness. Just take your trash out, please.  4. Leave what you find. Don't take anything natural out of the park for a souvenir.  By doing so you're stealing the beauty from the park. Leave it for someone else. Don't take plants out of the parks. You could be spreading diseased plants and accidentally spread it to your house. Leave them, please. 5. Respect wildlife.  Give them plenty of space. Bears, elk, moose, snakes, and all kinds of critters need their space. Remember, you're in their house, so respect their house. Give them the distance they deserve and they will most likely leave you alone.  6. Be considerate of others. We all want to see the beauty of the forest or natural wildlife scene.  Don't ruin it for others by carving your initials into a tree for everyone to see. Nobody wants to see it. Remember, the place that you are in is fragile and must be cared for so others will enjoy it also.  7. And lastly I don't think there is any reason to talk about campfires, but if you do have one, follow all of the rules where you are at.  You don't want to start a forest fire.

Common sense is what's needed here. Do unto others and all of that. I know of a lot of famous photographers who do not give the location of where they got the great shots and scenes from just for the reason that the masses will come and destroy them. Nick Page, a pretty popular photographer, puts Mesa Arch on all of his photographs just so people won't go to where he photographed them. Not because he wants to keep the place for himself, but because he wants to protect them. I don't go to that extreme. However, if I'm at a tourist location, I'll give the name, say, the Wright Brothers Memorial. But if I'm not and I think that the place is fragile, I'll just put North Carolina for the location. Not that I'm popular and people are looking, but just in case someone wants to go to that place they will have to do the research to find it and maybe that will keep them from trashing it.

Well, that's pretty much it for this topic. Please take care of the land. There isn't any really being made at the moment, so we must take care of what we have. Until next week, keep shooting and get outside!

Hey Everyone! Hope everyone is healthy and safe.  As you know photography is an expensive hobby. Unless you're one of the lucky ones and have a 

Photography gear has changed in recent years and is more complicated than it used to be. Back in the film days you got a camera body and you used it for 20 years.  There was really no upgrade to do. It was all mechanical. But since the digital age has come there are upgrades every year, and people are upgrading (in my opinion too soon) every couple of years. That's expensive and maybe not as mush needed as it used to be in the early days of digital. My advice is to take your time, be patient, and research before you make the decision.  Slowly upgrade your equipment one piece at a time. Here's what I mean.

_MSP6316 Most of us invest in a first camera in some kind of kit where they give you a cheap lens along with your camera body. My advice is to use that cheap lens until you can save enough money to upgrade the kit lens. Take your time and research which lens you want to upgrade to. Learn to use that cheap lens until you think it's causing you to not be able to get the shots you want to get. The same can be said for camera bodies.  Use the body until you think it is hurting your photography. The camera bodies that I am using are about four camera body versions behind the newest versions. But I'm sticking with the one I have until I think it's not doing the job for me and I need an upgrade. Sure, the newest ones do all kinds of neat things with all of their bells and whistles, but for the type of photography I do (landscape/travel), I really don't need that animal eye detection or that 4K video mode or so many frames per second. And when you upgrade a body or lens, it doesn't have to be a brand new one. You can upgrade to a used lens or body. In my kit, for example, the main body I use was purchased used, and two out of my three main lenses were bought used. I did just upgrade my long telephoto lens, only for one reason. I wasn't getting the shots I 11-sony-a6300 wanted because the reach on the one I had was too short in my opinion to get that occasional wildlife or long-range shot. So I put away a little cash each week, and when I got enough and did all of the research, I purchased a new one. I will probably sell my old one before too long to offset the cost of maybe something else. Tip, when buying from a local camera shop, you may be able to trade in old camera gear for store credit to help you upgrade to newer systems. You might not get what you would if you sold it outright, but sometimes it's hard to sell on eBay or to friends. When I switched from Nikon to Sony, it took a while to sell all of my Nikon gear, but I eventually did and used that money to upgrade kit lenses I had with my Sony gear. The point I'm getting to is that upgrading is a slow and ongoing process that never ends. I have a great kit now, but it took me a long time to get there. I will be upgrading in the future, but it will be slow and methodical, which will save me money and frustration in the future.

Well, that's enough for this time. Slow and steady is the course for upgrading camera and photography gear. So get out and use that gear, and keep shooting!

Hey everyone!  Hope everyone is healthy and safe. This week's topic is about upgrading your camera kit to a full frame sensor camera set up.  Is the grass always greener on the other side?  As photographers we are always looking for an advantage or something to make our photographs better.  Buying new gear is something we think will improve our photography.  I am no different than any of you.  I love gear and do have GAS (gear acquisition syndrome).  Nowadays, I try to do it smarter and research instead of emotionally making decisions about gear.  Almost every YouTube video by your favorite photographers praise the advantages of full frame cameras over smaller sensor cameras.  But they are all professionals or professional-want-to-be's and make their living from photography.  I am not.  I am a hobbyist and do photography just for me. So do I need to go by the same standards that professionals go by?  I have owned and used both full frame and crop sensor cameras and will give you my take on this subject.  Today we're going to look at the advantages and disadvantages of full frame cameras and the questions you should ask yourself before you buy one.

Advantages of Full Frame.  There are lots of advantages of full frame cameras, especially if you make your Living as a professional Photographer and depend on your equipment to put food on your table.  Full frame cameras tend to be built better than their smaller sensor counterparts.  They are heavy duty and sometimes built like a tank.  They tend to be better weather sealed in most cases to keep dust and moisture out in rugged weather conditions.  Larger sensor cameras collect more light than smaller sensors, so they are better in low-light conditions.  They can have more resolution with massive amounts of megapixels, and you can print larger prints.  Depth of field (the amount of what is in focus in the frame) is shallower.  They are great cameras and perform well under many circumstances.

My Camera's Disadvantages of Full Frame.  There are some disadvantages of full frame also that aren't talked about as much as advantages are on YouTube videos.  Full frame cameras have large files.  The files take up lots of space on your computer, and your computer needs to be pretty fast to edit them.  So if you get a new full frame camera, you better upgrade your computer system also.  Full frame cameras are big and bulky and heavy, whether they are mirrorless or DSLR.  Although the mirrorless camera body may be smaller, the lenses are the same size.  A 70-200mm f2.8 lens is heavy!  Shallow depth of field was mentioned in the advantages, but can also be a disadvantage.  If you're doing landscape or architecture photography, you want depth of field, not shallow depth of field.  And of course the elephant in the room is price.  On average, full frame cameras are at least twice the cost of smaller sensor ones.  Lenses are much more expensive also. 

Questions you should ask yourself.  There are many questions you should ask yourself before going to a full frame sensor camera.  The first question is what type of photography do I do, and do I need full frame to do it?  If you are a professional, I think the answer may be yes, but many professionals do use smaller sensor cameras with lots of success.  If you are a portrait photographer and that's all you do, the answer may be yes.  If you are a landscape photographer, the answer may be no.  In landscapes you want the largest depth of field in your subject, not mentioning the weight of the equipment you'll have to carry to get to those subjects.  If you are a street photographer, I would say no.  The small size and being able to conceal your camera is an advantage over the large sensor.  If you shoot sports, the answer may be no.  Many sports photographers shoot crop sensor cameras in JPEG to make the files smaller because they shoot so many photographs at one time, like a machine gun.  The same may be said for wildlife photography.  If I am a hobbyist and only shoot for myself and my photos go to Instagram and Facebook and only print occasionally, then the answer is, no, I don't need a full frame camera.  If you're a gear head and really enjoy spending lots of money on new gadgets and must have the newest, then knock yourself out and buy that full frame.

My Two Cents.  As a former full frame Nikon shooter and now a crop sensor Sony shooter, I can see both sides of the argument.  For me it kind of happened full circle.  I started with a crop sensor Nikon and had to have that full frame and all of the gadgets that went with it to big fast glass.  And the photos I was getting were great.  Then I got a mirrorless camera for hiking because the full frame with a 24-70mm lens was over seven pounds and heavy and the mirrorless was much lighter.  I started using the mirrorless more and more.  And before I knew it I was grabbing the crop sensor 90 percent of the time over the full frame.  Finally, after a couple of years, I went on a workshop where my crop sensor camera was my main camera, and my full frame I used as my backup.  I go to this workshop every year, and the photos are similar year after year.  I compared shots from the crop sensor and from the full frame from the year before and really had to pixel peep (zoom in really far) to tell the difference.  To the naked eye I couldn't tell.  I had over $15,000 invested in the full frame set up and only a few thousand for the crop sensor.  That's when I made the choice to go to crop sensor and sell all of my full frame stuff.  I took a beating on selling everything, but in the long run I'm really happy with the kit I have now and feel confident that my photos are of the best quality.  I shoot as a hobby.  I don't need all of the megapixels, and I'm not printing a lot.  Most of my photos go on Instagram or Facebook.  When I go on photoshoots with my friends, I have the smallest kit, and I love it.  It doesn't weigh me down, and I have more energy to go exploring and find new things to shoot.  It is totally the best decision I have made in my photography journey, and I wish I had asked these questions before I jumped into full frame in the beginning.  Those are my thoughts on the subject.  Please think long and hard before you commit to full frame. If it's right for you, great.

Until next week keep shooting, stay safe, and go outside!

Hey Everyone!  Hope everyone is doing well and is healthy and safe.  This topic is a spur of the moment one that just occurred to me that I haven't talked about astrophotography before.  While attending a Zoom meeting with my camera club, a lady gave a great presentation on astrophotography, and I just wanted to jump in and give my 2 cents worth.  But I didn't want to be that guy, you know, Mister Know It All.  So this morning I figured I would just send a link to our group of one of my blogs about the subject and there wasn't one.  So this one is going to be it.  Now, I'm no expert on shooting at night, but I have done it a couple of times with both successes and some failures and wanted to share the little that I know with y'all.  When trying to get 

No, not that kind. LOL Taking a photo of the full moon can be a challenge.  

Shooting Stars. Shooting stars is a whole different thing to shooting the moon. The moon is very bright and shining, but stars are far away and have very little light.  So capturing that light is the trick.  I break shooting stars into two categories:  pinpoint stars where the stars are focused and are points of light (shooting the Milky Way also falls into this category) and star trails where the light of the stars makes a trail across the frame of your camera. 

For both types of shooting of the stars in these categories, place your camera in RAW and your white balance to AUTO, and that will take care of these settings and can be adjusted in post production very easily.  We will be shooting in manual mode and will be focusing in manual also.  Auto focusing has a hard time picking out stars to focus on, and manual will be much easier.  A large aperture wide angel lens will be needed.  Remember, we want to catch as much light as possible, so the larger aperture will come in handy.  An "F-stop" of 2.8 to 1.4 is recommended, the largest one you have; a sturdy tripod with a remote release; a head lamp or flashlight with a RED setting is best for working in the dark to preserve your night vision; and of course getting away from light pollution, sources from a town, street lights, or anything that produces light.  Really the farther away from civilization the better.  Shooting in a new moon, which means "no moon or moonlight," is better for this type of photography.  Let's start with star trail since this is the easier of the two.

Star Trails.  The example that I have put here is of what not to do.  Notice the light pollution on the right,  and the composition sucks.  But I did get some trials.  This was a single shot long exposure.  The first thing to remember when shooting stars is that they are not a stationary subject.  The stars move, or really the earth moves.  To get trails the exposures need to be 30 seconds or longer.  Now, you can take some longer exposures of
the stars and get small star trails, say a minute or so, you have to play with the times to get what you like.  Set up your scene with your camera and wide angel lens.  Put your aperture one click from wide open.  If you have it wide open, you could have trouble focusing because of diffraction.  Focusing is one of the hardest things about astro-photography.  This is what I've done.  During the day get your lens that you're going to use and focus on something at infinity and slowly get it as sharp as you can.  I mark this on my lens with a sharpie.  You'll notice that the infinity mark on your lens might not be the actual spot that it's in focus.  When you have this at night when you're back in the field, put your lens at this mark for starters.  Using live view you should be able to magnify what the screen is seeing and pinpoint one star and try to get it in focus as much as you can.  Then have your live view, go back to normal, and you'll be pretty sharp.  My starting points for star settings are aperture is one click from wide open, Shutter 25 sec ISO 3200 take a shot and see what you get.  Make adjustments and trial and error until you get what you Carolina Beach 2020 want.  If you want trails, make the shutter longer until you get the length you want.  Not too long because you'll be grabbing more light.  Then if your camera has a time lapse feature, use that so your camera will automatically take a photo just past your shutter speed time. You'll have to figure out how many shots you want to take.  Let your camera do the work.  When you get them in post production like Photoshop, you can stack the images together, and you will have very long light trails and sharp ones also.  This is something that takes lots of practice and experimenting, but don't forget the basics of photography like composing a good scene.  Try to have something in the foreground to give interest and contrast to your image. An intervalometer could be useful if your camera cannot do time lapse.  You can get these on Amazon for not too much, but make sure they are for your model of camera.  

Star scenes and the Milky Way.   Just about all of the settings are the same with this type of shooting stars as Max Stansell Photography with the star trails, except we want our shutter to be 25 seconds or shorter because we don't want the blurry stars; we want pinpoint stars.  Focusing will be the same as above, and the starting point settings are the same.  Remember, unless your are really out in the middle of nowhere, you will have trouble seeing the Milky Way with the naked eye.  Finding the Milky Way and certain stars and constellations will be the hardest part because the earth is rotating and the subjects are constantly moving.  Using an app on your phone can be very useful.  Shooting during the new moon (NO MOON)  will also be very useful.  I use the app Photo Pills, and it is a fantastic app for seeing where and when the moon, sun, and Milky Way will be moving through your scene.  It has a virtual horizon that you can use with your camera, and it will show you where the Milky Way will be while you're scouting during the day.  And then when it's the best time to shoot at night, you can go and set up and not have to struggle with location of the Milky Way or stars.  Setting up your scene is still very important with foreground interest and experimenting with shutter speeds and ISO settings.  Remember, the lower the ISO setting, the less noise.  The higher the setting, the more sensitive it is to light.  So there is a balancing act you will have to do to get this right for your camera.  Full frame sensor cameras tend to have better light gathering capabilities, but you can use smaller sensors also.  I use a crop sensor camera and do just fine.  My equipment for shooting night skies is a Sony A6300 or A6500 (Crop Sensor Camera) and a Rokinon 12mm f 2.0 manual lens.(18 mm full frame equivalent).  In lenses, use what you have, the widest aperture.  Maybe a 35 or 24 or even a 50 mm with a 1.4 to 2.8 f-stop will work fine.  Use what you have at first, but wide would be better.

This is a fun type of photography that some photographers really specialize in.  There are all types of gizmos and things you can get to help you with your star photography.  I just covered some of the basics.  You can get devices that track the stars and move while you're taking a long exposure to keep your stars sharp.  There are telescopes and all kinds of things.  You can have GAS (gear acquisition syndrome) overload or you can be like me and just dabble a bit.  Either way it's great fun.  So until next week, get outside and shoot some stars!

Hey, everyone!  I hope everyone is doing well and is healthy.  I'm all in, are you?  What does the title of this blog mean?  I heard a saying a while ago that you only get what you put into 

Putting in the work.  In photography, like most things, you must put in the work.  When I learn a new photography technique or editing procedure, I do a lot of research and practice, practice, practice.  But I'm all in!  I make mistakes and fail.  But I keep going.  I have an addictive personality, and I can't stop until I can do whatever I was trying to learn.  As photographers, we never know it all and are, or should be, constantly learning.  That's one of the things that I love about photography.  You never stop learning and can experiment with all kinds of stuff.  When I'm in, I'm in!  In life you must put in the work if you want it to turn out great.  Nothing ever happens without trying and putting forth the effort.

Pushn' up Dasies Failing.  Failing is a part of life.  Everyone fails at something and fails many times.  When you fail to do something, you have just learned a way not to do it.  Those who do not try are the only ones who won't fail. By trial and error do we learn the best in my opinion.  I can read about it all day long.  But if I actually try to do it and I fail a couple of times before succeeding, then I will have it forever.  Because I didn't only learn how to do it, but I also learned how not to do it.  And sometimes that is just as important as learning how to do something.  I just had a big fail that is and isn't photography related.  I lost a camera!  I have, or had, a Canon G7XMII point and shoot camera.  (Because I always want a camera that is better than my phone with me).  What I think happened was that it was very hot one day at work so I took the camera out of my car and brought it inside where it was cool.  When I USA Pease went to leave, I think I placed the camera on the roof of my car while loading up and left it there.  Then I drove off.  I didn't notice it for a day or so.  I have searched everywhere for it with no luck.  I'm going to get with the security at the place I'm working and see if anyone found it and turned it in.  This was a big fail!  And it's not the first time I've done it either.  When I was in high school, I placed a lens on top of my car and drove off.  Luckily I found the lens in the gutter by the street unharmed.  Hopefully I'll find this camera.  If not, I will have learned a big lesson and will have to replace it costing more money than I want to spend.  We all have fails.

What I'm trying to say is you can't sit on your couch watching TV then go to a pretty place, pull out your camera, press the shutter button and expect to have a masterpiece.  It just doesn't work that way.  You have to learn by trial and error how to compose shots, how to set up your camera, and how to post process your images to get that masterpiece.  You have to learn all of the things to do and not do to get that shot that people will "ooh and ahh" over.  It's just not one click.  Thanks for listening to me on my soapbox for a while.  Hope everyone has a great week, and until next time be safe and get outside and shoot!

Hey Everyone!  Hope y'all are healthy and happy.  Last week we talked about the pre-shoot checklist, and this week I want to talk about the extra stuff you should have in your camera bag.  Last week it was all about the essentials that you need to have with you when you go on a photo shoot.  This week it's about the extra things that I think you should have with you when you go out shooting.  First of all, this is just things that I think you should carry, but you can modify or customize it to your specific needs. So let's get on with the list.

1. Emergency rain poncho.  Have you ever gotten caught in the rain?  Well I have.  I hiked in a couple of miles to get to a waterfall that I wanted to photograph.  When I got there it started to look a little stormy, and I was thinking, great, this will make my photos better with the stormy mood.  But then the bottom fell out.  I was two miles from the car or any shelter standing in the pouring rain with my expensive camera equipment getting soaked! Luckily, I did have a trash bag with me that I could cover my camera bag with to keep my gear from getting too wet. But I was soaked. From that day on I always have an emergency poncho with me.  They are cheap and don't weigh much.  You can get them for five bucks or so.  And if you're careful you can reuse them.  I have used mine a couple of times in the last few years.  I should replace it. LOL

2. Cold weather gear.  When it's cold outside and you're holding a metal camera, your hands get cold quickly!  In the wintertime bring some sort of gloves, head gear, and something to go around your neck.  You will stay so much warmer and get better shots because of it.  Hand warmers are a must in wintertime.  They are cheap and last for hours, and one in your pocket or jammed into a glove is great!  There are all kinds of gloves you can get.  I would suggest one that you can handle your gear with.  They make special gloves for photography, but you don't need to get those expensive ones (although I just got a pair last year and love them).  Any glove will do to protect your hands.

3. Hot weather gear.  When it's hot outside, you need to protect yourself also.  Wearing cool, non-cotton clothes is a first step.  A hat that can protect you from the sun is also good.  But what happens when it gets warm? Bugs!  Bring some sort of bug protection. You can get it in small bottles or packets.  I bring packets of bug protection with me always.  Sunburn sucks!  Bring sunblock and use it.  I also have these in packets that go in my bag all the time.  They take up little space and are lightweight.  There are all kinds of advances in cool-wear technologies.  They make bandanas that you can get wet and put around your neck to keep you cool.  When it's super hot outside, that's what I use.  They are very lightweight when dry and don't take up much space.

4. External battery.  It goes without saying that everyone will have their phone with them when they are out and about taking photos.  We will use them for navigation, sending photos, and all sorts of things.  But when they are dead, they are useless.  The same is true for our cameras.  When the battery is dead, they are useless.  The small external battery can be used to charge my phone when it gets weak.  I could recharge my battery in my camera (most cameras can do this now), or I could recharge my GoPros.  I use a 5200ma/h, and it's always in my bag.  Just remember, the bigger the battery, the heaver and bulkier it is.  It takes about 2000 ma/h to completely charge your phone and, depending on your camera battery, maybe a little bit more.  (But you should already have fresh batteries.)  It has come in handy on long trips recharging my phone or a photo buddy's phone.

5. Light.  Now, I'm not talking about a photography flash, although some people do carry one with them all the time.  I'm talking about a flashlight or headlamp of some kind.  Headlamps will come in handy when doing sunsets or sunrises. Being able to get to or come back from a photo location, safely is a must.  And they free up your hands.  They don't have to be expensive or bulky either.  I have gone through several over the years, and now I have a headlamp that is in my main bag (I think it cost 15 bucks) that works like a champ.  I have had more expensive ones, and usually they are more complicated to use and don't work as well for me, at least as the cheaper ones.  I also have one that will clip onto a hat like a baseball cap, and it's very small. ( I keep that one in my street shoulder bag.)  But any kind of small, mini flashlight will do.  They can also come in handy for light painting small subjects.

6. Rain Covers. These are the rain covers for your lenses and camera bodies while shooting in the rain.  Shooting in the rain can be very cool, and you can get some great shots.  But water and electronics don't mix well. You can get lens rain covers that are not more than clear plastic for five bucks or so, and again they are lightweight and don't take up much room.  I shoot with a small camera, so I made a rain cover out of an old pair of rain pants that I cut up and customized to my camera.  I have used the five dollar ones, and they work great.  Just make sure you get one that will cover your camera and lens and also make sure it's not too big.  They make covers that will fit over like a 500mm lens and camera, and if you're shooting small like me, that's just too big.

7.  Business Cards.  I know this sounds silly, especially if you're not a professional, but hear me out.  Business cards are cheap! You can get 250 for about 10 bucks.  You can have your name and your email address on them and website if you have one. When you meet someone who is interested in what you're doing or ask if you're a professional, you can pull out a card and have them check out your website.  Or if you took someone's photo and you can offer them a copy, give them a card and they can email you so you can send them the photo.  It's an easy way to share your info, and kind of cool.  I carry a couple in my bag and have a couple in my wallet if someone asks about my photography.

8. Pen/small pad.  I always carry a pen with me.  If I'm talking to someone, I can get their info or email address and write it on the back of one of my cards or a small note pad.  I can also take notes of places I've been.  I know this is old school and most people use their phones for this now, but this is my list. LOL

9. Microfiber cloths.  I have lots of these in my bag.  I put one in every compartment of my bag so they are always handy.  They are under every lens and camera body in the bag.  I always have one in my pocket for my glasses or in case someone else needs one quickly.  If you are out and it's misty or water for some reason gets on the lens, you can wipe quickly and clean/dry.  These are cheap and come with lots of things you buy.  I try to use brightly-colored ones so they don't get lost in the bag. (I can see them better.)

10. Personal things.  In this section, I'm talking about things that are personal to you.  I have glasses cleaners that come in the little pouches for my glasses because I smudge them when taking photos.  I bring a couple of the tooth pick/dental floss things with me for after I eat.  I bring toilet paper and/or wipes for emergencies.  And don't forget the hand sanitizer and I guess mask would be appropriate now.  I also put my car keys and wallet in my bag and secure them when on a hike so they won't fall out of my pockets and I lose them. 

Extra Extras. Here are a few others I thought about:  a lens pen to clean/brush lenses of dust; a hand blower ( a must - should have been one of the 10); an allen wrench that fits your tripod and quick connect plates; sensor swabs to clean your sensor; a rain cover for your pack; silica gel packs that you get in everything - throw one into your pack; sunglasses/case to protect your eyes from harsh sunlight; and I'm sure you can think of more.

All of these things I mentioned above are extra.  I assume that you're bringing cameras, lenses, batteries, and SD cards.  These are extra things that I have in all of my camera bags when I go out and about.  Being prepared like the Scouts is always good advice.  I hope this list helps or has given you an idea of what to carry when you go out shooting.  So get out there and start shooting!  So until next week stay safe and healthy.

Hey Everyone!  Hope y'all are healthy and safe this week.  I've got a question for you.  Have you ever gone to a photoshoot or location with your camera and gone to use it and your battery was dead or you forgot to put your SD card in?  This week I will be talking about things to to before you go on that photoshoot, a pre-shoot checklist if you will.  And hopefully this will keep you from making a mistake that will keep you from getting that shot.  

First, before we talk about the checklist, I would like to talk about organization.  I am an organized freak.  I like to have a place for my things and things to be in their place.  That includes my camera bag.  I like to have my bag organized so when I look in it I can tell immediately if something is missing.  I know that some people just open their bag and chunk it in, kinda like my wife does with her purse.  And they can never find anything and spend a lot of time digging through their bag instead of taking photos.  I have two main bags.  I have a 30-liter Shimoda backpack that has become my main bag when doing long hikes for landscapes and can carry all the gear I'll need.  Then I have my what I call my "purse" that is an over-the-shoulder bag that is great for street photography and just walking around when I don't need all of my gear.  In each bag I have a certain place for everything.  My batteries go in a certain place, my shutter release in another, lenses go in certain places... you get the idea.  That way at first glance I can tell if anything is missing.  Like I said, I'm an organization freak.

Now for the checklist.  I have heard about professional photographers who have a printed checklist that they keep in their camera bags so when they get ready to go on an assignment they can quickly go through the checklist and make sure they have everything they will need before they leave the house.  I'm not asking you to do this, but it wouldn't hurt.  This is a generic checklist that you can customize for yourself and the type of photography that you do.  Different types of photography may require different types of gear.  I got the idea for this checklist from a podcast "Master Photography Podcast," and his list was geared more toward portrait photographers.  Most of the people I know don't shoot people but more landscape, street, and wildlife, so I will make more of a generic list that you can customize for yourself.

1.  Batteries.  Of course this was going to be one of the first things on the list.  But not only batteries, but charged-up batteries. This is something that you may have to think ahead on because you can't start charging when you're ready to go out the door.  I shoot mirrorless camera, and they are notorious for sucking the juice out of batteries.  So I carry quite a few.  When I get home from a shoot, one of the first things I do is put batteries on the charger, even before I take my SD card out of the camera.  When they are charged they go back in my bag, and I know they are fully charged. Another thing to think about is not just your main camera, but also any other ones like GoPros, infra red cameras, or point and shoots.  I carry GoPros with me sometimes, so that means those batteries also.  Just something to think about.

2.  SD Cards.  Always, and I mean always, have extra SD cards in your bag.  If you were editing the night before and you forgot to take the card out of the computer and you get to your location and no card, no photos.  I always carry extra cards with me.  Not many, just one or two.  I rarely fill up a card, like almost never fill one up, but if one failed I have an extra.  If you're a landscape or sports photographer, you could fill a couple of them up pretty easily in a day.  One thing to remember when it comes to SD cards is they only have so many times that they can be formatted and reused.  It's a good idea to rotate you cards so you're not using the same one every time.  I have a bad habit of doing this, and I'm going to start rotating more.  SD cards are fairly cheap.  And unless you're shooting sports or wildlife where you shoot a lot with one shutter release or video, you don't need the fastest cards.  The ones that are 95mb write speed are fast enough for just normal photography.

3.  Check Camera Settings.  Sit down and go through your camera settings.  I know this sounds silly, but if you were trying something that you don't normally do or have a new camera, this is really an important step.  I got a new camera a few years ago, and my wife and I went to a bluegrass festival.  Lots of people and lots of things to shoot.  I was excited to get that new camera going.  Then I started to take photos and the shutter wouldn't work!  I got frustrated trying to figure out what was happening to my camera, my wife tapping her foot waiting on me and I'm missing shots.  What had happened is that I had the shutter on a time delay and had not put it back to normal.  So every time I hit the shutter nothing would happen, but it was counting down the time.  Check settings like ISO, what mode you're in, how your meter is set up.  Get all these things dialed in before you leave and you won't miss the first shot because your camera wasn't ready.

4.  Specialized "Gear."  This is the section that looks at what type of photographer you are: portrait, street, landscape, wildlife, sports, or macro. Each kind of photography might need special things. For portrait photographers, it might be flashes or lights and all that goes with it, especially batteries for those flashes.  Make sure you have all of those batteries recharged and ready to go beforehand.  For a street photographer, maybe it's a special lens like a 35mm that you might not have with you all of the time, maybe model releases also.  For landscape, maybe filters and a tripod. Wildlife and sports, those big lenses cleaned and ready to go.  As you can see, there are all kinds of items that can go in this section of the checklist and must be customized by your individual needs.  One good item for all of us is some sort of flashlight or headlamp.  It sucks going for a sunset and the sun goes down and you're in the dark and can't see.

22730511_10210704932196387_7018311079726609722_n 5.  Confidence and Excitement.  Now that you have all of your things in order, you can have the confidence that you have all you need and can start taking photos when you get to wherever you're going to take photos.  You can now concentrate on the photograph and be excited about being out doing photography, knowing that you have done your best to keep those bad misfortunate "Oh, I don't have an SD card!" or "Oh, my battery is dead!" moments.

Well, this has gotten a little long-winded, but I hope this will help you in your photography outings. Next week we'll talk about extras I carry in my camera bag.  Until next week, be safe, keep shooting, and get outside!

Hey Everyone!  Hope everyone is safe and healthy.  Today I'm going to talk about setting goals and creating personal projects.  Now, like all of these blogs, this is just my personal opinion and how I feel about the subject.  I am a goal person.  I have to set a goal to do almost anything.  That includes making a list.  I make a lot of lists.  And usually if it's not on a list, I'm probably not going to do it.  I'm pretty lazy that way.  For me, setting goals and making a list to get me to that goal is essential to growing as a photographer or in any part of my life.  I have set a lot of goals in my life and have failed in reaching them too.  For instance, I had failed for years to quit smoking until I finally did 13 years ago.  I have failed in keeping my weight under control, although I have lost lots of weight and have gained lots too.  I'm still working on that one.  But in photography I have basically kept improving by setting and reaching goals, from learning how to do something like using off camera flash, shooting in manual, the use of a light meter, developing film, shooting portraits. These were all IMG_1114 goals that I had set for myself, and I don't think I would have reached them just by picking up my camera every now and then and trying to do it.  I had to study and form some kind of plan to really learn how to do them.  And then practice.  One of the goals I have set for myself this year is to visit and photograph all of the state parks in North Carolina.  I had plans and was well under way when the coronavirus started, and that put a halt to my goal and really put the goal in jeopardy.  This weekend I set up a trip that I plan to take this summer to visit 10 state parks in a week-long camping trip to make up for all of the "Stay at Home" time while the parks were closed.  I still think I can make my goal, and it gives me something to look forward to.  And that's another point that comes from making goals.  It gives me something to look forward to, and that's important for motivating me to get ready to do something.  My yearly trips with my photography club are something that I really look forward to each year.  I like _MSP2238 knowing well in advance of the trip where and what kind photography we'll be doing.  Say, maybe landscape, waterfalls, or street photography.  It gives me time to plan for getting more equipment or learning a new skill before we go on our trip.  That way I can concentrate on the trip and not the mechanics of learning a new skill or how to use a new piece of equipment.  I think that my photographs become better because I have planned and learned my equipment or skill and can concentrate on composition and light, and the camera and/or skill become second nature because I have taken the time beforehand to learn it.  Taking some big goal and breaking it up into smaller sections is the best way to do any goal no matter what it is.  The old saying--how do you eat an elephant? One bite at a time--really rings true in setting goals and planning.

Setting goals is a personal thing.  Everyone is different, and there is no one rule that fits all.  Set goals that you're interested in.  Make a personal project in photography.  Maybe if you like barns, make a project of barns.  Set a goal to maybe make a book.  Books are easy to make, but first you need the material.  In my state parks goal, I plan on making a book (just for me ) on photos from each state park.  You could make a book on barns from different regions of your state, say the mountains, the coast, or the Piedmont region, and show the differences of the barns from each region.

So this was just a small talk about goals and personal projects.  Pick a small personal project and try it out, maybe to take more portraits. While you are trying to reach your goal, your photography will improve, and you will learn a lot about yourself and what you like.  Maybe you'll find some type of photography that you like more than what you're doing now.  So until next time, keep shooting and get outside!

Hey Everyone!  I hope everyone is safe and healthy.  Last week I took a little day trip to Merchants Millpond State Park in North Carolina.  This is a trip that I had planned a couple of weeks ago, but the coronavirus put a stop to the trip as the parks closed in North Carolina.  The parks opened to trails only and no camping yet last week and should re-open to campers in a week or so.  This park is located in the northeastern part of North Carolina, not too far from the Virginia border.  The park offers hiking trails, biking trails, camping, kayaking, and canoeing.  Some of the campsites you can kayak to. The Millpond offers fishing and kayaking and is really beautiful with cypress trees in abundance.

Our trip started early in the morning with an over-two-hour drive to get there. The trip I had planned earlier was an overnight trip because of the distance.  As a side note, when the parks were closed a representative of the parks called me promptly to give me a refund of my money for the camping!  I find that the staff at most of the state parks are very helpful and courteous.  My wife and my travel companion Forrest were traveling with me.  They both needed a break away from being cooped up in the house.  After arriving, we went to the Millpond and started with the photography and hiking.  The pond is really beautiful and calming.  We saw some kayakers put their boats in the water and start gliding through the trees on the way to finding some fish.  There were not a lot of people at the park, and it could be because of the virus or because it was Sunday morning.  But either way it was nice not to have people everywhere.  We took a two-mile hike on one of the trails there and went to the bridge over the pond to take some photos. We also planned on going to visit Dismal Swamp State Park which was only a 30-minute drive away.  When I'm on these trips, the way I like to do my photography is by myself.  I can take my time looking at stuff and don't feel that I'm being rushed to do something.  Forrest is getting better at stopping when I stop and sitting by patiently while I'm shooting. My wife waits patiently too.  But she always wants a photo of her wherever we go, so I have to stop what I'm doing to take a photo of her.  But it's still nice to have her along.  Here is a link to a short video that I made of this trip. Merchants Millpond Video So after the photography we took a short drive to Dismal Swamp State Park.  This park is very close to the Virginia border on US 17.  It is mainly a kayaking and canoeing park as well, but they do have some hiking trails that are really dirt roads and are also for bike riding.  We really didn't stay here long because we wanted to visit Edenton, North Carolina, a small little town that I grew up in that we visit a few times a year.  When we arrived, the streets that are usually full of people downtown were mainly empty, I guess because of the virus, which gave its a eerie feeling.  We went to a local park to have lunch and look over Edenton Bay.  The view was great, and we had a good lunch.  After lunch, we rode around town as we always do to check out the old house that I grew up in and check out other things that have changed.  We then started on our way home.  It was overall a great trip, and we knocked two more state parks off of my list.  Maybe next weekend we'll go to another.  Until then, stay safe and healthy and get outside and shoot!

Hey Everyone!  I hope 

1. I have learned how to cut my own hair!  I don't mean my wife has learned how.  I mean I have learned how.  I would never let my wife cut my hair.  Not because I don't think she could do it, but if she messed up I would do or say something that I would regret.  And I must say, I've done a good job at it so much that I won't be getting regular hair cuts at the barber shop anymore.  Unless I really screw it up! LOL  So I've learned a new skill and a way to save some money.

2. I have learned that I really do miss going places and camping.  I'm pretty much a loner and don't go out much to socialize any except for my camera club.  So the Stay at Home Order hasn't really affected me much in that sense.  I do most of my shopping online, so going to a store wasn't my thing to start with.  But not being able to go camping or hiking in my favorite parks, now that's killing me.  I even had a campout in my backyard as you could tell by my last blog.  I plan on going somewhere this weekend to go for a day hike because the campgrounds haven't opened yet, but I can't wait.  I don't think I will meet my goal of visiting all of the state parks in NC in a single year this year.  Might have to try again next year.

3.  I am relearning how to play the guitar.  I have had my guitar put away in the closet for almost 10 years.  I used to play quite a few songs.  Easy ones.  I really wasn't that good when I played.  But now I'm taking an online guitar course that is 14 weeks long for beginners.  I had forgotten how much the tips of your fingers hurt at the beginning.  But I'm starting to relearn some of the old songs I knew, as well as some new ones.  I'm having fun with it, and I plan to practice every day if I can.  Don't worry, this isn't going to become a Guitar Blog.

4. I also learned that I'm set in my ways and I like what I like.  I like to watch the same TV series over and over again.  Shows like "The West Wing," "Grey's Anatomy," "Game of Thrones," "Downton Abbey," "Heartland," and I could name a few more.  I have watched all of these shows many times and still like watching them.  I like a salad at night with grilled chicken for supper, and I have that every day during the week.  You would think that I would be smaller than I am with all of that salad, but I also like my sweets and savories to eat.  I like wearing the same jeans for many days in a row, and they just seem to get more comfortable every day.  I like going to bed early and waking up early.  I tend to get most of my work done before noon.  So, yes, I'm set in my ways.

Hopefully you have learned something about yourself that you didn't know or had forgotten.  Maybe a new skill with editing your photos or a new skill with your camera.  I hope that you have made this time at home an adventure instead of a burden.  I know I said that I wasn't going to write about the coronavirus anymore. OOPS!  Anyway, I hope that your days get easier and that you get outside and shoot!

Hey everyone!  Today's topic is about camping in your backyard.  Yes, your backyard.  I know a lot of you haven't slept in the backyard since you were a kid.  But it can be fun and a good time to try out new equipment and work out all of the bugs that camping can bring.  This weekend had fantastic weather with highs in the 70's on Saturday and 80's on Sunday. The stay-at-home order is still in effect, and the state and national parks are closed for camping.  I've been itching to get out and do some camping and exploring, so I got in my truck and drove to the exotic place of my backyard.  Not too far so I saved on gas! LOL  I started to do some work on my teardrop camper (install a new battery), and I had to wire a separate light to my truck camper and go through the things that I really need in my camper and the things I don't. Then it was time to set up camp.  A hammock is my preferred way to sleep when I'm camping.  It's so comfortable, and I don't have to get on the ground to go to bed.  I'm getting older, and getting into a tent after a long day of hiking is harder to do than when I was younger.  So I got my car-camping hammock.  I have many hammocks. The one for backpacking that I made has a built-in, zippered bug net.  My other hammocks have bug nets that just drape over for protection from those pesky flying pests in the summer time.  For rain and sun protection, I placed a tarp over my hammock.  Again, I have many tarps:  two that can be used for summer use and two for winter with doors attached to keep out the wind and rain.  The one that I decided to use for my car camping is one of my winter tarps.  I can fold the doors out of the way to let the breeze blow through in the summer time, and if I need some privacy or to protection from the weather, I can use the doors.  I've got camp all set up!  Now the fun stuff starts.

My wife and I had planned to have a fire in our little fire pit, so I had to get some wood together and get our grill together for the first grill of the warm weather.  So now that all of the camp chores and setup are done, it's time for the fun stuff.  Well, there is nothing better than taking it easy in a hammock in the summertime under a shade tree with a slight breeze blowing.  You talk about good sleep!  It's awesome!  I had just dozed off when something startled me, a tap on my shoulder from underneath my hammock.  Forrest!  He wanted some attention and wanted to get in with me.  So I picked him up and got him in the hammock, and we both took a nap until some squirrels started chasing each other in the tree above us.  Of course Forrest freaked out and I let him out of the hammock.  Later, we grilled some burgers on the grill and they were great!  I don't know what it is about burgers on the grill that make them so good, but the grill does really make them taste great!  After cleanup, it was time to start the fire.  To tell you the truth, I'm not really good at doing fires, and when I go camping I rarely start a fire if I have to do it myself.  There is just a lot of work to do with fire wood collection, starting the fire, and feeding the fire through the night.  But this night it was my turn to tend to the fire. Starting the fire is the hard part.  I got some small twigs and stuff and tried to start the fire with some crunched-up paper, but no luck.  I remembered my Boy Scout training and got some cotton balls and some Vaseline and soaked the cotton balls in it.  I lit the balls and they burned for about 10 minutes, plenty of time to get the fire started.  Then it was just feeding the fire.  It turned out great and we had a good time sitting around the camp fire.  Finally it was bed time.  I haven't slept in the truck camper since I built it.  So tonight was the night.  Forrest and I went to bed in the back of the truck.  And it went okay.  I would have been more comfortable in my hammock, but I did get some sleep.  We woke up early like always and had breakfast.  

We had a good time camping out in the backyard.  The weather was great and a fun time was had by all.  So get out in nature and have some fun!  Keep shooting!

Hey Everyone! Today I'm going to talk about using prime lenses and my favorite ones.  Now this is not an original topic.  As a matter of fact, I was listening to one of my favorite podcasts, "The Digital Story" by Derrick Story, and his topic was Prime Time.  Here's the link 

Prime lenses.  Well, I mostly shoot zooms for what I do with all the focal lengths in one neat package, but sometimes I just love a prime.  A long time ago, in the film days when you got an SLR camera, it always came with a 50mm prime lens on it and it was a good lens.  Prime lenses have many advantages to them. They have very sharp focusing, they usually have a wider aperture than zoom lenses do, and they are less expensive.  What's not to like?  Well, they are a little old school and not as convenient as zooms as you have to use your feet to fill up the frame by getting closer.  But I think zooms are fantastic.  And if you're in a stay-at-home situation, what better time to pull out those old primes and see things through new eyes.  Here is a list of my favorite prime lenses I have from shortest focal length to longest.  Now I have a crop sensor camera, so I will give the equivalent full frame focal distance also.

Rokinon 12mm f2.0 lens.  This little lens is a fantastic lens with very sharp results. This is the lens that I use mainly for astro photography and some wide-angle shots.  Its full frame equivalent would be 18mm.  This is a manual focus lens with manual aperture ring on lens.  Its action when focusing is very smooth and a dream to work with.  And to boot it is an inexpensive lens coming in at between $250 and $300.

Rokinon 24mm f2.8 lens.  This is another Rokinon lens made in Korea.  This is one of the lenses that I use for street photography with a full frame equivalent of 35mm.  This is a good lens for close quarters with a decent aperture. This lens is very light and the construction is good, but it does have a plastic feel to it.  This inexpensive lens is sharp, auto focusing and aperture is okay, and it comes in at $300.

Sony 35 f1.8 lens.  This is one of my favorite lenses and travels with me often along side my zooms as a lone prime in the bag.  This lens is super sharp and quick focusing, and auto aperture makes it great for street photography and general photography.  The build quality of this lens is great with a metal construction, but it's still lightweight.  It is a full frame equivalent of a 50mm.  Maybe that's why I like it, because the film cameras used to come with 50s on them.  This is a nifty 50 and comes in at $475.

The MetroCommuters waiting for the Metro in Washington DC. Sony 50mm 1.8.  This is probably one of my least used lenses, but it's great for portraits with a full frame equivalent of 75mm.  This lens has auto focusing and auto aperture and is sharp.  Its construction has more of a plastic feel to it, but for what I use it for it does great.  Coming in at $250, it's one of the cheapest lenses on the list.

Nikon 60mm f2.8D AF Micro Lens.  This is my macro lens.  This is a fantastic old lens that I've had for a while.  It's a full frame equivalent of 90mm, which makes it great for my crop sensor camera.  I have to use a Nikon to Sony Adapter and lose all of my auto focus and aperture.  It focuses smoothly with the focusing ring, and it has an aperture ring where I can dial in the aperture from 2.8 to 32.  You can still buy these new in the box for a little over $500, but I got mine used when I shot Nikon and just can't get rid of it. Kiwi

Notible Mentions- I do have a couple of lenses that I have used in the past that I want to give a quick shout out to, some from the film days and some from my Nikon days. 

Nikon 105mm 2.8 Macro lens. If you have Nikon cameras, you must have this lens for your macro work.  Just a stunning lens and sharp and built like a tank.

Nikon 75mm 1.8 Lens.  Super sharp and inexpensive.  I have shot some great shots with this lens, and when I sold it the person that bought it fell in love with it.  

Pentax 50mm 1.4 lens.  I got this lens on a Pentax MX 35mm film camera, and it's a great lens.  I still use it when I shoot film with my Pentax, and I have shot it with my Sony with an adapter. 

Chinion 135mm 2.8 lens.  This was the first lens I ever used besides the 50mm that came on my camera.  I got it from a friend and never got rid of it.  It's so old that it has a screw mount on it, and I have to use an adapter to make it into Pentax and then an adapter to put on a Sony.  I've only used it once or twice on digital cameras but truly loved  the quality I got out of it, and it was built like a tank.

So those are some of my favorite prime lenses, and I hope you can get excited about primes like I can and put one on and get out and shoot.

Hi Everyone!  This is a review of Luminar 4 and the editing 

possibilities that it brings.  As you know, I have been a true believer of Luminar from Skylum software for quite a while. I used Luminar 3 a lot for the AI (Artificial Intelligence) features and as sort of a mix between Lightroom and Photoshop.  With Luminar 4 even more AI is available with Sky Replacement and AI augmentation where you can insert objects like the moon or mountains or an airplane.  All of these adjustments can be done very easily with the click of a button and moving a slider to make adjustments.  I'm mainly a landscape photographer, but the portrait photographer uses lots of AI features also.  I use Luminar 4 instead of Photoshop mainly because of the ease of use.  I'm basically lazy, and Photoshop is a very powerful and complicated program.  You can do all of the things you can do in Luminar in Photoshop, but it's very complicated, very hard to do, and time consuming.  So I use Luminar.  Let me go over some features of Luminar 4.

Basic Editing-  Luminar 4 can do all of the basic editing that Luminar 3 can do from crop to basic light adjustments, all done with sliders.  There are also AI sliders that will analyze your photo and correct mistakes such as contrast, exposure, etc.  Presets are also available to help edit your photographs.  With the touch of a button, you can add the preset to your photo, and if you don't like it you can make adjustments to the preset to make it stronger or weaker.  Landscape enhancer - you can enhance the color of foliage and really make them pop.  All of these adjustments can be made under the Essentials tab that is on the right of the editing panel.

Creative Tab- This tab is where most of the landscape editing is done. This is where the AI Sky Replacement is done.  This is a fantastic feature!  You can take a ho-hum photo with a blank sky and replace it with a more interesting sky.  Luminar 4 has some to choose from, and you can use your own and make custom skies.  Luminar does a good job of replacing the skies and masking out all the other things that are not skies. Also, AI Augmentation is under this tab.  You can insert objects into the photograph with this feature -- clouds, birds, airplanes, mountains, or almost anything.  Of course Luminar has some ready for you to use, but you can use your own objects also.  This is a very cool feature.  You can be very creative, and it usually just takes a click and a swipe of the slider and you're golden.

Portrait- This tab has lots of editing tools to help the portrait photographer.  First, there is the AI Skin Cecille Head Shot 2 Enhancer where you can smooth out skin, and only the skin, but not take away the texture of the skin so it doesn't look like plastic or fake.  Under the AI Portrait Enhancer you can lighten the face to make it stand out, use red eye removal, eye whitening, eye enhancer, dark circles remover, slim face, enlarge eyes, improve eyebrows, teeth whitening, and lip enhancements.  All of these can be done with the click of a button and the swipe of a slider to make them the way that you want them to look.  I haven't used these too much, but I did use them on some older portraits and they worked great!  I was very impressed and am looking forward to taking some more portraits.

Professional Tab- In the Professional Tab you can use Advance Contrast to enhance the highlights, mid-tones, and shadow contrast separately.  You can use the Adjustable Gradient like you would in Lightroom.  With the Dodge and Burn you can use a brush and paint to dodge and burn.  Color Enhancer can make the photo warmer or cooler.  I haven't used this tab too much, but it looks like it will work very well.

You can start in Lightroom, export a copy of your photos with Lightroom adjustments to Luminar 4, and when you're done you can apply all of your changes and they will show up in Lightroom beside the original photograph.  Then you can export to whatever program or Facebook just like you usually do from Lightroom.  I really do like this program, and it makes some very interesting images.  So check it out.  It's a one-time buy just like Luminar 3, and it's under $100.  This is great software with lots of value and bang for your buck.  If you like creating, Luminar 4 is a great choice for photo editing.  So get out and shoot and have some fun!

Hey Everyone!  I hope everyone is safe and healthy.  This will be my last blog about the Coronavirus.  But this one is about what to do after the virus has subsided and the Stay at Home orders have lifted.  If you're like me, the virus and everything associated with it did disrupt my plans.  Staying at home has made many people very bored, me included.  As you know, I like to get out on the weekends and get into nature in some way or another.  Camping, backpacking, and of course photography is what I love to do. Swansboro Pier Reflection The virus has put a halt to this, and I've been compensating by putting my hammocks and tarps up in the backyard and taking naps on the weekend.  I've also been getting my truck ready for travel.  Once the order has lifted to stay at home, I will be traveling again.  But what can we do to be ready to explore once the order has lifted?

First of all, get ready.  Get all of the things that will be keeping you from doing your hobbies done while you're at home.  For me it's clean out the garage.  It has accumulated all kinds of things over the year, and it is overgrown.  I will be cleaning and getting rid of all of the things that we don't need, downsizing if you will.  I have lots of boxes of old things that I haven't or will never use, old clothes that I will never fit into, and old books and electronics that are never going to be used again. So I'm going to get rid of them. So mainly get all of those honey do's done! 

Next Plan!  For me it's getting back to my personal project of visiting, camping, and photographing in all of the State Parks in North Carolina.  I had 13 of them completed when the Stay at Home order went into effect.  For now the project is at a halt because all of the parks are either partially closed or completely closed, and of course non-essential travel is prohibited. So what I can do is plan for when the order is lifted.  I can plan where I go and how I will stay if I do stay overnight. Will I be backpacking, or will I be car camping if I do stay overnight?  Will I try to visit two parks in one weekend if they are close to each other?  I can figure out what kind of photographs have been taken there before by other photographers by looking at Google, Flickr, and 500Px, doing the same research that I would normally do the day or so before but doing it now so when the time comes I can just pack and go.

I know that there is a lot going on now, and who knows what the future will bring?  Hopefully this will pass soon and we can get back to normal.  But will it ever be normal again?  Will social distancing become the new normal?  Will handshakes be something of the past?  Will working from home become the new normal and working in a brick-and-mortar store the exception?  We are living in a strange time, and we can only do what we can to get through it.  And we will get through it.  So this is the last of my Coronavirus series unless something really strange comes up.  I hope everyone stays safe and healthy, and until next time keep shooting!

Hey Everyone! I hope everyone is healthy and safe. During the Coronavirus situation that we have going on now, a lot of us are stuck at home. My last two blogs have been related on how to maximize the time you have at home.  Now that you know how to maximize your time, let's talk about different projects or ideas that you can do to try and experiment with.  Try one of the 10 ideas that you haven't done before, and of course, if you don't know how to do one of these ideas, you can always go on YouTube and search on how to do them if you can't figure them out.  So let's get started.

1. Selfies- Take selfies to document this time that you're at home. Experiment with light from natural to man made.  Maybe a gobo (Go Between) the Kiwi light source and the subject to make unique shadows.

2.  Table Top Macro- Break out that Macro lens that is collecting dust and really start using it by taking Macro shots of things and details of your house.

Stupid BlackberryThis is an old Blackberry I used to have. 3.  Splash Shots- If you have an old aquarium laying around not being used, they are great for splash photography.  Dropping items like bell peppers, fruit, and other items and catching them in mid-splash really makes great photos.

4.  Bokeh- Break out those old Christmas lights, open up that aperture, and take some really cool images. You can put them up for backgrounds for portraits or behind things for unique images. USA Pease

5.  Shoot Through- Find interesting things to use to shoot through to make interesting photos, looking through a cubbyhole or through things onto everyday life to make it interesting.

6.  Portraits- Take portraits of family members in different situations, family portraits of your family, and don't forget those pets that we love so dearly.

7.  Food Photography- I've been looking at Facebook and a lot of people are cooking.  Use your camera skills and take awesome photos of this food.

8.  Double Exposure- You can take double exposures of yourself with your camera.  You'll have to look into your camera manual of how to do this with your brand.  You can also do this in Photoshop.

Ava MLK Day10 9.  Textures- Look around the house for different textures to take photos of while you're in the house.  From silk to woodgrain to granite table tops.

10.  Oil and Water Photography- Oil and water don't mix and can make very interesting photographs with a macro lens, and using colorful backgrounds can make some crazy images.

So get out in that backyard or on that tabletop and start creating some great images and cure that Netflix binging that you've been doing!

Hey Everyone! I hope everyone is doing well and is healthy.  In my last blog I told you to look for that silver lining in being home because of the coronavirus, but I didn't tell you about one of the most important ways to do this.  It's Routine!  Now that we are home from work or school, we don't have to get up and take showers and do this or do that to get ready for work or school, and we just lay around wasting time.  I have two examples that I will tell you about that will hopefully encourage you to make a routine and stick to it.

During the first Gulf war "Desert Shield and Desert Storm,"  I was deployed to the desert very early on just a few days after the invasion of Kuwait.  When we arrived everything was chaotic and unorganized.  Our routine had been interrupted.  And in a big way!  Nowhere to sleep, eating MRE's, and trying to set up operations in a foreign land  in the middle of nowhere.  While doing our jobs fueling jets, we did away with our paperwork, safety checks, and a lot of other routines.  Guess what happened?  We started having accidents.  People were doing dumb stuff that they normally wouldn't do back here in the States at our base.  I don't know if it was that there were no rules or what was in the back of our minds or what, but we were making mistakes that we normally wouldn't make.  So our boss put his foot down and said operations would be just like at home.  We had to go through all of the motions, safety checks, and paperwork that we would have to do in the States even though it wasn't needed in a war time situation.  Guess what happened?  Suddenly no more accidents, no more mistakes.  We became very efficient.  Other sections on base started doing the same, and before long the whole base was working like well-oiled machinery just as we had been in the States.   So what is the lesson?  Try to keep the routine that you may have had before all of this Coronavirus stuff.  It will help you stay focused and be more productive.  Set hours to get up and go to bed just as you would if you had to go to work in the morning.  Take a shower and get dressed in the morning just as you would if you were going to work.  You don't have to dress in your dress clothes, but get out of those PJ's.  Make a list of things to do or things that you want to do, and everyday at home you can work on those during working hours.  After your daily working hours, then you can relax and get into those PJ's.

My second example was when I got laid off a couple of years ago.  When I was first let go, I freaked out!  I had never been without a job before.  I have worked since I was 15 and now I had nothing.  I went into emergency mode and started doing resumes and emailing and all of the stuff you do when you're out of work.  But after a week or so of pure panic and working on my problem all of my waking hours, I found that I could do the job hunting in a hour or two a day and then what?  I remembered the story above and set myself some goals and routine things that I wanted to do.  So I set wake-up times and go-to-bed times.  I got up, showered, got dressed, and did my hour or so of job hunting.  I made a list of things to do.  I decided to teach myself Photoshop, so I set aside so many hours a day to do that.  I also set aside time to do some hiking at my local State Park, and my dog and I would take a hike.  I had to live as cheaply as I could (no money coming in) and look for ways to be productive.  This was a five-month ordeal that worked out great.  I did finally get a job without too much of a pay cut.  I learned more about Photoshop (still lots to learn), enough that in a few weeks I'll be giving a talk to my Camera Club on Composite Photography, and we'll be social distancing with an online meeting.  So my big advice is to set a routine and stick to it.  Set goals and write them down and don't forget exercise.

As I'm watching the news, most of it is not good.  So turn this Coronavirus bad news around and use the time that it has given you to the fullest by setting routines and goals.  There are lots of things that you can do at home.  So stay safe, and when this is over get out and shoot!

Hi Everyone!  I hope that all of my friends and followers are safe and healthy.  The last week or so the Coronavirus has been on everyone's minds and in the news with things happening very quickly and changing every day.  As of now 16 states are on some sort of lockdown.  Many Americans are at home, and if you look at social media, people are bored and it's only been a week or so.  I say find the silver lining in being in self-quarantine. Use this time to work on your photography, your editing skills, and of course getting honey do's done while you have the time to. LOL These are some of the things that I will be doing.

First of all I am very lucky that I can do some of my work remotely, at least for a while until that work runs Red Heart out.  I usually commute 1 to 1-1/2 hours one way each day, so even working from home gives me 2 to 3 extra hours a day to get stuff done.  Now the first couple of days you're probably going to just veg out in front of the TV, and I understand everyone needs a break.  But after that's done we need to set goals and use this time well.  As you may know, a few years ago I got laid off and had lots of time on my hands.  Besides looking for a job, I decided to teach myself how to work in Photoshop, well at least a little.  I learned how to composite a little and found out how hard it really was to do and how much time it takes to do one image.  I've got some new software now, Luminar 4.2, and maybe I can play with it and learn some new stuff.  My advice to you is to get started if you're self-quarantined.  Get online and find some kind of program to help you learn whatever software you're trying to learn.  A good program to follow for Photoshop is by Aaron Nace.  It's a 30-day tutorial, and you can find it free on Youtube.  Just google "Phlearn 30 days of Photoshop."  This is a great place to start.

Blue Water Splash Right now there is not a travel restriction in my state "YET," but I'm sure it's coming before too long.  But when it does, or if you're just scared to go out and about, do photography in your backyard. The spring flowers are starting to bloom, and I have a ring flash that I haven't used hardly at all.  I think I will get out in the backyard and do some Macro work.  Or maybe you can take some shots of your kids or pets.  I'm in the process of watching a tutorial of pet photography, so maybe I'll get out and take some photos of my dog Forrest.  Maybe you can learn how to use that flash that you have but only know how to use it in TTL mode.  Learn how to use it in manual mode.  And the same with your camera.  If you only know how to use your camera in auto mode, learn how to use it in manual.  It will make you a better photographer understanding how your camera works.  After you're good at manual, then you can go to some of the auto modes, but you'll be a much better photographer for doing the manual first.

Start new projects.  For me I have many projects.  One is getting my truck and camper ready for camping, customizing  my truck or making tarps and hammocks to meet any situation I can.  I'm really a gear head whether its camping, hiking, or photography, so I can stay busy all day working on these projects.  I also like writing these blogs.  So maybe I'll get writing and get ahead of the curve.  I was just about two weeks ahead on my writing, but now I'm writing the week that I post them and feel like I'm being rushed.  I like to put out a blog every week or so.

Honey Do's!  There are so many projects that I need to do around the house.  Some of them require money, which if you're not working we can't do.  But some of them don't take any money.  My big one is to clean out my garage.  It has become so cluttered that when my small camper is in it you can barley walk around.  So I need to organize my garage and get rid of old stuff that I don't need.  That is my biggest project, and I'm sure your spouse can find lots of projects for you to do. LOL  My biggest point is to do all these things around your house so when the all clear is sounded we can get out and take photos, go camping , hiking, and get outside and keep shooting.  Until next week please keep safe and healthy.

Callaway Peak Hey Everyone!  This week I want to talk about my favorite social distancing technique.  Backpacking!  No, not the kind of backpacking that college students do in Europe.  But the kind where you pack all of your gear on your back and go into the woods.  You have your tent, sleeping bag, food, 

experience all that is around you.  I am a late bloomer and didn't start hiking until I was 50,  My camera brought me outside.  I was taking studio shots, then to my backyard, and eventually to a state park that is near me.  Then exploring other state parks.  My travel companion then was my son, and we started hiking the trails of the parks we were going to.  Then we got interested in backpacking, but it's a big leap from day hiking to a multiple-day hike.  So we started training moving our miles up and up until we could hike 10 miles with a full pack and do it in about three-and-a-half hours.  We had a trip all planned out in the mountains at Doughton Park, a national park.  The trip was about 10 miles in and out.  We took smaller trips trying to work up to the Doughton trip.  Then we did it!  We started doing more trips, and our longest was a 3-day trip in the Smoky Mountains that we hiked 12+ miles a day and crossed waist-high rushing water many times.  It was an epic trip, getting out in nature and away from hustle and bustle and screens.  Most of the places we go there is no cell service, so phones can really only be used for GPS.

This is a story about my first solo backpacking trip all by myself, in the woods, with no one else to depend on.  It sounds kind of scary, but it really isn't.  My first solo backpacking trip was to Grandfather Mountain State Park in North Carolina.  I packed up the car and drove to Grandfather Mountain.  I left very early and got to the parking spot at the trail head as the sun was coming up.  I had my maps, backpack, camera, and everything else so I headed out.  After about 15 minutes I figured I was going the wrong way and had to backtrack. LOL Today's hiking was going to be all uphill!  A very big workout.  But even more of a workout than I expected.  There were ladders involved and rock scrambling, which I had done none of.  On the way up there was a landmark of a wrecked airplane which I stopped and took some photos of.  I only saw one group of people all day, and they were day hikers on the way down as I was going up.  I had lunch on the top of the mountain with a fantastic view as I ate my tuna wrap. Then it was down the other side of the mountain to my camp site.  It was a very rocky and uneven site, and they had built a platform for tents.  But since I was using my hammock, terrain didn't mater.  I used the platform to cook my food on and make a video on how I cook in the wild. YouTube Link  After setting up camp and fetching some more water (which was a 1/2 mile away), I did the cooking as you can see in the video.  After that, it was just relaxing and waiting for the sun to go down.  Now there are no lights and no electricity, so if you want to get around at night you need a flashlight or a head lamp of some sort.  But usually after a day of struggling and working hard, when the sun goes down you're ready for sleep.  Hikers, midnight comes right after the sun goes down and a great  night sleep happens.  Or should.  In the middle of the night I had to get up and go to the bathroom as most men my age have to.  So I stumbled out of the hammock and went to a tree out of the way.  While I was doing my business, I noticed some eyes looking at me.  It startled me at first, but as I kept looking I noticed it was a big rabbit. Not a bunny, a big rabbit, and it was watching me pee.  After I was through it scurried off, and I went back to the hammock.  Then in the distance I started hearing some chanting or singing, I couldn't really tell, and it kept getting closer and closer.  Something or someone was coming up the trail.  I don't know who they were, but it was after 12 midnight and these guys were hiking along the trail singing.  I don't know if it was a college fraternity or what, but it was strange.  I could barely hike the trail in daytime, and they were doing it at night and singing.  After they had left I went back to sleep and I slept well. When I got up in the morning, I noticed that one of my trekking poles that I had leaned against a tree had fallen over.  When I picked it up, I noticed that the cork grip on it had been chewed and gnawed on.  By that pesky rabbit I suspect!  I still use the trekking poles, and the grip always reminds me of the rabbit.  After a breakfast and cleaning up my campsite, I was ready to head back to my car.  Today should be easer than yesterday, right?  I'm going mostly downhill.  Well, I've learned that, for someone of my age and worn knees, downhill is worse than uphill.  Going uphill makes your chest beat hard, and going downhill makes your knees throb.  And the places that I had to scramble up the first day I had to go down today.  So basically I had to sit on my butt and slide down, which of course made my pants rip.  Well, I finally made it down the mountain and back to my car and was pretty worn out.  Now only a four-hour drive home. LOL  

This trip was only a small out-and-back trip, but as you can tell it has left an impression on me.  I had great views, a brush with wildlife (rabbit), saw a wrecked plane, and really got a workout.  But most of all I got away from the hustle and bustle of everyday life.  So I really was doing social distancing five years ago.   Just me my backpack and a map traveling at the speed of walking, taking in the scenes, smells, and sounds of the forest and mountain.  I hope everyone stays healthy.  While I'm writing this blog, I'm also watching the news and it's all about the virus that is affecting the world with sickness and death.  I'm hoping that you and your family can get through this with no big changes to your life.  And hopefully you can get back outside and enjoy some social distancing of the outdoors and wilderness.  Until next time be safe, get outside, and keep shooting.

Hey everyone! This week we'll talk about why photographers are emotionally connected to their gear.  You have all heard the chants "I'm a Nikon guy" or "I'm a Canon guy," along with boos and hisses for the other company, e

1. Investment.  As someone who has GAS (gear acquisition syndrome), I have invested a lot of money into gear.  When you buy into a system say like Nikon or Canon, you tend to buy all of their lenses that go with that system.  You slowly build up your arsenal of lenses, and before you know it you've got $15,000 of stuff that you need to insure in case you drop one.  It just gets crazy how much money we invest on gear, and to replace or switch to another brand would be very expensive.  Believe me I've been there, done that.  We would have to sell all of our gear at a loss and then buy new gear of the other system.  We get protective of this gear like they're our babies.  So if we have Canon system, it's the best thing ever and anything else is inferior. So that's one reason that we are so committed to one brand. My Camera's

2. Experiences.  With our cameras we get to go places and take pretty photos of whatever we specialize in.  Maybe it's pretty landscapes or portraits or wildlife.  And our cameras got us to these places.  We've made such a big investment in these small machines that we must take them to different places and use them.  And its great!  I think my camera is my passport to everywhere.  It's taken me to places and I've done things that I never would have done if it wasn't for my camera.  It's like a travel companion that I take with me everywhere.  It has seen and done the same things that I have, so you have the shared experiences together.  And the photos really do look great!  And you look at them, and they bring you back to the time you took them.  So you think it's because of the camera that you got to have that experience.  And maybe it was.

AMT2016-sony-a6300-review-0423-2Photographer: Anthony Thurston 3. What other people think and say.  "Wow, that's a pretty picture! You must have a good camera."  Have you ever heard that?  And you probably said something like, "Well, I have a Nikon camera" -- blobby, blob, blob -- and you started going on with the specs and your shoulders went back and your chest started to stick out and you started to feel proud.  I don't care what you say, other people's opinions do matter, even if they are wrong.  Because you're a photographer, and you could have taken the same photo with an iPhone and they wouldn't know the difference, but you would.  And I get it.  I've shown up at local events with a big camera taking photos, and people would stop and ask if I worked for the local paper.  Or people have stopped while I was in the woods photographing something and asked if I was a professional photographer just because of my gear.  It's like being mistaken for a movie star or something, I guess (never has happened to me LOL).  But it makes you feel good inside, and you think that your new gear has given you a new persona.  And maybe it has.  When you're without your camera (which you should never be), you're just an everyday Joe.  But when you don your camera you're now a professional camera guy/gal on assignment for whatever your mind can conjure up. _MSP6316

Confession.  I love my cameras!  I'm a proud Sony shooter!  And I don't think that it is wrong to be emotionally attached to our gear.  I have the first lens that I ever bought for a Pentax camera.  It's so old that it has a screw mount.  But I will never get rid of it.  I have memories with that lens.  One memory is from when I was in high school and set the lens on top of the car while I was unlocking my car.  Yep, you guessed it.  I got in and drove off to work.  I got there and noticed it was missing.  I panicked, and I backtracked and found it in the gutter by my school.  Not a scratch on it.  So yes, we as photographers are emotionally attached to our equipment.  What camera gear are you attached to?  Think about it.  And until next time, keep shooting and get outside!

Hi Everyone!  This week I'm going to talk about all of my camping systems and when I use them.  You would think that you would only use one, a tent, but I have several.  The ones I choose depend on what I'm doing, where I'm going, and who I'm with.  If I'm with my wife, I camp in a certain way, and if it's just me and Forrest (my dog), I will camp another.  There are two types of campers.  There are those where the campsite is the main attraction.  What I mean by that is that they are more interested in the camping at the campsite. They are into setting up the campsite, making the fire, cooking, drinking, the whole campsite experience.  Where they are camping is secondary to the campsite.  The other type of camper is what I am.  I'm just looking for a place to sleep and eat, and I'm ready to go the next morning.  Where I am is more important to me than the campsite.  With that said the people that I camp with can be the first type of camper, so compromise on my part is always happening.  So what about the different systems I use?  Well, there are many.  First, tents.  I have several tents, and this is what I probably started camping in.  They are versatile and all you need is a flat piece of ground to put them on.  They come in many sizes and shapes.  Second, hammocks.  I have discovered hammock camping in the last couple of years and found them to be very comfortable.  I have made some myself.  Third, sometimes I camp out in my truck.  I have a bed topper and have made a bed platform so I can sleep in the bed of my truck.  And last but not least I have my Teardrop trailer that my wife and I purchased a couple of years ago.  So I have all these different types of camping systems.  When and why do I use them?  Well, here you go.

Tents.  Tents are one of the most versatile camping systems.  I used a pup tent when I was a Cub Scout.  I keep a tent in my truck for emergencies if I get stranded somewhere.  But to tell you the truth, I don't use tents often because I'm getting older, and sleeping on the ground isn't as comfortable as it used to be.  I mainly use them when I'm backpacking somewhere and I don't know the terrain were I'll be sleeping.  I have many tents and they serve different purpose .  I have one that's a dome tent (the one I keep in my truck) that's a durable tent, and it weighs about 5 lbs.  This is not the tent that I backpack with though because it's too heavy.  I have another that is very lightweight, just under 2 lbs., and that's my backpacking tent if I'm by myself.  But if Forrest is with me, then I have another tent that's a little larger and weighs about 2.5 lbs. so he can sleep with me in the tent.  So different tents for different situations.  

My hammock.  This is my preferred way to sleep when I'm camping.  It's very comfortable, cheap, and easy.  When I'm backpacking this is what I want to use.  If I know there are going to be trees (and that's almost anywhere in the Southeast), the hammock is what I will be using.  I have made a couple, and they have integrated bug nets with tarps for cover from rain and sun.  They are fairly lightweight so they are good for backpacking.  But if Forrest is with me, there is no room for him.  So if Forrest goes backpacking with me, no hammock.  But I'm trying to make him something that he can sleep in while I'm in the hammock.

The truck camper.  This is my newest way to camp.  I built a platform to sleep on and a drawer that holds all of the camping supplies.  I've only used it a couple of times.  This is mainly used to car camp.  While doing my project of visiting all of the state parks in North Carolina, Forrest and I will be doing a lot of car camping, so I guess this type of camping we will be using more of.  I can still use my hammock when we car camp, and Forrest can stay in the truck.  We've done this once before and it worked out well.

My teardrop camper.  My wife and I used to do a lot of tent camping when we were younger.  But I just couldn't see my wife sleeping in a tent when we got older, so we bought a Teardrop Camper.  It is pretty neat but is definitely Glamping (glamour camping).  When my wife and I go camping now, this is the type of camping we do.  It has all the perks.  Stove, sink, TV, AC, DVD player, just about everything.  My wife and I will set up an awning in the back where the kitchen is and we play cards and relax.  We don't use it as much as I would like to.  The problem with using the camper is that you usually have to make reservations way in advance, and the weather or other things can come up that messes up your trip. Last year we had six camping trips set up for the camper and only made one.  Bad weather or other things messed up all the other trips. Hopefully this year will be better.  We have a trip planned for two weeks from now.

So those are all my types of camping.  I hope you get a chance to get out into the wilderness and do some camping.  Until then get out and shoot!

Hey Everyone! This week I want to discuss video.  Now I'm not an expert at all and really don't know a lot about shooting moving pictures.  I have been a still photographer for most of my life and have only recently started shooting video, mostly for my own personal use.  I do have a YouTube channel with 30 or so short videos.  They are mostly of hiking and camping with some photography and photo editing thrown in for good measure.  But I do admire those who can tell a story through video.  There is a lot of forethought that goes into a small movie or video.  You have to have a story and a timeline in your head, and then there is audio that goes along with it.  That is a whole other world that I'm not familiar with.  A couple of my photography friends in my camera club shoot great video, and I'm inspired by what they do to try and do something similar. But it's hard to concentrate on still photography and video at the same time.  It's either one or the other, or you just do both poorly.  I'm still working on that one.

One of my personal projects for the year is to visit all of North Carolina's state parks.  This project is to, one, get me out of the house;  two, make more photography; and, three, do some hiking and camping.  While I'm doing this project, I had an idea to record my adventures with short clips of the adventure with my dog Forrest.  So I will have some "Forrest Goes to..." adventures.  Here's a link to the latest one I did, Forrest Goes to Fort Macon.  Hope you enjoyed the video.  What were the tools that I used to make this?  I currently have two Gopro cameras:  one older Gopro Session 4 and a newer Gopro7.  But I also use my phone, my Sony A6500, and my Canon G7XII.  On this particular video, I used all of the above in one form or another.  They all came in handy at different times.  The Gopros are great for action-type scenes, like Forrest hiking or the camera mounted to my truck to show us traveling.  I might even mount the camera to Forrest one day to get his eye's view of what's going on.  I haven't quite figured that one out yet.  The Sony A6500 and the Canon G7XII are great for still shots, like on a tripod for an interview.  And my iPhone, well, it's just always with me so it's great just to pull out when something happens and I don't have the other cameras with me.  I do have mounts for the GoPros and mini-tripods to mount all of these cameras on.  I have a cheap microphone that I can hook up to my iPhone to use as an audio recorder, but honestly I haven't done much talking in my videos yet.  All of these things fit into a little bag that I can take with me when I go out.

For video-editing software I use iMovie.  It's not the most advanced, but that's why I like it.  It's simple and I can do quite a bit with it.  I can export straight to YouTube from the software or export a file from my computer files.  I shoot in 1080 right now and don't see the need to shoot in 4K video for a couple of reasons.  One is storage.  4k takes up a lot of space on my computer and computing power for rendering the video, which might be too much for my current computer.  I am only putting the videos on YouTube and Facebook, and the quality doesn't need to be 4K.  The other reason is that all of my cameras, from phone to oldest GoPro, will shoot in 1080, and not all of them will shoot in 4K.  I get licensed free music from YouTube that you can download and use for free for the background music.  This music sets the mood of the video and helps me create the clip.

And all of that is the easy part.  The storytelling is the hard part.  You have to have a story in mind of how you will shoot it, camera angles and such in mind before you start videoing.  When you have all of your raw footage, then the editing begins and that's where the story starts to unfold.  Do you go in chronological oder, or do you just tell the story with maybe even flash back moments?  All of this is done in the editing.

I could go on and on about the powers of moving pictures, but you know the power.  You see it every day in television, movies,  and almost anywhere.  And you have a camera with you all the time.  That's how I started, with my phone on hiking trips.  So pull out your phone and start shooting video.  Have fun with it.  Shoot your cat or dog (not literally! LOL), put those shots to music, and you'll have your first movie.  That's all for now.  So until next time, get outside and shoot!

Hey Everyone! This week I'm going to don my cape and turban and pull out my crystal ball and look into the future of photography.  What will camera technology be like in the future?  Will we all be cyborgs with cameras built into our heads?  Well, I don't think so, and you don't need a crystal ball to see into the future.  You just need to pull your phone out of your back pocket to see what the next technology will be for your camera.  This little camera that is disguised as a phone with the little tiny sensor that takes such good snapshots that are good enough to be blown up to a billboard-sized photo is the future.  Computational photography will be the future.  Computational photography is software that fixes or alters a photo in camera, like the portrait feature on newer phones that blur out the background like a f1.4 aperture lens would.  Like being able to put your camera in a mode "Nighttime" that allows you to handhold your camera at night and get great photos without blur. These things are being done now in phones and soon will be, if not already, in your camera by using super powerful on board computers.  So this brings up the question about larger sensor professional cameras.  Will they still be made?  If I can take the same quality photo with a small sensor camera that I can with a larger expensive $4,000 camera body and a $2,000 lens, why would I buy the more expensive?  I'm sure there will always be the people that have the money and the high-end professionals that will need these cameras, but what about the ordinary Joe like you and me?  I think that they will start buying  (every day Joes) the less-expensive ones.  Now if you're using smaller sensor-sized cameras and lenses made for these smaller cameras, the whole package will be smaller and more portable and great for the everyday photographer, travel photographer, and nature photographer.  There will be things that will be built into the cameras that we can't even think of yet.  And with cameras using computational photography, instead of upgrading hardware every couple of years, you could just do a software upgrade to make your camera as up to date as the guy buying a new camera.  I believe that we have about topped out the megapixel bubble, and more megapixel cameras just take up more storage on your computer and not necessarily better quality phot's.  We have 100 MP cameras now, and for most of us who take photography seriously, the only way we could tell the difference between it and a 24MP camera would be to Pixel Peep on a computer.  But to the naked eye not so much.  So far we've been talking about what our cameras will be able to do in camera, but what about software?

Post processing is very advanced now.  Just think about what it will be able to do in the future.  The newest trend right now is AI (artificial intelligence), that we can enhance the photographs, shadows, contrast, and many more items by just sliding a slider. There are sky enhancers, foliage enhancers, and sky replacements.  All of these can be done in Photoshop, but newer programs are going to make these easier to do without having to be a Photoshop skilled editor.  I can only see AI getting better, and along with the computational photography, I only see stunning, eye popping photographs coming in the future.

Photographers Eye Now, did I come up with this all by myself?  No, not really.  I listen to a lot of podcasts on photography.  One of them is the "Future of Photography."  The one that gave me the idea of this blog is "The Digital Story." The Digital Story Podcast #725  Click on this link to listen to the podcast by Derrick Story that gave me this idea.  I think that the future of photography is bright, and I can't wait, although I will be an old timer and will probably stick to what works for me. So until next time, keep shooting and get outside! 

_DSC4702 Hey Everyone! This week I thought I would talk about what’s in my photography editing toolbox.  If you have someone build you a house, the contractor has more than just a hammer in his toolbox.  He has saws, drills, levels, and all sorts of tools at his disposal, each with a unique task to perform.  Much like the contractor, as photographers we should have more than one tool in our photo editing toolbox because, like the contractor with the hammer, we cannot edit our photos with just one tool and expect great photos.  I’m going to break this down into hardware and software.  I’m assuming that we all have a lot invested in both, and I’m going to show you what I have in my toolbox.

Hardware.

Hardware is easy to explain.  It's your computer or computers.  But it can go 2563e370f98e53afa59b4ddfed93f621 much further than that.  It can extend to your tablet of choice and even your phone.  My main editing computer is a 2015 27-inch IMac, and I just upgraded the mechanical hard drive to a Solid State Drive.  It’s maxed out on RAM and is still pretty snappy to be five years old. This is the computer that I really do all of my editing on unless I’m traveling somewhere.  Attached to it I have external hard drives:  one for miscellaneous stuff and one for photo archives that my software accesses.  I use a temporary 250 GB SSD drive that I use as a buffer.  I was doing this when I just had a mechanical drive to make the process quicker.  I really don’t need to do this anymore now that I have the SSD hard drive, but it's just part of my process.  I leave photos on this temp SSD drive until I’ve finished editing to make it quicker.  Then I send the photos to the archive.  My mobile computer is a 2017 MacBook Air, and I recently upgraded the hard drive in it also.  I went from a smaller SSD to a quicker and larger 1TB NVME SSD drive that is twice the speed as the old one.  It has brought new life into this computer and made it very snappy.  I still only have 8GB RAM, but it seems to run the programs that I have on here pretty well.  Like I said, this computer is only used for editing when I’m mobile.  It's used mostly for browsing the web and stuff like that.  I have a 250 GB SSD that I keep all of my photos on for my mobile computing as a buffer also.  After I arrive home, I transfer all of my photos to my main computer.  I have an IPad Pro that I tried on my last big outing for my mobile computer, and it worked but was a little cumbersome to use.  With keyboard cover I have on it, it seems just as heavy as my MacBook Air.  And of course there is my IPhone.  I do occasionally edit iPhone photos on it and can access my photos from my main computer.  I do have an older MacBook Pro, a 2011 model that has been souped up and is my backup in case my main computer dies.  It is strong enough to run all my programs on it that I would need.  But it's older and newer software doesn’t like to run on it, so it stays put away most of the time.  As you can tell, I am pretty invested into the Apple/Mac ecosystem and have been for quite a while.  For me the durability of these machines and how they interact with each other is a great asset.  My main computer is backed up to a cloud service Backblaze.  All of my external hard drives that are hooked to it are also backed up.  The other machines are backed up using Time Machine.  Please back up your computers so if something happens you can restore a new computer and everything is as it was.

Software.

I use lots of different software to edit my photos, but my main software is Lightroom.  Lightroom is the hub where everything takes place.  It’s where I import my photos, do basic editing, and can send photos to different software to have specific things done.  Then the photo comes back to Lightroom where I can export it to the web or print.  It is the heart of all of my photo editing.  I have over 50,000 images in its catalog, and I will stay a Lightroom user.  Now there are two flavors of Lightroom.  There is Lightroom Classic, which is what I use the most, and then there is Lightroom CC (mobile) where I can sync photos to other computers like my mobile computer, IPad, and IPhone.  I only sync rated photos.  I can edit from a mobile device, and it automatically syncs to the main computer Lightroom Classic.  The mobile flavor of Lightroom is a stripped down version, but it still does a lot.

luminar_sq_logo_500 Photoshop is another software that I use and is the industry standard in photo editing and graphic design.  It is a monster of a program and will do almost anything.  It can be very frustrating to use, and I only use it on occasion when I need to do something specific like add text or something creative like I mentioned in my last blog doing composite photography.  It uses a layering system of editing your photographs.  Like I said before, it can be complicated to use, and I usually have to watch a tutorial somewhere to relearn how to do something in Photoshop.  Photoshop to me is very time consuming because of all of the re-learning going on, but still it comes in handy and can handle any job you throw at it.

Luminar 4 is a recent addition to my toolbox and is also a very powerful tool.  It uses AI (artificial inteligence) to do some of its work.  It can do things like sky replacement where you just pick a sky and it puts it in the right place in your photo.  Or sky enhancement where you just slide a slider and it knows where the sky is and only adjusts it.  It has some portrait AI also that I haven’t gotten time to play with yet but will.  It’s a vey cool software, and I had Luminar 3 which was great.  But when Luminar 4 came out, the user interface was changed quite a bit and it freaked me out, so it took a while before I switched to Luminar 4.  I can send a photo from Lightroom, and it will go to Luminar.  I make my corrections, hit apply, and it sends the photo back to Lightroom so I can do what I want with it.

The Nik Collection of tools is an older software that has tools like HDR, Color, Sharpening, B/W tools in it.  You can export to one of these tools, and after you save it, it brings it back to Lightroom.  The tool that I used the most is Silver Effects Pro that lets you edit black and white photographs and make them look like some of the old films.  It can emulate lots of different films from the day and really make your photos pop!

Photo Editing Accessories.

Yes, just a couple of accessories.  One is a Color Monitor Calibrator.  I use one from Exrite, a company that specializes in color calibration from monitors to printers to projectors.  I calibrate all of my computers once a month to make sure all of my colors are the same with all of my computers.  So red looks like red on my IMac and MacBook.  I am a mouse guy.  There, I’ve said it.  I’m not a trackpad person.  I love using a mouse, and my mouse of preference is the Magic Mouse used with IMac and MacBooks.  It’s nothing special, but it's made especially for Mac.  The last accessory is a Wacom Pen and Tablet.  I’m a late adopter into the Wacom world, but I really like the way I can control my brushes when I’m burning and dodging.  It seems to work better than the mouse.  I don’t use it all the time, but when I’ve got to use the brush tool for any amount of time, this is the tool of choice for me.

So that’s what’s in my toolbox.  Seems like a lot, but most of this was purchased over time and learned over time, so it wasn’t such a big impact.  What are your tools of editing?  Let me know.  Until next time, keep shooting and get outside!

Hey Everyone!  What a title.  I thought of this subject while at my photography club's meeting the other night.  We were going over the next year's activities, and I saw composite photography as one of the topics and hoped that they didn't want me to teach it because I've just done a few of them.  So then I started thinking of a title, "Composite Photography/Fake News."

 What I wanted you to think about is do you think that composite photography (taking two or more photos and merging them in Photoshop) is art or just Fake News?  Are you a purest?  Do you think that no photo should be manipulated like this, or do you think that making an image out of many photos is art?  I'm sure there are some strong arguments on both sides.  On one hand, if you're a photo journalist or a sports photographer, the answer may be, yes, it is fake and not allowed.   And I can understand that in those circumstances.  But for the 99% of hobby and enthusiast photographers that most of us are, I think it is another way to show our creativity.  I am by no means an expert at composite photography.  But I have dabbled in it a little, and it is very challenging.  For those who don't know, a few years back I was between jobs for quite a few months, so I was at home with a lot of time but with no money.  (I never seem to have enough time and money at the same time. I usually have one or the other.)  So I decided to learn some Photoshop.  I followed tutorials on YouTube, starting small and working my way up to more elaborate composites, still following step by step.  I even inserted some of my own photographs of myself in some of the photos.  Then I started making some of my own with all the photos that I had.  Maybe replacing a sky, inserting birds or a plane in the photo.  Maybe adding a milky way into the shot when there wasn't one.  When I post those photos, I always say that they are composites and try not to say they were originals.  So in my mind Wells Fargo Raleigh compositing is an art in itself.  I think a photograph like a landscape isn't journalism.  I think it should try to convey the feeling that you saw when you were there, and if a little compositing helps to do that, I'm all for it.  

Composite photography can be as simple or as complex as you want it to be.  Simple composites could be maybe adding a bird to the sky or changing the sky altogether.  Maybe you had a blue bird on a sunny day and you wanted a moody, cloudy sky.  You could take one sky out and replace it with another.  Maybe you wanted to insert people into the photo.  Or maybe you're a portrait photographer and you're shooting a group photo and one person has their eyes closed.  You can composite their head from another photo where the eyes were open.  Maybe you have a person who wears glasses and you take one photo with and one without glasses; then you can composite the eyes into the frames of the glasses to get rid of glare that was in them so it looks like a perfect lit shot with no glare.  But that's just simple stuff.  You can create completely different worlds with composite photography by combining many photographs and parts of photographs from different sources.  I have one photo here where I did that.  The photo looks like there was a war zone.  I took the buildings from a photo of bombed out buildings in the Middle East, a couple of wrecked cars, a cop on a Segway from a Christmas Parade, and a photo of me hiking.  So in the photo here it looks like I'm hiking through a futuristic war zone.  This photo took many hours of work and thought, but it turned out pretty good, I think. 

There are some things to remember when compositing. Light matters.  The direction and the intensity of it.  It should be the same throughout the whole photo.   NC Marsh LandsMax Stansell Photography You have to be mindful of shadows and that they all go the correct way and are where they should be.  You should pay attention to edges of the parts of photos that you're bringing in and try to blend them so they don't look sharp and cut out but smooth, like when you're looking at a lot of objects.  Things should look fairly natural.  All of this is very hard to do, especially if you're struggling with the tools of Photoshop.  That's where I struggle the most.  I can see the photo in my mind's eye but struggle with Photoshop.  The only way to stay good at Photoshop is to do it a lot, which I don't.  So when I start to do something in Photoshop, I have to relearn how to use and do things, and that takes up most of my time and everyone else's, I guess.  If you had a good command of all the tools and how to's in Photoshop, it might not be so difficult to do these composites, and there would be a lot more of them I bet.  I have put some examples of some composites that I have done with the blog.  If you want to learn and follow step by step with a tutorial, go to YouTube and type in "photoshop composite" and there will be many videos of composites being made.  Most of them don't have any talking, but you can go step by step and stop and start and rewind the videos as you go until you have a completed image. After you do a couple of these, it will become easier and you can start making your own.  Then when you go shooting you can look for cool things to shoot that you can composite later.  Maybe skies or textures or all kinds of things.  So until next time, stay creative and keep shooting!

Lightbulb Water Lighthouse Hey Everyone!  Hope you're doing well. While on the way to work the other day (I always have a long commute and time to think), I was thinking about all the photographers and all of the photos that we've taken and what are we doing with them?  Well, I've got a few suggestions and things that I do that will take advantage of that big cash of photos that you have hanging out on your hard drive doing nothing but taking up space.  If you're like me, you're not doing photography for profit, but just doing it for fun. Sometimes I think that the act of taking the photos and the experiences that I had while taking the photos is what I love the best, and the end result doesn't matter that much for me.  I delete a lot of photos, but after 20 years of digital photography, I still have over 40,000.  Now a lot of them are of family and friends, and some are of places I've been.  So here's some suggestions on what to do with them.

One thing to do is reprocess some of your favorites from the past.  Post processing has changed and you have grown as a editor, and you might be The MetroCommuters waiting for the Metro in Washington DC. surprised on how good some of these photos will turn out after you put your years of experience of processing on to older photos.  Editing programs have come and gone, and maybe you were processing with a different program than you use now.  Maybe that program doesn't even exist now.  While finding these photos to edit, your memories will start to remember the where and how you took these photos.  Maybe a trip you took or a place you visited will start to be fresh in your mind again.  Isn't that what photos are supposed to do, stir up memories from the past?  After you have them reprocessed, now what?  

Print them!  I think printing is the one thing that will let your photographs, your art, live for decades.  When you're long and gone, your printed photos will still be here and can be passed down to other generations to keep your memory and your art alive.  Who knows what can happen to a hard drive or if even the format that we use now will be able to be seen on a screen in decades of the future?  But a print in someone's hand will always be able to be seen.  Now you can print them yourself, a whole new art, or you can send them off to get printed.  Either way you will have prints.  And what to do with the prints?  I've created a love-me wall at the house where I have maybe 10 5x7 prints that I change out every so often.  You can have larger prints made, frame them, and use them for wall art around your house and, of course, for gifts to family and friends for art in their houses.  It's kind of neat to go to someone else's house and see your art on their walls.  You can have canvases made for pretty cheap, and they look nice also.  So what else can you do with the photos that you've brought new life into?

Well, this is the controversial idea.  Share them.  There are many ways to share your photos, and when I say share I mean put them out for the world to see.  There are many outlets that you can use.  Flickr and 500PX are a couple of photo sharing sites, and you can have people from all over the world look at your work.  Facebook and Instagram are others.  I used to post my photos on Facebook, but I have quit and now try to post to Instagram once a day.  So I have a folder on my desktop that I fill with photos that I want to put on Instagram.  When I have new photos from a photo trip or outing, I use them.  But when I run out of recent stuff, I'll go to the folder on my desktop and use one.  I like Instagram because I can tell a little about the photograph and I get likes and comments from all over the world which is pretty neat.  I use low resolution photos, and I'm not too worried about someone taking my photo and using it for something else.  I'm just happy that someone is seeing the photos that have been hiding on my hard drive.  It's a part of my daily routine.  I get up, get some coffee, and post to Instagram.  For those who know me, I get up real early.  So when I post, most people in the US aren't up yet.  So if I get a like real quick, I know it's someone from another country which is cool.

One benefit from going back in time and playing with these old photos is that it stirs up your creative juices and gets you into that artsy groove.  And that's just a great place to be.  Follow me on Instagram at maxstansellphotography.  So keep shooting and get outside!

Hey Everyone!  Today I want to talk about something that is near and dear to my heart and that's taking a hike. Taking a hike has many benefits.  You get outside and breath in the fresh air.  You get to see great and different scenery.  You get to travel at a walking pace, not a jump in your car and see how fast you can get to work or to the store or to wherever everyone is in so much of a hurry to get to these days.  As photographers, we have the unique opportunity to take great photos of these places and bring them home to share with our friends and loved ones.  These walks or hikes do not need to be long-drawn-out 10 mile hikes.  They can be short and sweet by a lake or by a river.  Here I will try to give some hints on day hiking for photographers.

First is where to go?  Well, the list is endless.  Many towns and cities have greenways that were built for hikers, joggers, and bicycles to travel on and can go through parks and wooded areas.  There are many city and state parks that have all kinds of trail systems at all levels of physical ability.  And there are national parks with all kinds of trail systems.  My advice to begin with is to look at Google maps or any kind of map and make a circle, say and hour or hour and a half from where you live, and start looking for places.  Let Google be your friend and help you find places.  You will be surprised at how many there are and how close they are to you.  Some places like state parks will have guided hikes on different occasions.  One of my goals this year is to visit and hike in every state park in North Carolina.  There are 34 of them.

What should I bring?  I'm going to break this up and start with photography gear.  Don't bring everything you own.  Remember, if you are hiking you're going to carry your hiking gear, so less photography gear is better.  I would first ask myself, what will I be shooting and what kind of trail am I going to be on?  Is it a wooded trail with trees surrounding me?  If so a long telephoto lens will not be needed.  But a wide angel might come in handy or a medium range zoom.  Will I need a tripod? Think about this in the same way.  What am I shooting?  Waterfalls, then I would need one.  Low light, then I would need one.  But if it's a sunny day then maybe not.  You have to assess what you will need to take and less is better.  I commute to different towns for my job, and at lunch when I get a chance I go into the town for a photowalk or a park for a small hike.  My camera of choice for this is a point and shoot.  It's a nice one, but a point and shoot just the same, and I can get some really nice photos without lugging a whole bunch of camera gear with me.  So that is an option for a day hike also.

What else should I bring?  Common sense should be the rule here.  If you're making a day of it, I would suggest a little food and a lot of water.  If you're in the summer sun, remember you will be sweating and you need to replace that fluid, so hydrate!  But always have some water with you.  One thing I always bring is some sort of rain protection.  I always have one of those $5 emergency rain ponchos.  They are made out of real thin plastic and are good for one use but they are a life saver.  The reason I do this is because I went on a hike once and was about 5 miles in when I got caught in a downpour.  Luckily I had a large trash bag with me, and that became my raincoat and protector of my camera gear.  But from that day on, I always carry that little emergency rain poncho.  Don't forget your smart phone.  If you're taking a longer hike and one where you could get turned around, they come in handy for the GPS.  Even if you lose signal they can help get you in the right direction.  And they are a backup camera also.  Don't forget about sun protection, a hat, sunscreen, or a long-sleeved shirt to protect you from the sun.  There are lots of new materials that are lightweight and cool but will still protect you from the sun.  Sunglasses are also a must if you are going to be in exposed areas where there's a lot of sun and no shade to protect your eyes.  Also a must in the snow!  Bug protection can be a must, especially if you're in mosquito-infested areas.  There are sprays and creams you can use, but the bugs will drive you crazy if you are not using them.

What about clothing?  For summer I would say lightweight, non-cotton clothing.  Cotton is not what you want to wear hiking because it will absorb the water or sweat from you and stay wet, which could make you cold or just weigh you down.  So no blue jeans or 100% cotton T-shirts.  Wear blends and polyester-type clothing.  It will wick the moisture away from you and dry quickly.  In the winter dress in layers.  A good base layer (long johns), shirts, coats, etc.  With lots of layers, when you're hiking and getting hot, you can take some off.  And when you stop for a while and get cold, you can put more on.  What about shoes? Shoes must be comfortable and supportive.  Walking, hiking, trail, and running shoes will work.  I would stay away from boots unless you have really broken them in well.  They can give you blisters very quickly if you're not used to walking a lot in them.

What do I carry all of this in?  A small bag or backpack that is lightweight and comfortable.  You probably already have some sort of backpack or bag you can use.  It doesn't  have to be fancy, just something that can carry all of your stuff if need be. Remember to always take all of your trash with you when you leave.  As photographers we should only take photographs and leave footprints.  So take care of our parks and trails and keep them clean.

Now that you have somewhere to go and you know what to wear and are dressed for comfort and safety, go out and enjoy nature.  Take a hike and really enjoy the world.  There is always something new to see and investigate, and I usually don't have to go very far for a nature adventure.  Me I love to go out with my hiking buddy Forrest (my canine friend) and explore different places.  I get exercise, I get outside, and I get photos that are not like everyone else's because they stay at home.  So get out and shoot!  And take a hike!

Brownie Memories Hey Everybody!  The first of the year is a busy one for me, planning the upcoming year and setting goals, both photography and personal goals.  This year has been no exception.  I believe setting goals is one of the most important things you can do.  First of all, it puts a plan in motion.  Gets you looking forward or to something.  It gets the gears spinning in your head on what you want to do.  This year one of my goals, or maybe you could say a personal project, is going to visit all of the state parks in North Carolina where I live.  There are 34 official parks and 7 recreational areas.  I'm sticking with the parks for now.  Since most of my shooting is on the weekend, there are just so many weekends in a year.  But this project will do a few things.  It will get me out of the house both for photography and camping, which I love to do.  I have visited all of the parks before, but not in one year.  I even have an end-of-the-year photo in mind.  A collage of all the welcome signs of all the parks I have visited.  So that is my personal project for the year. Live Oak Pond

Another goal of mine is to do more printing.  To be honest that is always a goal of mine that always gets put aside.  I hope this year is an exception and I can print more and become a better printer.  I think that printing will keep your legacy alive long after you're gone.  If you're like me, you have thousands of images on your hard drive and probably less than half a percent of them printed.  After you're gone, those images on your hard drive will disappear, but printed images last a long time.  I just recently got all of my mother's photos from the past, and I have some from the 1800's that will be handed down to my children and theirs I hope.  So print more photos.

Another goal this year for me is not to buy so much camera gear.  I have a pretty good kit now and am happy with my gear.  We, and I mean me, always buy too much gear and are focused on gear more than we need to be.  If we spend less time thinking about the next best thing in gear and spend more time thinking about using the gear we have to the fullest, we will take better photos and concentrate more on what's in front of us instead of what's in our hands.  I've just done a blog of my camera gear for 2020 that you can check out. X Marks the Spot What I am going to concentrate on gear wise is my computers.  I currently have a 2015 iMac that I do most of my editing on and a 2017 MacBook Air that is my travel watch TV computer.  I have in the last week just updated both to the latest operating system Catalina and have upgraded both of the hard drives. On the MacBook that already had a Solid State Drive (SSD) in it I upgraded it to a faster and larger drive, from a 128gb drive to a 1TB drive.  This made the computer more snappy and works well in Lightroom CC and Luminar.  I also just upgraded my iMac from a 1TB hard drive (spinning drive) to a 1TB SSD drive which doubled the speed for this computer which is my main computer.  I did all the upgrades myself, and it has saved me from buying new machines.  My backup main computer is a 2011 MacBook Pro that I have kept pretty much up to date and snappy and which will run Lightroom Classic and full Photoshop with no problems if need be.

The next goal is to stay active in my local camera club.  I think being able to share and learn from others is a great way to advance you art as a photographer.  I believe that I have grown and have definitely gone to and seen places with my photography club that I wouldn't have done by myself.  Being able to try out new types of photography and see things from others' points of view has broadened my horizons and made me a better photographer.  So please, if you haven't already, join a photography club or go to a meet up and intermingle with others who have the same passion that you have about photography. Wormsloe Trees

Finally, one of my personal goals is to eat healthy and exercise more.  I started this last year and lost 30 pounds but have slipped lately and need to get back on the wagon.   The healthier you are the more places you can go and see.  Being healthy will make you a better photographer and a long-living one as well.  I'm not going to preach on this subject too much because I'm not the best example, but if you're like me, over 50, you've got to quit eating like you're 20.  Your body can't handle it.

So those are my goals for the year.  What are yours?  If you don't have some, sit down and make some.  Keep Shooting!

Carolina Beach 2020 Hey Everyone!  Everybody loves gear talk, and I thought I would do a what's in my bag blog to tell you what I'm toting around this year.  I don't plan on making any changes to my gear this year.  My kit is pretty solid.  I'm trying to tame my gear down so I can concentrate on the photo and not the gear this year, although it might not seem like it in this blog because of all of the gear.  My gear is pretty much the same as last year except for a few items, so let's get started.  The bag that I'm using this year for my backpack camera bag is new.  It's a Shimodo Action X 30 liter.  I am super excited about this bag.  I was using for a backpack a regular backpack with an insert in it, and it worked but wasn't designed for photographers.  This bag is designed for photographers and action photographers, those who are climbing mountains, biking, hiking, and even skiing.  Although I'm just a landscape/travel photographer, this bag fits me like a glove and is just the right size for all of my needs.  I got it through a Kickstarter program, and I could be a spokesman for the company and this bag.  For my just walking around and in town city stuff, I'm still using my  Mountainsmith Daylight Lumbar pack with a Peak Design strap for the shoulder strap.  I have an insert for it, and it's fantastic for carrying around what I need for street photography.

Camera Bodies.  I'm still using the Sony A6500 for my main body and a Sony A6300 for my backup camera.  I still love these cameras.  I know updated versions of these cameras have come out, but for what I shoot I couldn't justify upgrading to a newer camera when mine works great. Maybe in the future they will come out with something that I must have, but right now they haven't.  For my everyday camera that I take with me when I go to work for the OH LOOK AT THAT photo, I carry a Cannon G7xMII point and shoot.  It's a great little camera, and I also use it for video and time lapse.  I have an older Lumix point and shoot that was converted to infra red that I can now carry because of the new bag for those shots that gives a different look.  Something that everyone else isn't doing.  It's not a great camera by today's standards but still gives good photos.  The only other camera bodies that I have are film and a GoPro Session 4 that I use for video when I'm hiking.

Lenses.  The lenses that I carry in my backpack for typical landscape or travel photography are a Sony 10-18 f4 lens for wide angle.  I almost got rid of this lens and then fell in love with it again  It was my favorite for some of the shots of my fall trip this year.  My work horse lens is the Sony/Zeiss 16-70 f4 lens.  It is on my camera 90 percent of the time and covers a full frame range of 24-105.  This is a super sharp lens, and I love the focal range.  The next lens that's in my backpack is the Cannon 70-200 L f4 lens.  This is a great lens, kind of old and slow (like me), but this is my least used focal length and it works great for me.  I use the Metabones adapter for it and any other Canon EF lenses that I may acquire.  Would love to get like a Canon 50L f1.4 but haven't come across one yet, but I'm still on the lookout.  My prime lens is a Rokinon 12mm f2.0 and is what I use for astro photography.  It is a super sharp manual focus lens.  My next lens is a Rokinon 23mm f2.8 which gives me that 35mm full frame range and is good for street.  Not real fast but sharp.  My next one is a Sony 35mm f1.8, and this is my favorite prime lens.  It gives you that classic 50mm full frame range, and it it great.  Fast and sharp!  I also have a Sony 50mm f1.8 and it's okay.  I use it for portraits.  It's not a very fast focus, but it is sharp when in focus.  The prime lenses go in and out of my camera bags when needed and usually only one at a time.

Tripods.  My main tripod is the ProMaster XC-M 525C carbon fiber tripod.  It's a small tripod and can support 17lbs, which with my small camera kit works just great.  I got it last year from my favorite camera shop, ASAP Photography in Greenville, NC.  I did buy a short extension tube for it so it will get lower down to the ground.  I have Peak Design camera buttons on it so I can use a camera strap to haul it if I'm going light with just camera and tripod.  I can throw the strap across my shoulders and go.  I just got a platapod tripod plate mainly to use when I'm in an urban environment.  It's small and sturdy, but I haven't used it much.  I'll let you know if I like it or not.  And then a Jobe tripod for smaller cameras and GoPros.  

Filters. This year will be the first year that I go completely to small screw on filters.  The filters that I'm using are the Breakthrough Photography filters.  I have the circular polarizor and neutral density 3stop, 6stop, and 10stop filters.  They are all at 72mm, and I use step-up rings to fit different lenses.  I have a Lee filter system, but it's just overkill for the small cameras and lenses that I use now and is too bulky to carry.  I do have separate circular polarizers that I use in my "Purse," the Mountainsmith cary bag, that fit different sized lenses that I carry.  I usually don't need neutral density filters when I'm using that bag to shoot in the city.

Accessories.  I carry an assortment of things with me when I go to shoot.  Remote shutter releases - I have two one cabled from Sony and another Radio from SMDV, a Korean company.  I had one on my Nikon when I shot which was fantastic, so I got one for my Sony.  A small hand-held blower to clean lenses and blow out stuff.  Lens clothes - You can't have enough.  I have them in every compartment and pouch.  I stick them everywhere so I always have one handy.  A lens pen with a soft brush to clean lenses.  Desiccant 20171102_untitled shoot_0001 Pouches - Whenever I buy something that has these little pouches inside, I take them and throw them in my bag.  You can get rechargeable ones that I've been thinking about getting, and you can put them in your microwave to dry them out.  I also make little personal packs that have sunscreen, insect repellent, glass cleaner (for my glasses), tooth picks, antacid, hand warmers.  I get all the contents in little one-use pouches and they all fit into a little ziplock that I keep in my bag.  I always carry an emergency poncho that you can get from Walmart for just a few bucks.  I got caught in the rain one time and had a trash bag that I used, but from then on I have that emergency poncho.  I also have a rain cover for my camera that I made, but you can get these cheap also.  I have a little battery and tool pouch that I made from one of my dad's blood testing machines that I use to hold spare batteries, small tools, and small quick-release plates used on the Peak Design quick clip that I have on my camera bag.  A ProMaster SD card case that is hard, water proof, small, and only has place for a couple of cards.  This was a promotional that one of my photo buddies gave me years ago, and it goes with me everywhere.  I have a Think Tank wallet that I always keep in a separate bag when I travel.

Well, that's pretty much what's in my bag or bags.  If I'm traveling overnight, I usually take a 13-inch MacBook Air that I got just for travel.  It's lightweight and lets me back up my cards cull and look at my photos and process a couple.  I have Lightroom CC on it with photos synced from my main Lightroom catalog at home.  I also have Luminar 3 on it if I have to do something a little special.  I usually don't edit on my laptop, only on my iMac at home.  If you have any questions about any of the gear listed, please contact me and I'll get back to you as soon as I can.  Keep shooting!

Carolina Beach Sunset Hey Everyone!  Last blog we discussed camera bodies and when and if you should upgrade.  This blog we'll be talking lenses and the scoop on them.  Kit lenses, primes, and zooms. So some of the big questions are: What lenses do I need? What is a kit lens?  What is a prime lens?  Zooms? These are all very big and difficult questions and can be overwhelming for a new photographer looking to upgrade lenses.  The answer to these questions are all from me, not necessarily the industry standard but my opinion.  And in my opinion, investing in good-quality lenses is way more important than what camera body you have.  Lenses last a lot longer than camera bodies and can be used for decades.  I still use on occasion vintage lenses from the 60’s and still get good quality results from them.  So buying the best quality lens you can afford to me is more important than buying the latest and greatest gadget body you could buy.

What are kit lenses? Kit lenses are usually cheaper-made lenses that come with your camera, and you usually buy them as a kit, hence the name.  They are usually not as sharp as more expensive lenses, but sharp enough for everyday.  The focal range varies by manufacturer.  The quality control on these lenses is not as precise as a more expensive lens might be, so you could get a copy that may not be too sharp.  But you could also get lucky and get a good copy that is extremely sharp.  I have a kit 55-210 lens that is very sharp and works well.

Primes vs Zooms: What are prime lenses?  Prime lenses have just one focal length.  A 50mm, 35mm, and 85mm.  So if you want the subject to be closer, you walk closer.  And if you want the subject farther away, you back up.  Primes are great for a few reasons.  They are usually cheaper, and you can get a larger aperture like f1.4 that can make great background blur for portraits or for separating the subject.  They used to be considerably sharper than zooms, but zooms have caught up to them as far as I’m concerned. They are smaller and lighter if that is a concern for you. What are zoom lenses?  Zooms have ranged focal distance like 16-35mm, 24-70mm, or 70-200mm.  If you want the subject closer, you just turn a ring on the lens and, zoom, they get closer, hence the name.  Zooms' advantage is that they are easy to compose a subject by zooming.  You can cover a number of focal lengths with one lens.  They are larger and heavier than primes if that is a consideration for you.

What lenses do I need?  First you have to decide what kind of photographer or photography you’ll be doing because the choices a landscape photographer may make compaired to a portrait or a wildlife photographer would be different.  What type of photo you are looking to get will determine what type of lenses you will be wanting to purchase.  Let’s break it down into categories.

Everyday shooter.  If you're just getting into photography and you shoot primarily when you take vacations and events your family and kids have, I would suggest the kit lens that came with your camera kit.  They usually have a large focal range from say 55-200ish.  It varies by brand.  But these lenses are versatile and can do a lot and are not specialized.  A good carry-around lens.

Landscape:  Landscape photographers like to shoot very wide or long.  So a 16-35mm and say a 70-300mm lens would work great, the greater the maximum The MetroCommuters waiting for the Metro in Washington DC. aperture you can afford.  F4 is fine.  2.8 is good also, especially for the 16-35 that would give you the option of shooting astro photography with the 16-35 when you have the 2.8 model.  For landscape photography, weight is also a thing to consider since you usually have to haul your gear maybe miles to the location you're going to shoot.  So the smaller aperture f4, especially in the 70-300, would make that lens considerably lighter and just as sharp because you would rarely need to shoot at F4 or smaller with that lens.

Portraits: Portraits can be shot with a wide range of lenses, but usually 75mm and longer give the best results, especially for head and shoulder shots.  And the bigger the aperture the better, so f2.8, 1.8, or even as low a 1.2 is desired to give that creamy blurred background.  Here is where primes really shine.  Primes seem to be cheaper and tac sharp compared to zooms with large constant aperture. When portrait photographers find a lens that they really love, they will shoot it forever.

Wildlife/Sports:  Wildlife photographers like it long, so 200mm plus up to 600mm.  These are large, expensive lenses to buy, up to $10,000, but there are some cheaper versions that work great for $2,500 or less.  They just have  smaller apertures.  Sports photography also falls in this category, but they use all ranges of lenses from wide to super telephoto.

Street:  Street photographers like 50mm and smaller.  Small concealed lenses on small bodies are great for street.  As s street photographer, you want to blend in with the environment, and a large camera with a big lens is just the opposite.  35mm seems to be the sweet spot for street photographers.

Wine glass Splash So did I answer any questions?  Probably not.  You have heard or seen on YouTube about the holy trinity of lenses that every photographer should have.  They are a wide zoom, medium zoom, and a telephoto zoom and usually cover a distance focal length of say 16-200 and usually at f2.8 aperture.  Don’t get me wrong.  These are great lenses no matter what manufacturer makes them, but they are heavy and expensive.  And depending on what you shoot you may not need them.  My advice is to start with a focal length range that you seem to shoot a lot.  For me, a 24-70 range is where 90 percent of my photos are taken.  Rent that lens and use it awhile to see if it fits you.  If it does, great.  Buy it and shoot it a lot while you're saving for the next one.  By doing this you can invest in a good quality lens and take your time, save up some money, and get another good quality lens.  To me, one good-quality lens is better than three low-quality lenses.

So you're probably wondering, "Well, Max, what do you have?"  Well, I am a gear hound and have had a lot of GAS (gear acquisition syndrome) in the past, but I’m trying to make my gear smaller in quantity and larger in quality.  So when I shoot landscape photography, I carry three lenses:  a 10-18mm f4(16-25mm full frame equivalent) for wide angel stuff, a Ziess Sony 16-70mm f4 (24-105mm full frame equivalent), a Canon 70-200 f4L (105-300mm full-frame equivalent), and a Metabones adapter for the Canon lens to my Sony.  For street photography I use primes, mostly a 23mm f2.8 Rokinon (35mm full frame equivalent), a Sony 35mm f1.8 (50mm full frame equivalent), and then a Sony 55-210mm f3.5-56 (70-300mm full-frame equivalent).  I do have a specialty lens, a Rokinon 12mm f2.0, that I use for astro photography and extension tube that I use with my Sony 35mm for macro closeup work.  I also have a cheap 50mm f1.8 lens that I use for portraits.  I have some vintage lenses that I also use, but these are my main lenses that I use.

I hope this has helped you.  Deciding on what to get can be confusing and a big investment.  Take your time and get what’s right for you.  Next time I think I will talk about finding the sweet spot of your lens, what aperture and focal length is the sharpest. Until then, keep shooting!


 

Hey everyone!  The holidays are almost upon us and spending is rampant with Black Friday and Cyber Monday.  Everything is on sale and you're thinking to yourself, I sure could use that brand new so-and-so gadget. This is a blog that is going to be the beginning of a gear series. This blog will be focused on camera bodies, what you need and what you think you need.  As photographers we are all afflicted with GAS (gear acquisition syndrome), some of us more than others.  I have had severe cases of GAS in the past and have spent more money than I should have because I just needed the newest gadget or lens or camera body.  But did I?  In most cases, I could have saved thousands of dollars and just kept the camera I had.  I should have invested in better lenses and not more lenses.  So this blog is going to be about camera bodies and when to invest in newer equipment.  There are some questions you need to ask yourself and be honest with yourself when doing so.  I will go through my thought process when I was last considering upgrading my camera body.

Question #1.  Will upgrading to a newer body improve my photography?  Although we all think it will, most of the time it won't.  Just because it's newer doesn't mean that it will improve your photography.  A lot of the time the newer camera is so advanced that we have a hard time just figuring out how to use it.  We all have been there.  The learning curve can be so frustrating that when we get the new camera we don't use it to its full ability and it is no better than the one that we upgraded from.  Most of us don't use our current camera to the fullest.  We know just enough to get by.  But if we learned our current camera and all the features, we might find that we don't need a new camera at all.  If you have a camera that was built in the last six or seven years, you have a good enough camera to do most of what you need.  Now, if you're a professional and you earn money from your cameras, an upgrade might come earlier.  But if you are a hobbyist like I am, most of your work is on the web and a few prints, and any camera that was built recently will be fine. 

AMT2016-sony-a6300-review-0423-2Photographer: Anthony Thurston Question #2.  Is the upgrade you're considering worth the money that you're going to fork out for it?  This is a personal question.  Some folks have lots of money at their disposal and can upgrade every year and more power to them.  But if you're like me money matters.  Recently, I had been waiting for the newest Sony upgrade in the Crop Señor line that I shoot with.  The rumors were rampant on what this new camera would have.  When it finally came out over a year later, I was under whelmed.  Don't get me wrong.  It's a great camera.  But for the type of photography I do, I didn't need all of the upgrades that this camera made.  I don't do video, so 4k anything doesn't mean that much to me.  Super fast focusing although is great.  I'm a landscape and travel type of photographer, so the speed really didn't mean much.  It had the same sensor that I have, so I didn't upgrade to the newest model.  Instead, I bought a used camera that was one version better than the one I had, and I saved more than half the price of a new body.

Question 3.  What can you do with the new body that you can't do with your current one?  When I wanted an upgrade, one of the biggest features I was looking for was in-camera stabilization.  The camera I had didn't have it, but the next model did.  With my old body, in lower light I had to put it on a tripod, and I can go lower with my newer camera. My newer camera was released in 2016, but it does stuff that my older camera didn't.  It has in-body camera stabilization.  It has bluetooth.  It has a larger buffer.  But other than that, it's virtually the same as my older camera.  They operate almost the same, so my backup and my main camera are set up the same.  I can go from one to the other seamlessly, which I would not have been able to do with the latest and greatest that came out this year in 2019.

Question 4.  What type of photography do you do and does the newer camera body improve it?  If you are a sports photographer or a wildlife photographer, a fast focusing, fast shutter, high buffering camera is what you need to do the job.  If you are a portrait photographer, those qualities really don't matter.  If you're a stills photographer, all the video features really don't matter.  If you are a portrait photographer, a full frame sensor might make sense to create those shallow depth-of-field portraits.  If you are an astro photographer, a full-frame sensor might make more sense for the low-light capabilities.   Photographers Eye

Question 5.  Do I need a full-frame sensor or will a crop sensor do?  When I switched from a full-frame Nikon D800, one of the concerns I had was would I lose image quality.  I can say that, for the type of photography I do, I didn't.  The Nikon I was using was a 36mp camera, and it was an awesome camera.  I went to a smaller 24mp camera, and I really couldn't see the difference.  It did take a long time for me to make the decision to do it, but I put photos side by side and, other than size, there was no difference in quality for me.  I believe that for most people sensor size doesn't matter, and you can create great photos with smaller sensors.  If you specialize in something that a larger sensor might matter, like astro photography or portrait photography or plan on printing really large, you might need a full-frame sensor.  But if you're a hobbiest like I am, the crop sensor works.  I can still do astro photography and portraits and have no problem doing them with a crop sensor.

If you ask yourself these questions and are honest, you can save yourself some money and you can put that extra money that you saved into lenses!  I believe that lenses are where you should invest your money.  Buy the best lenses that you can afford.  The next blog will be about lenses and how I have mine set up.  Yes, a little GAS is in my lenses also.  Keep shooting!

Carolina Beach Sunset Photography is more than just a hobby for me.  Photography got me out.  It got me out of the house.  It got me out of my shell and got me to be more creative.  Photography and I have been dancing partners for quite a while. When I was a teenager in the mid-70s, I got my first real camera, a Pentax K1000 35mm film camera.  I was self-taught, which means I made lots of mistakes and ruined lots of film.  We didn't have any YouTube then or videos to learn from, so I had to learn from books and magazines.  I mainly took photos of friends and family and some scenic stuff and would send the film out and wait a week to see what I got.   Dice When I joined the military, my camera came with me, but I didn't use it that much and actually sold it at one point and was without a camera for a time until I bought another Pentax that I still have to this day and use from time to time.  But again, it was family and friends, and holidays was the only time I used it.  I dabbled in black-and-white photography and even had a dark room rig that I set up in the bathroom.  Then something happened. Digital came out!  My first digital camera was a Kodak point and shoot, only a couple of megapixel, and I kept upgrading and experimenting with photography.  A lot of table top photography, lighting, and the occasional family portrait. When my daughter got pregnant, that was all the excuse I needed to get a DSLR, and then my photography world blossomed.  I started shooting all over the house doing macro work and then out to the local State Park.  Before I knew it, I had Ava gotten a map and started my journey to the outside, outside of my house and the comfortable environment that I was used to.  I started with festivals.  There are all kinds of festivals that you can visit, especially in the spring and fall, and they got me traveling every weekend going here and there.  This also got my wife going with me which was a plus.  Then I started a quest to visit every state park in NC.  I had a map and marked them off as I got to them.  My photography started to change then also.  I started doing more landscapes, more trails, and started hiking at age 50.  What a time to start.

My hiking started as a way to get there.  To get to the photographs that other photographers were not going the extra mile to get to.  But then I started to enjoy the hike almost as much as the photography, but not quite.  As the hikes got longer and more frequent, my son and I started thinking about hiking and staying overnight, and we started car camping (camping where you drive to the spot, pitch a tent, and camp) and then we could hike from there.   Goose Creek Grass That made the farther places easier to go to; because of the longer drive, spending the night just made sense. We would go to places like Pilot Mountain State Park that is about a four-hour drive from the house.  Then we got the idea, why don't we go somewhere and backpack in (all your food, tent, clothes in a backpack) and then backpack out?  So we started training.  It's much more difficult to hike with a heavy pack on your back.  Our goal was a 10-mile in and out loop at Doughton Park, a national park in the mountains.  So we started hiking and increasing our mileage and weight on our packs until we were ready.  And we did it!  We drove up on a cold night, slept in the parking lot, and hiked out at first light.  It was colder than expected (our water froze).  But we had a great time, and I got some photos that I wouldn't have gotten if I had just stopped by the road and took a shot.  That's how I got into backpacking; it was photography that got me out.

Wine glass Splash During all the hiking and photography from the start of digital I found the local photography club.  I had been living in this town for almost 15 years when, while I was on Facebook, I found a former troop of mine from when I was in the military.  I was looking at his Facebook page and noticed that he was one of the officers of the club.  I didn't even know a club existed.  So I got in touch with him and went to the next meeting.  And a new world opened up.  I could talk about photography and people's eyes wouldn't roll back in their heads.  We could talk about photography for an hour or so, and it was great!  I really got into the club, went on all the outings and workshops, and really enjoyed it.  The first Help Portrait I went to they had me take some of the portraits.  I had never used lights before, but they kinda set me up and then I was taking portraits.  Not very good ones, but I was doing it.  I was talking and taking photos of people I din't know.    The club got me out. Photography got me out of my shell.  It has gotten me to do this blog, this website, and post photos online.  Now, my gear has changed over the years and what I shoot has changed a little, but my love for photography has never changed, even when I let it go for a while.  Now I'm closer to 60 than I am 50, and I still get excited when going out on a photo shoot, whether it's to a festival or a waterfall, sunrise or sunset. Whether I'm in a big city or a secluded bay, I get excited and still feel creative.  Now, I don't really make any money.  Every now and then I sell something.  But photography has given me more than money; it has given me a way out!  So be like me and get out!  Keep shooting!

Well, I

went on my camera club's annual fall colors workshop. I didn't get to go to the full week-long workshop, but I did get to go for a few days and had a blast taking photos and fellowshipping with good photography friends. We stayed in a log cabin house that was very large and nice where the dozen of us stayed.  We had an itinerary of places to go all week long rising up early in the morning and coming home late.  These workshops are really "work," but they are fun also.  Waterfalls and fall colors are our goal, but we try to do new things also.  This year we did light painting with waterfalls which was a new adventure for us, but it turned out well.  I always try new things while on the workshop and really decided to go fully to mirrorless and to a crop ASP-C sensor on one of these workshops.  Every year I have failures and successes and really learn a lot from both.  I had no real hard failures but had a couple of surprise successes.

The first was my lens arrangement that I was to take and use while there.  My main lens, a Sony-Zeiss 16-70 f4 lens, didn't change.  It was wonderful and I got some great shots with it.  It had a polarizer on it most of the time because of shooting around water and we had some rain that would have produced a lot of glare.  I probably used this lens 80-90% of the time, and it was sharp and quick.  My long or telephoto lens was a 70-200mm f4 Canon L lens, a great lens, and it really worked well.  I am using a Metabones adapter to fit it to my camera and it works well.  Maybe not as fast as a native lens, but it works well for me and it's sharp.  I brought a Sony 35mm f1.8 and I never took it out of the bag.  Then it comes to my real dilemma, which wide angel to use.  I originally intended to use only a Rokinon 12 mm f2 lens but then thought about the Sony 10-18mm f4.  I went back and forth many times, packing one to go on the trip and then the other.  I finally decided to take both since I was driving and storage space was not a priority.  I did take both but only used one, the Sony 10-18 f4.  It was sharp, fast, and made beautiful photographs.  I was very pleased.  This is a lens that I haven't used too much before and was actually thinking of selling it.  But no more.  It will be in my bag for a long time.  It gave me some of my best photographs of the whole trip.  The Rokinon is a great lens, and I will keep it for astro photography because of its wide aperture. 

My next biggest experiment was to go without a laptop and only use an iPad.  This was not the success that I thought it would be.  I was using a 10.5 inch iPad Pro 2018 model.  It worked well enough but wasn't the laptop that I enjoy using.  I also like to use Luminar 3 photo editing software in conjunction with Lightroom, and I couldn't use it with my iPad.  I was also using Lightroom or the mobile version of Adobe Lightroom Classic, which is not as strong of a program as the classic version.  I joined the iPad with a WD Passport SSD Pro which is a Wifi enabled SSD hard drive that I could hook up the iPad with.  The drive worked well.  The only problem I had was operator error, but I learn quickly.  The iPad did work okay, but I much prefer editing on a laptop.  My travel laptop is a MacBook Air and, although not as powerful as a MacBook Pro, it does work well and is lighter.  So on my next big outing the MacBook Air will be the computer of choice for my editing of images.

My next experiment was to use screw-on filters instead of the 100mm Lee filter system I have used in the past.  These filters are a smaller and more compact choice and match up well with my Sony mirrorless system.  The brand that I used was Breakthrough Photography Circular Polarizer and Neutral Density filters.  I got one set of polarizer and a 3 stop Neutral Density at 72mm, the largest size of any lens I have, and use step-up rings to attach to different lenses.  I only used this combination one time as it was cloudy or overcast, and I only needed my polarizer most of the time.  It worked very well and will be my system of choice for my small mirrorless system.

My last experiment was letting my camera sync with my phone via bluetooth to get GPS information.  This was the biggest success of all of my photo experiments.  It worked flawlessly, and all of the photos that I took with my Sony A6500 I can go to the map section of Lightroom and see where I took them.  This is a very useful tool to have in my toolbox. As a landscape photographer, I can easily forget where I took a photograph.  But with the GPS info embedded into the metadata, I won't have this problem again.

The only thing that didn't work well was that I had to leave early and couldn't stay the whole week long.  It was a sad day when I had to drive home the last day knowing all of my photo buddies were still there having a photo adventure. One of the best things I ever did was to join a photography club.  If you ever have the chance, please do so.  If you live in eastern NC, come visit GAPC (Goldsboro Area Photography Club).  We meet once a month and have workshops and outings every month.  We have one big trip per year (week long), and we participate in Help Portrait, a program where photographers give back to their community.  Well, that's enough for now. Get out and shoot!

Wow!  It's been a long time since my last posted blog.  I've had a lot of family things going on and really haven't had the time or the motivation to do a blog.  It's been kind of a ho-hum year, but I did just get back a couple of weeks ago from a trip to Washington DC where my wife and I spent the week. I took a little point and shoot with me, a Canon G7X Mark II, a 20 

megapixel one-inch sensor camera that did well for most of my snapshots, and I only missed my Sony a couple of times.  This coming weekend I'm going to the mountains with my camera club and am really looking forward to shooting again.  Really the DC trip got me out of my funk and got me motivated to shoot again.  I did add a camera to my photography kit, a Sony A6500 that I bought used from a club member that upgraded to the full sensor Sony. I have been shooting the Sony A6300 which has the same sensor as the A6500, but the newer camera has a couple of other features that I was looking for.  The first was the in-body stabilization (IBS).  I have been wanting this for a while.  Also, it has a touch screen, but it's only used for moving the focus point around.  I got spoiled using the Canon point and shoot because the touch screen is very nice and versatile on it, unlike the Sony.  It also has bluetooth, something I didn't know I wanted.  Seems I can use this feature to pair to my phone and send the GPS coordinates to my camera so they can be recorded in the metadata of the photo.  Very cool.  The newer Sony can

The GPS function that I mentioned before I will try, and hopefully it will work seamlessly.  On my test today it worked well.  So I hope to have GPS on all of my photos in the future to help me figure out where I took that shot.  My lens selection is a little strange this year.  I'm taking four lenses, and all of them are by different manufactures. Here is a list of them, from smallest to largest focal length:  The Rokinon 12mm - This is a very sharp lens with a 2.8 maximum aperture. It is an inexpensive lens but very sharp when in focus, and it is a manual-focus lens.  The Sony 35mm - This is
the equivalent to a 50mm lens in full frame and is very sharp.  I'll use this when I really need a wide aperture.  The next is my favorite lens.  The Sony-Zeiss 16-70mm lens with an 4.0 maximum aperture - Probably 80-90 percent of all of my photos fall in this 24-105mm full-frame range.  This is a very sharp lens, small and compact.  My longest lens is the Canon 70-200f4 L lens.  This is the only Canon lens with the "L" markings that is not f2.8 or wider.  This is an excellent lens and gives me a full-frame focal length of 100-300.  I got this lens on a sale, but it's awesome.  I use the Metabones adapter with this lens.  It's not as fast as the Sony, but I don't shoot a lot at these longer focal lengths. Which brings me to the next thing.  I'll have a true backup camera in the A6300 and may shoot both of them while out with a telephoto on one and my 16-70 on the other.

Another thing I'll be doing different this year is that I'm not going to take a laptop with me.  That's right, no laptop on a photography trip.  This year I'll be taking an iPad pro with Lightroom CC Mobile on it to make edits.  I'll be using a Western Digital SSD drive that has WiFi to back up all of my photos from my SD cards.  I can view them on my iPad and transfer and edit the ones I want in Lightroom CC for Instagram and such.  Then when I get home I can Import all of the photos into my Lightroom Classic Catalog and go through them.  This will be a big change for me this year and is still just a trial.  I have a MacBook Air where I can do the same thing with Lightroom CC Mobile, but I wanted to try the iPad this year and see how it works. 

Other than photography news, I have been doing some hiking and camping this year and have taken a couple of backpacking trips.  I took a couple of solo trips, one with my dog Forrest to Raven Rock State Park and one to Uwharrie National Forest.  I took a couple of other backpacking trips with my son Mark, one to South Mountain State Park and one to Uwharrie National Forest.  I have lost 30 pounds this year so far, and my knee has been doing well.  I have been making a lot of our camping equipment like hammocks, bags, stuff sacks, and even made a tent for Forrest to sleep in, so I have been busy sewing. Yes, I know it sounds funny, a 50ish-year-old man sewing, but I'm pretty good at doing this kind of sewing.  I have some more projects for this year.  I plan on making a winter tarp for my hammock and maybe a hiking fanny pack.  Yep, I said it, fanny pack.  I had six trips planned and places reserved to take my little teardrop trailer camping, but we only got to take it on one trip to Cedar Point National Recreation Area down on the coast.  All of our other trips either got rained out or something else got in the way of us going.  I need to start planning for next year's trips.

Hey Everyone!  I hope everyone's new year is starting out good.  In this blog post I want to talk about the new Luminar 3 with Libraries and if it is an 

alternative to Lightroom.  I have been using Lightroom from almost the beginning of the software and watched as it has turned into the main photo editing and digital asset manager for almost everyone.  It is the true standard that all other softwares are compared to.  When it started being a subscription service, many did not like the monthly payment scheme.  I didn't mind too much because it was the price of a couple of Big Mac meals, and I remember the price of a full Photoshop or Lightroom for that matter.  Photoshop was $600-$800, and Lightroom was $150.  So the $120 a year was a small price to pay to get the most current versions of both.  But others didn't like this at all.  There were some other contenders at the time like Corral and Aperture, but they didn't have the power of Lightroom and Photoshop.  Lightroom and Adobe have had a monopoly on the image editing software business.  But new contenders are starting to come in, like Capture One and Luminar with DAM (digital asset managers) of their own, giving Lightroom a little cause for concern.  I currently have used Capture One 12 on a trial basis and did like what I got with it.  If I were a studio portrait shooter, it would be the perfect choice for me.  Its tethering capabilities are unmatched as far as I'm concerned, and its RAW conversions are beautiful.  You can see my last blog here Capture One 12 first look  luminar_sq_logo_500

I purchased Luminar last year and have been experimenting with it as a kind of go-between of Lightroom and Photoshop.  I use it as a plugin, and it works great with beautiful colors and tools that are not easily done with Lightroom or Photoshop.  And I'm all about easy.  But how does it work as a digital asset manager?

First, let me say that it is not as advanced as Lightroom as an asset manager.  You can rate your photographs and use the star system.  You can organize from within Luminar and from the outside of Luminar which can be confusing.  You basically tell Luminar what folder you're going to put photographs in, and it will look there.  It does keep a catalog with all of your changes much like Lightroom does, but not as robust as Lightroom, which can be good or bad. To me Lightroom has become a sluggish program over the years, and with the more features they put into it, the slower it becomes.  But as many of you, I have been using Lightroom for so long that almost all of my photographs are in a Lightroom catalog, and to switch to a new system now isn't really where I want to go.  But as a photo editor I think that Luminar is almost as good, and better at some things, as Lightroom is.

Who do I think that Luminar 3 is for?  I think that Luminar 3 is for new photographers who are just getting started and don't have large Lightroom catalogs already established, for people who are still using Bridge or some Finder or Windows Explorer based program.  I believe that in the future Luminar will make its digital asset manager better and better and at some point I will say now is the time to move, but now is not that time for me.  I will still use it as a plugin to Lightroom and as a go-between of Lightroom and Photoshop.  I recently went on a photo outing, and all of the photos I shot I brought into Lightroom, did my culling thing, and for the winners I did a quick edit and then sent them to Luminar to really make them look the way I wanted.  It worked out great for me, and I'll bet it could for you too.  On my travel laptop, a MacBook Air, I have taken Lightroom off of the computer and only use Luminar 3.  When I travel I only want to process a few photos and then send them to Instagram or Facebook, and the rest I can upload into Lightroom when I get home.  You can purchase it for $69, so it's fairly inexpensive.  Give it a try.  I believe after a while you will enjoy it as I do.  Here is a link to a podcast from The Digital Story that talks about Luminar 3.

The Digital Story Luminar 3 with Libraries Podcast

Hey Everyone!  This blog I'm going over my first thoughts on Capture One 12 as an alternative to Adobe Lightroom. First a disclaimer.  I am no Capture One expert nor am I thinking of changing to Capture One, but I wanted to research the program to see what all the fuss was about.  A lot of YouTube-famous people have switched from Lightroom to Capture One, and I am curious about it.  So I downloaded the free one-month trial, which was painless.  No credit card needed.  I loaded it onto an older MacBook Pro, a 2011 model, to see what it could do.  This machine has been upgraded to a SSD hard drive and 16 gig of memory.  This is an okay machine but by no means top of the line.  So that's where I've started.  In bullet form, I'll list what I've found so far.

-Download and install was easy.  I logged into Capture One and got the free 30-day trial. Thumbs up!

-After doing a lot of tutorial watching online, I imported my Lightroom Catalog from my DC trip into Capture One, over 2,000 photos, and it took about 40 minutes.  This was the Lightroom catalog, and it had all of my edits that I had made in Lightroom.  This catalog I had on an external drive with all of the photos that I had taken on the trip.  It then made smart previews of all the images.  This is a default in Capture One and makes the program snappy!  You can edit your photos without having the photos present.  Thumbs Up!

-The interface was all in one page.  I didn't have to go to a different module to edit my photos.  The interface is totally customizable. You can even arrange things so it almost looks like Lightroom.  And, like I said before, everything is snappy!  You can make it anything you like and then save the settings.  So if you had more than one person working on the same computer, they could have their settings and you could have yours.

-Capture One 12 creates catalogs similar to Lightroom.  You can have the catalog on one computer and copy and paste it onto another computer that has Capture One, and you can edit your photos there even without your photos because of the smart previews it created on import.  Moving of folders and photos to and fro must be done within the Capture One catalog just as you do with Lightroom.  Capture One also has Sessions.  These are smaller shoots that have everything contained in the session.  They are smaller than the Catalogs and can be copied and pasted onto another computer and worked on separately without bothering the Catalog database.  When you're all through, you can import the session into the Capture One Catalog database.

- Tethering is where this program really shines.  Tethering is simple.  Just hook up your camera to your computer, open a session, and start shooting.  The photos come in very quickly, and you can edit on the fly and apply all the edits to incoming photographs.  For example, if you wanted to crop a certain way and make the photos black and white, you would just edit the first photo and tell the program that you wanted to make those edits to all incoming photos the same way and it will.  You could lay layout templates on top of the photos coming in, like if you were shooting for a magazine and you could have the magazine cover layout put on top of the photos coming in to see how it will look as a final shot.  We probably will never need this, but it's cool.  You can also shoot live view and see the setup that you are making live before you take a photo, say for example a food shot.   You could take your time and get it right before you ever take a shot and know what the composition will look like.  Tethering is what this program was made for with Phase One Cameras, which are mainly studio cameras, and it shows.

These are just a few of my first thoughts.  I think this would be a great program if you were only doing studio work.  I'm not quite sold yet on all of the other things that it offers.  But if you're only doing studio work, this would be the program for you. Luminar 3 is another program that I think is a good replacement for Lightroom.  Formerly, Luminar 2018 had added a DAM (digital asset manager) to its program, and I will go through it in another blog soon.  

Hey Everyone!  The holidays are upon us and everyone is hustling and bustling to get things done before the family comes to visit or you go to someone else's house.  And now that winter is here the weather isn't as photogenic as in the spring and fall.  How do we keep our photographic edge when we don't go out as much to shoot?  For me, it has become sort of a pattern that I've done the last couple of years, and it seems to help even though I don't get to shoot as much as I want.  The trick is keeping your mind photography active.  Thinking, learning something new, stepping out of your comfort zone.

This time of year I'm winding down from the biggest photo event of the year for me, which is my photo club's fall trip.  This is usually a week full of photography-rich shooting situations, and the senses are alive with what to take next.   This year we went to Washington DC for our fall trip (DC Fall Trip Blog Link), so I started early in the year getting geared up and experimenting with different camera and gear combos trying to figure out what to take with me and also researching the DC area and what photos look like that have been taken there before.  Last year it was a big change for me, because I'm mostly a landscape and travel photographer, and street photography in DC was a new and exciting thing to get ready for.  So there were lots of things to keep my mind photography active.  This time of year we also have our Help Portrait event that you can read about in my last blog. Help Portrait Blog Link This year I was helping a young lady with her lights, and it really got my portrait juices flowing again.  I used to do lots of portraits, but I have slowly gotten away from that.  I enjoy taking the photos, but it's all of the other stuff I don't enjoy, like dealing with people.  LOL...  But this year I really enjoyed it.  I sold all of my studio lights over the last couple of years, and all I had left were some manual flashes.   I've heard a lot about the Godox/Flashpoint line of flashes and strobes that you can control all of your lights from your controller on camera.  Big plus!  Since I've gotten my Sony I haven't really done any flash photography.  So I purchased some of the lights so I could play and take some portraits of the family during the holidays and also expand my photography knowledge.

logopodcast Okay, I've wandered off subject a little.  The point I was getting at is that you don't always have to be out taking photos to keep your edge.  As long as your mind is actively thinking and learning about photography, you can keep from getting too rusty.  So this time of the year I start preparing for next year and start learning new techniques.  Yesterday, I downloaded the free trial version of Capture One editing software as an alternative to Adobe Lightroom and Photoshop.  I've heard a lot about it, and I'm going to try to learn all I can about it and play with the program for my free month.  Every day while I commute to work I listen to podcasts about photography and learn about all kinds of things that I would never even have thought about if it were not for the podcast.  I have written a blog that you can go to to see what I listen to. Podcast Blog Link I also look at YouTube and watch lots of webinars and video tutorials about different things instead of watching regular TV.  This is a great way to learn stuff, and it's free!  You can also go to CreativeLive website.  They have all kinds of tutorial programing, and if you watch it live it's free.

So this time of the year is the time to plan for next year.  Set goals, learn something new, and get out of your comfort zone.  Last year I wanted to do some astro photography, so I did all the research, got geared up, planned a trip, and got some shots of the Milky Way.  I'm looking forward to new gear that will come out next year, especially camera gear that is supposed to come out.  My camera is a couple of years old, and there are rumors that a new one will come out this coming year.  So I'm looking to see if it will be worth upgrading to.  The same can be said about new lenses coming out this year also.  I don't know where the next fall workshop will be, so I haven't started planning yet.  This is also the time to get my camping trips soft scheduled for next year that my wife and I will be taking that I look forward to.  Maybe I'll sneak in a festival or two and a backpacking trip or two.  But now is the time to plan.  Because if you're like me and wait until the last minute, you won't go.  You'll find some sort of reason not to. 

I hope this holiday season brings you much joy and happiness with family and friends and please always be safe.  Take lots of holiday portraits and document your family's history!  Keep shooting!

The first Saturday in December since 2008 has been Help Portrait day.  All over the world on this day photographers get together to give back to the community.  For one day a year it's not about us.  Not about our lighting systems, gear, or how many likes we can get on Instagram.  It's about giving back to the community that we live in and helping those in need with a photograph.  You may say, "How does a photograph help anyone?"  For the less fortunate this might be the only time they can have a family or self-portrait done of themselves.  They can't afford to go to a photo studio and pay the prices that we charge.  It builds self-esteem for them, because for one day they are very special to the photographers who are taking their photo.  People who may not be noticed any other time as we just pass them by.  But on this day we can give them a portrait that makes them smile at how good they look.   Maybe they will make them gifts for loved ones.  At any rate the first Saturday in December is their day.  This project was started by Jeremy Cowart in Nashville, a celebrity photographer, when he and his friends had an idea, a very simple idea.  First, find someone in need.  Then take their photo and give it to them.  That's pretty much the idea.  We as photographers do not post the final portrait on the internet, no logos or watermarks, no advertising of any kind.

My photography club does this event every year and treats it almost as a workshop, because we are amateur photographers and this is a chance to pull out our studio lights and shoot and learn.  This year we had three photo stations set up.  I was mentoring a young lady who is getting her photography degree, and she had to get some equipment for her classes but hadn't used them much.  So I helped her with setup of the lights and made sure that they were set so she would get good exposure, the nerdy stuff.  She didn't need any help with arranging the clients and taking the photos.  She was a natural at that.  Some Help Portrait locations give food, clothes, toys for the kids, and do hair and makeup.  We did not have hair and makeup this year but have in the past.  This year we supplied refreshments and I think coloring books for the kids and books to take home, I believe.  There are many jobs to be done at the Help Portrait, not just photography.  There is manning the registration desk, refreshments, editing and printing, framing of the photograph, makeup artists, runners for the photographers, and people to help the clients. All very important jobs.  My job for the last couple of years is to be the documentary photographer and photograph the event.  I set up time lapses, take photos, and do some small short videos to create a small video that we can put on our website for others to see.  So you don't need to be a photographer to do Help Portrait.

It's the holiday season.  Let's think of those less fortunate than ourselves and give back.  Next year, Help Portrait will be on the first Saturday again, so start planning now.  If there is a photo club or organization in your area, look them up and see if you can help.  Here's a link to the video that I created this year.  Please check it out.

Help Portrait 2018 GAPC Goldsboro NC

_MSP0311 Hi Photo Buddies!  My last blog was about my photo trip I took to Washington DC with my camera club on our annual Fall Workshop.  This was a different trip in that we were dependent on public transportation and would be carrying all of our stuff that we were bringing for the trip, so packing and planning was a must.  There are many ways to plan and pack for a trip, and this is just my version. 

I know after years of backpacking that weight matters!  So one of the first considerations was how heavy were my bags going to be and how many of them would there be.  So I decided on my backpack with photo gear and another bag that would have my clothes.  I decided early on that I wanted a backpack that was not a camera bag looking kind of bag. IMG_1534  I didn't want the traditional bag like a black LowPro bag that looks like a camera bag.  One reason for this is security.  A big guy with a regular backpack is not as an appealing of a target as a big guy with a camera backpack with thousands of potential dollars in it is.  The other reason is that photography backpacks are designed to carry only gear, and there is not much room for extra stuff like coats, sweaters, and souvenirs. So I got a 25-liter smallish bag to carry my camera gear in with an insert that I got off of Amazon to keep my gear safe, much like I do with a MountainSmith bag that I use for a shoulder bag with an insert.  So with this, my camera gear in this took up about one-third of the space, which left enough room for other things that I would need to carry on a daily basis like rain gear, umbrella, water, and a coat.  Also I wanted a small backpack because I learned if you get a large bag you will fill it up!  So keeping a smaller bag keeps the weight down.  My other bag that I was going to use is a roller bag that you would use as overhead luggage.  But one of the days we had to wear a sports coat and there wasn't enough room for the sports coat, extra slacks, and shoes for that day, so I got a larger roller bag to accommodate those items. But, as with larger bags, I did fill it up!  So those were my two bags: my backpack and a roller bag.

_MSP1594 Now that I have the bags, what to put it them.  Let's start with my camera gear.  If you have read my blogs, I used to shoot full frame Nikon with all the fast glass.  And don't get me wrong, it was excellent quality gear but heavy.  I started using a Sony mirrorless system for hiking and backpacking and eventually switched completely to a Sony crop sensor system.  My first thought was to bring camera body and three lenses:  one for wide angle shots, one for midrange shots, and a telephoto for long-range shots and that would be my kit.  My wide would be a Sony 10-18mm f4 (full frame equivalent 15-25mm) and that's what I took.  My telephoto would be a Sony 55-210mm f4.5-6.3 kit lens (full frame 80-320mm).  I chose this one because of size, and I have a good copy that is sharp so that's what I took. IMG_1558  My midrange is where I had my problems making a decision.  I have a Sony 18-105mm f4 (full frame equivalent 24-150ish mm) that is a good lens, but it's large and heavy.  It's bigger than the 55-210mm that I'm bringing for my telephoto shots.  So I decided not to bring that one.  I decided to take a Sony 35mm f1.8 (full frame equivalent 52mm) as my midrange and then I bought a Rokinon 24mm f2.8 (full frame equivalent 35mm), so I decided to bring that.  Now I'm at four lenses and a body.  And I stuck with this for a couple of months shooting with this combo.  I went to Savannah, Georgia and this is what I took and got great photos.  I took this combo to all of our monthly workshops, and they worked great.  But in the back of my mind, I'm thinking I sure am changing lenses a lot.  I would love to just have one mid-range zoom lens.  I considered buying another zoom, a 16-70mm Sony/Ziess lens. But it's an expensive lens, and I couldn't make myself buy another midrange zoom just for this trip.  So I had my setup: the Sony A6300, Sony 10-80mm for wide shots, Rokinon 24mm, Sony35mm for midrange shots, and Sony 55-210mm for telephoto shots.  Well, until I started packing.  Remember I said if you get a larger bag you will fill it up?  My large roller bag was really bigger than I needed, so at the last minute I stuck the Sony 18-105mm in just in case shooting and changing lenses from a backpack got really cumbersome.  So that was my camera IMG_1459 gear:  all the lenses mentioned above, my trusty Sony A6300, some filters that I never used on the trip (but would still bring), a small Jobe table top tripod, and a travel-sized tripod.  I carried the Jobe tripod all the time, and the other travel tripod I brought just for nighttime photography.  I just went into Lightroom to see the lens breakdown of my winner/rated shots from our trip, and out of 309 photos that I considered my best, my 10-18mm took 21shots, 16-70mm (yes, a member let me use his for part of the day) 5 shots, 35mm another 30 shots, 55-210mm 82 shots, 18-105mm 26 shots, and the most was the Rokinon 24mm (35mm full frame equivalent ) at 145 shots. So well over half of my shots came from the mid-range primes and not the zoom.  To be fair, on our museum day I did only take one body and one lens, the 24mm, and shot that all day because of the security at IMG_1562 the museums.  It was just easier.  And to tell you the truth, I really didn't notice while I was shooting that day that I didn't have the other lenses with me and I did just fine.  Another piece of kit I took was a GoPro Session, which I used it once and it never came out of the bag again.  We had a guy that was videoing the whole workshop.  I was just too lazy to do video and stills at the same time, so I stuck to stills and took the GoPro out of my backpack the first day, put it the suitcase, and it never saw the light of day again.

Now for the clothes I took with me.  Let me start by saying I'm not a fashion type of guy and I like what I like.  I want it to be comfortable, lightweight, and an earth tone color so I can mix and match anything in my bag and it looks okay.  I like to take clothing that is quick drying material so if I do get wet it dries quickly, and when washing it dries quickly too.  The clothes I take are the same if I'm camping or doing a street shoot.  Pants are hiking convertible pants, ones that the bottom part of the leg zips off when it's hot and you have shorts. They are lightweight, usually cargo pants with lots of pockets but can also be plain.  Shirts are hiking or fishing shirts that are made out of the quick drying material as well.  They may be long or short sleeve, but most of mine are long sleeve and they can be rolled up if it gets hot.  Undershirts and pants are made out of stretchy, quick-drying material.  T-shirts can be many colors so if I get hot I can take off the outer shirt and still look okay.  Now you know the type of clothes I take and how many.  For this week  Eastern MarketEastern Market in Washington DC, A good place to photograph. -long trip, I had planned on taking three pants and three shirts I could wear more than once or wash one daily and could mix and match so I don't look like I'm wearing the same thing every day.  Well, that didn't quite work out the way I had planned because of the larger bag (you know where I'm going with this).  I packed more stuff.  I had planned on washing clothes while on the trip, but I had enough room that I just took extra socks and underwear and just wore pants and shirts a couple of times so I didn't have to wash.  But normally I wouldn't and would wash clothes.  I usually have a hat of some kind to keep the sun out of my eyes.  I wear glasses and have a hard time without a hat or sunglasses.  I carried a puffy jacket that packs down small and a fleece type of sweater.  I took gloves, a wool cap, and a neck scarf that I never used on this trip but always goes with me even in summer camping when it gets chilly at night.  I also had a rain coat that I think I used once.  I took one pair of comfortable hiking shoes that I already have broken in well with good inserts in them.  I had no foot problems at all, and we walked 50 miles that week.

_MSP2507_Luminar2018-edit_Luminar2018-edit Now my computer that I took I discussed in detail in an earlier blog, the 13-inch MacBook Air.  I took a 250gb SSD drive with me that I put all of my photos on and my Lightroom catalog made special for the DC trip that I merged into my large catalog when I got home.  I had cables and chargers for all of my gadgets like phone, camera batteries, external battery (to charge my phone while out and about), and of course a laptop.  I took a little surge protector plug so I could plug all of my things in without taking up all of the sockets in the room I was in (I had roommates that had a lot of electronics also).  I took enough SD cards for every day and changed out daily so the SD card was one copy of my photos.  My daily routine after shooting all day when I would get back was first of all to start charging all of my batteries.  I had the ability to charge three at a time (mirrorless uses lots of batteries).  Next, I would pull my SD card out and refresh with a new one, download to an external SSD drive photos of the day from an SD card, put the SD card in safe place (card holder), and at night when I slept I would charge up external battery and phone.  While we were out shooting, I would plug in my laptop and let that charge so when we got back to house I wouldn't have to have a cord hooked to my computer.  When I traveled on the train I had enough room in my backpack to hold my computer so it was safe place with me not in my checked luggage. I didn't have any issues with electronics.

So these are some of my thoughts on how I packed for my DC trip.  Have fun and keep shooting!

_MSP2011_Luminar2018-edit Hey everyone! Its been a while since I've written a blog sorry for that but we had our yearly fall workshop with my photography club (Goldsboro Area Photography Club) a couple of weeks ago and I'm just getting caught up with Honey do's and work stuff.  Let me start by saying that our trip to Washington DC was Fantastic and we had a blast.  There is so much to see and do there and I think we just scratched what the photo possibilities could be there.  For street photography this is truly a target rich area and you could have spent a whole week just shooting street 

scenes .  There is a lot of touristy things to see and do and history stuff too.  We were hoping for some more fall colors but we didn't get any and it seems like the fall colors have been a couple of weeks late this year.  But the excitement and hustle and bustle of a large city more than made up for it. The MetroCommuters waiting for the Metro in Washington DC. We had 10 people that went to the workshop we had 12 scheduled to go but some family crisis kept two home and they were sorely missed.  Most of our days started before the sun came up and ended well into the evening .  We rented an Air B&B house that was one block from the Metro and a couple of blocks from a Drug store and Grocery store. We made a couple of meals at the house but mostly ate out which could be fairly costly. I have been doing a lot of preparing for this trip for it was very different than most of the trips we take.  Being lightweight and nimble as possible was the goal when packing clothes and Camera equipment.  In all of our other workshops we drive to our destination so what to carry with us on a day to day basis was pretty easy, you bring everything and leave in the car what you don't need.  But here we were traveling by Metro (subway) and were hauling everything on our backs, to include rain gear, coats, sweaters, and of course camera equipment.  And going all day with what we took that morning so planning was a must. What I used on this trip and the packing of my gear will be another blog because I just have too much to say about the trip itself for this one.  We were very lucky to have a couple of members that used to live in DC that gave us a great resourse of what to do and where to go and honestly it would have been way more difficult to just go on our own without our in house tour guides.

_MSP1594 Our trip began with a train ride.  I like half of the members have never used the train (Amtrak) to travel before and was very curious on how the trip would be.  We decided on this mode of transportation because of the traffic and no parking situation in DC.  And I think we made a good decision. Except for a few hour delay at the beginning (because of state fair stops) the train was a wonderful way to travel. Plenty of room , you could get up and walk around and the dining car was really a great way to travel.  The conductors were nice and courteous .  There was no problems with luggage or carry on bags.  It took us about 4 hours of travel and we arrived in Grand Central Station Washington DC. We collected our bags and made our way to the Metro side of the station bought weekly passes and got on a Metro for the first time.  It was a chore with the luggage and making sure everyone was together but we made it to our station got off and found our way to the house we had rented.  This was the most difficult time on the Metro it was easy and all down hill after this initial trip.  We got settled in and went out to eat a couple of blocks from the house with a recommendation from a couple of DC's finest.  And let me say we stopped many times to talk to the local police and they were very courteous and friendly and helpful.  _MSP1839

We had all of our days planned out on what to do and where to go and we stuck to the itinerary for the most part making decisions on the fly if there were any changes to be made. Like where we were going to eat.  The first day we spent at the east mall area to include the Eastern Market, National Arboretum, Capitol Hill, Supreme Court and then that night we went to Old Town for a Night shoot. It was a off and on rainy day but not too bad.

Monday we were in for a treat. One of our members used to work at the White House and had connections to get us a tour of the Eisenhower Executive Office Building on the White House Grounds.  We had to have a background check weeks before and there was a lot of coordination between our guy Robert and the people in the EEOB.  Everyone had to dress up with guys in sports coats and gals in business wear and of course it was raining in the morning when we had to go but we didn't get too wet we had breakfast at a bagel shop and went through security of the White House to get in.  And it was pretty Awesome.  The guys that gave us the tours were very informative about the building and all of the stories behind the different rooms we went into.  We got to see the White House from a view that most people don't and even got to see Marine one come and pick up the President.  We presented a photo from a photo contest that we had to thank the guys at the White House.  This part of our trip surprised me the most and I really enjoyed it.  After that we had lunch visited some more sites and went to the house.  We made Supper and had a former White House Photographer David Bohrer come and have dinner with us. Very nice guy and told us his story on how he became one of the White House Photographers and stories about the job.

_MSP2056 Tuesday was Arlington Nation Cemetery and  Sunrise and Sunset at the National Mall and as you can guess this was a long day. We started well before sunrise and went to the Vietnam Memorial and shot sunrise at the Memorial and the Lincoln Memorial.  We went and had breakfast and went to Arlington National Cemetery  a very moving place to be with acres of tombstones and the Tomb of the Unknown Soldier.  Got lots of good shots at the Changing of the Guard at the Tomb of the Unknown Soldier.  Later that day we Went back to the National Mall with the intention of shooting sunset and night time of the monuments.  But there was something we weren't expecting and that was bus loads of Kids coming to the Mall with their schools.  I shot a little at the Lincoln Memorial but then went to the the other end with the WWII Memorial and Washington Monument where there wasn't as many people.  Did get some good shots though. _MSP2238

The Next day was the Georgetown area where we shot the downtown area had lunch and then went to the National Cathedral.  This was my first experience with UBER and UBER drivers.  And I must say all the UBERs that I took on this trip were pleasant rides no problems at all.  The National Cathedral was huge!  I have been to smaller Cathedrals like Duke Chapel in Durham NC. But compared to the National Cathedral is was tiny.  Lots of great art and a good view from the top 7 stories high of the Washington DC area.

Thursday was Museum day Now I din't mention it before but Sunday with the _MSP2366 rain that we had we did go to one Museum and it was the Natural Science Museum which was awesome!  The first stop this day was the Library of Congress.  And let me say that this was one of the top places on my whole trip.  Lots to see from architecture of the building to all of the exhibits that are on display th ere.  A must see if you are in DC. Museums in DC are Fantastic and you could spend a couple of weeks just looking at Museums So we just picked out a couple for this trip because some of _MSP1970
our members aren't museum people. But I certainly am! This day we went to the Art Museum and the Portrait Museum and both were stunning with lots to see. But of course there were bus loads of other people there too. That night we went to China Town to shoot and to get us some good food and we got loads of both.  It is a small China Town but it is very colorful and full of good restaurants !  We had a good night there and got some good photo's.

_MSP2390-HDR Friday was our last full day in DC and we decided to shoot the National Zoo and then we could split up and shoot whatever.  Some of our group went back to Arlington National Cemetery and to the Marine Corp Monument. Others like myself went back to town to the Newseum. The Newseum was the only Museum that we had to pay to get in but it was well worth it .  And it's a museum about News. It covers all types of news from Print, Radio and TV .  Pulitzer Prize winning photographs and their story behind them are there also.  This is a very powerful and moving place. They have an observation deck that you can get a real good photo of the Capitol Building.

The last day before we got on the train home a few of us took an UBER _MSP3067 to the City Center and photographed around that area then we came back just in time to go with the others to catch the Metro to Grand Central and an Amtrak home.  We did a lot of walking and the average weekly mile/steps between everyone's fit bits was about 50miles walked and 140,000 steps taken.  So when you go wear comfortable shoes. I had been to DC a couple of times before but it was always for work and I hadn't really seen the sights before and I really enjoyed this trip.  If you haven't been to our Nations Capitol please do so you won't be sorry.  I can't wait to go back! There is a link below to a Video of our trip by Robert O'Sullivan its Awesome please watch.

2018 Fall Trip Video

_MSP3096

_MSP1021 Hey Everyone!  I'm sitting here while Hurricane Florence is outside.  As of this point we've had over 11 inches of rain and it's still raining.  So I figured I would give you an update to my Mobile Computing Blog that I posted earlier this year.  As you may remember, I purchased a Lenovo Miix 320 for under $200.  My three criteria for a mobile were inexpensive, small and lightweight, and able to run Lightroom.  And this little laptop did just that.  I have used it most of this year when I go camping or on a trip.  But something happened with an update or something, and it really struggled to run Lightroom and download photographs.  If you have been following me on Facebook or Instagram, you know I recently took a little trip to Savannah, GA and Charleston, SC.  Of course I took my camera and took lots of photos, and every night when I went to import into Lightroom it really struggled.  The first night it locked up a couple of times, and I had to restart my computer.  When it finally did go to download, it took maybe half an hour to download 300 photos.  So every night I would spend an hour or two just getting my photos imported, which is not acceptable.  When I got home, I took off all of the extra stuff that computer companies put on a computer trying to free up some RAM so apple-macbook-air-core-i5-8gb-256gb-mqd42hna-13-inch-hd-18ghz-intel-graphics-6000-laptop it would run Lightroom better.  I went to a small festival in town and took 70 photos, and it took me two hours using the little Lenovo to get the photos downloaded.  Now, I could use the little laptop to just transfer photographs from my SD card to an external hard drive without using Lightroom, but with windows you can't view RAW files without an external program to see the photo.  If it did, that would work, but it doesn't.  I still wish this little computer would work, but it just is too weak to use Lightroom so I can cull and process a few photographs while on the road.  It does everything else I want it to do, but just not that.  So I had to find something else for my mobile computing that hopefully would tick all the three criteria that I wanted.  

I am heavily invested in Mac products and the Apple ecosystem.  And if I had to re-invest in another laptop I wanted it to be a Mac. Windows 10 isn't my cup of tea.  So I went on a search for a machine that would work. Good luck!  I looked at refurbished machines, new machines, used ones, and I still would be spending a lot of money.  So I took my advice and bought the best machine that I could afford to do the job that I wanted.  And that was the machine that I mentioned in the other blog, the 13-inch MacBook Air.  This machine did not tick all of the boxes.  The box that it didn't tick was price.  All of the  2563e370f98e53afa59b4ddfed93f621 MacBooks that I looked at, even the refurbished ones, were well over $500.  So I decided if I had to pay that kind of money, I would get something that I liked and that would easily do the job, so I bought a new one (well, a 2017 one).  It has 8gb of RAM, which is well enough to do what I want to do with this machine.  Remember, I don't want to do heavy computing or editing on this computer, just backup cull and maybe quick processing for posting to Facebook or Instagram.  This 8gb RAM and 256 SSD drive works perfectly for what I want it to do.  It ticks the second box, run Lightroom and backup photos.  The MacBook Air 13-inch is considerably larger than the Lenovo, but the weight isn't much more.  The battery life is great, also a plus in mobile computing.  So it also ticked the third box of being lightweight.  So I am happy with my purchase but do wish the little Lenovo worked just for the cost.  So now all of my personal computers are Mac.  The 27-inch Mac is my main computer, the 15-inch MacBook Pro is my backup and home laptop, and the new addition of the 13-inch MacBook Air is for my mobile computing. 

So I should be all set for my Fall workshop to DC with my camera club (Goldsboro Area Photography Club).  I'm also doing this blog on the new laptop.  What will happen to the Lenovo?  I'm sure my grandchildren will end up with it before too long.  So get out and shoot!

luminar_sq_logo_500 Hey Everyone!  Today I want to talk about a new (new to me) photo editing software called Luminar from Skylum.  I have been hearing about this software for a while, but being an avid Lightroom and Photoshop guy, I wasn't looking for anything new.  So I just ignored it.  I was browsing YouTube and saw a tutorial on Luminar and gave it a look.  I was intrigued  with some of its features but still skeptical.  So I started researching and found out a lot about the software.  Now don't get me wrong, I am no expert on Luminar.  I have used it for just a few days on a few photos, but here is some of what I have learned.

Luminar can be a stand-alone program or can be used in conjunction with Lightroom or Photoshop like a plugin.  As of right now, it is not a Digital Asset Manager (DAM) like Lightroom is, but it is supposed to have a DAM in the near future.  It does all of the editing things that Lightroom can do and more.  It can also do "Layers" like Photoshop can, but it's a lot easier to do than in Photoshop.  This is not a replacement for Photoshop.  It cannot type in text or do a lot of the things that Photoshop can do, but it is another tool in my photo editing tool belt. 

_MSP0258 Walking down the PathWalking down the Path First edits with Luminar as a plugin to lightroom. I think I'm going to like it. #MaxStansellPhotography #funwithphotography #Getoutandshoot #awesomestuffisee #SonyA6300 #alphashooter #NorthCarolinaPhotographer #NorthCarolinaLiving #visitNC #NorthCarolina
 

Luminar uses presets and filters to edit photos.  Presets are much like Lightroom.  Presets are on the left hand side of the Develop module, but they are more adjustable than the ones in Lightroom.  You can individually tweak the adjustments and overall opacity of the preset to get the look you want.  Like Lightroom, you can import presets that others have made or make your own.  There are some free ones on the Skylum website and of course ones you can buy also.  If you don't want to use presets, you don't have to.  You can go straight to editing the photo with filters, or you can add filters to the preset if you like.

_MSP7905 Fort Fisher SunsetFort Fisher Sunset Taken earlier this year and processed with Luminar. #MaxStansellPhotography #funwithphotography #Getoutandshoot #awesomestuffisee #SonyA6300 #alphashooter #NorthCarolinaPhotographer #NorthCarolinaLiving #visitNC #NorthCarolina

Filters are on the right hand column of the Develop module of Lightroom, where you have the Histogram, Basic ,Tone Curve, HSL panel etc... There are a lot of filters to choose from, 50 I believe, and there are some really cool ones.  With filters you can use them globally, or you can brush the effect to a certain part of the photo.  You can layer the filters like you can do layers in Photoshop.  There are some unique filters that are worth the price of the software.  Filters like "Orton Effect" or "Sunrays" are awesome.  I'll show some before and after pictures of some of the photos I have done so you can see what you can do.

This software is a one-time purchase of about $60 depending on what kind of discount you can come up with. This will let you put the program on five different computers.  It is not a subscription-based program like Lightroom and Photoshop.  It is much like other HDR programs or Googles Nik Efex programs. 

My overall first impression is that I really like it.  Will it replace Lightroom for me?  I don't think so.  I've used those programs for so long it would be hard to change.  But I do think that for someone starting out in photography that this would be a great photo editing program, especially when they get the DAM (Digital Asset Management) working.  So if you're looking for something to get your creative juices flowing, this is a great tool to put in your digital processing tool belt.  Keep shooting!

_MSP028014mm, 12mm, 24mm Hey everyone!  I just added a new lens to my kit, the Rokinon 24mm f2.8 AF (Yes, Auto Focus!) lens.  If you don't know the name Rokinon in lenses, you're in for a treat.  Made in Korea by Samyang Optics, the Rokinon name is for lenses sold in the US.  Everywhere else its name is Samyang.  I don't really know the reason for this, but it's the same lens.  I have used Rokinon in the past, and they are known for their inexpensiveness, sharpness, and build quality.  They are built like a tank.  The other thing that they are known for is that they are mostly manual focus lenses and just in the last year have started putting _MSP0283 out AF lenses.  I have been pleased with the quality of the lenses that I have had in the past, and when I saw this one I had to give it a try.  I own a 14mm f2.8 that I used when I had my full frame Nikon D800, and it was awesome!  I used it for wide-focus situations and night photography.  It is a very sharp lens!  When I changed my camera setup to crop sensor Sony A6300, I got the 12mm f2.0 lens with the Sony mount, another very sharp lens, and I use it mainly for astrophotography.  Both of these lenses are manual focus.  But with this wide of a focal range, the depth of field is very large and easy to focus with a manual focus lens. 

WaitingWaiting, Raleigh Union Station. First outing with the new Rokinon 24mm 2.8 on my Sony A6300. Very happy with it so far. #MaxStansellPhotography #funwithphotography #getoutandshoot #awesomestuffisee #northcarolinaphotographer #northcarolinaliving #sonya6300 #alphashooter If you have been following me on Instagram or Flickr, you know that recently I have been shooting a lot of street-type photography.  I have been doing a lot of photo walks of different towns and cities.  Now I'm going to start talking about effective focal length of some lenses.  Let me explain.  On a full frame camera, the effective focal length of a 50mm lens is 50mm.  But on a crop sensor camera like mine, the sensor size is 1-1/2 times smaller than a full frame sensor camera, so you must multiply the focal length of the lens by 1.5 to give you the full frame equivalent size.  Sorry for the photography geekiness.  For my street Steel and ShadowsSteel and Shadows taken between the Dillian and the Raleigh Union Station #MaxStansellPhotography #funwithphotography #getoutandshoot #awesomestuffisee #northcarolinaphotographer #northcarolinaliving #sonya6300 #alphashoote photography or photo walks, my kit is very small, and my main lens has been a Sony 35mm f1.8 lens (52mm effective focal length).  This is a great lens but tends to get a little tight in certain situations.  The other lens that I carry with me is a Sony 10-18mm f4 lens (15-25mm effective focal length), which is great for architecture-type photography but too wide for everything else.  So I started looking for something in the middle and couldn't find anything in the Sony line up that would give me approximately 35mm effective focal length, which comes to about 23mm.  Then I came across the Rokinon 24mm f2.8 AF lens that has just came out a month or so ago.  I got on B&H photo website and found that they haven't even shipped yet in the States, so I went and ordered one.  And by luck it shipped the next day. This lens gives me the focal length that I was looking for in between my 10-18mm and the 35mm that I have, and so far it's the perfect focal length for street photowalk-type photography.

It's a small lens, which is great for my kit!  It keeps the weight down.  It's just a little bit smaller than my 35mm and it's lightweight.  The autofocus is very snappy with little or no distortion that I can tell.  I took it to the Raleigh Union Station yesterday to try it out, and it worked great, just wide enough to capture the scene but not too wide.  I have some sample photos here so you can see the sharpness of the lens and the difference between my 35mm (effective focal length 52) and the 24mm (effective focal length 36mm).  So if you're looking for an affordable alternative to the more expensive lenses, I recommend the Rokinon line of lenses.  So get out and keep shooting!

_MSP0212 _MSP0213

_MSP9732 I started taking photographs with my mom's Kodak Brownie camera when I was a little boy, and that really sparked something in me with photography.  I think we had a few other cameras in the house.  I remember a Polaroid camera, but my first real camera was a Pentax K1000 that I bought from Sears picking it out of the catalog.  They actually had a photography catalog.  I saved my money, and for $99 I got it.  And like any other teenager I took photos of family and friends.  I kept that camera that I bought in the mid '70s until 1981 when I  sold it.  I replaced it with the Pentax MX, an upgrade from the K1000.  It was produced from 1976 until 1985 and was Pentax's Flagship _MSP9733 Professional SLR until the introduction of the Pentax LX.  This is a fully mechanical camera and manual camera.  It has a button battery that operates the light meter only.  This is a great student camera.  And it is built like a small tank, much smaller camera than Canon and Nikon cameras in 1976. I have a Canon Canonet 19 Rangefinder camera, and the Pentax SLR is much smaller that it is and about the same size of my Sony A6300 mirrorless camera.

Because I have started my film project this year, I have started using it again and it works as well as it did when I first got it in 1982.  I did replace the light seals, but mechanically it is very sound and the best of my film cameras to date.  I have an assortment of lenses ranging from 28mm to 500mm, but my favorite is the 50mm f1.7 and a 35-70mm push pull zoom I have for it.  This camera just makes shooting fun.  You can find them on Ebay now, but they are not the most popular cameras around.  But you can find them fairly cheap.  Don't think I will ever part with mine.

_DSC0012-Edit-2 Old Eyes

_MSP9722 Hey everyone !  A couple of weeks ago it was International Camera Day.  I was looking for a rangefinder type camera, preferably one from the 1960s.  So I put a request in my camera club's Facebook page, hoping one of the older members had one stuck in their closet that they hadn't used in a while and wanted to part with it.  I got one answer from one of the newer members saying he had picked some up in an estate sale but he didn't know anything about them. (He had two.)  So he said that he would bring them to me at the next club event.  When we had a scavenger hunt, he brought out a shoe box with a whole bunch of camera stuff old lenses, meters, and the two cameras.  I must be honest.  I had _MSP9723 never seen cameras like this before.  They were heavy,    square-ish, black, and had gears on the outside of them.  So I told him I would have to do some research on them.  He said, "Just take them and let me know what you find out."  He said he got them for $20.  So I started my research and found out that one of them was a 1942 Argus C3 Rangefinder, and it had a 50mm lens on it.  The other one was even older.  It was a 1939 Argus C2 rangefinder that had a 100mm lens on it.  They shot 35mm film and had the nickname the "Brick."  Now I have just got back into film and these were 35mm cameras.  Could I clean them up and they work?  I got online, found operation manuals, and learned all I could about them. These are some of the fun facts I found out.

-They were produced from 1938-1966 in Ann Arbor Michigan.

-They have interchangeable lenses (but they are a pain to change).

-They had three lenses:  a 35mm, 50mm, and 100mm that you could buy for the camera.

-They cost $35 originally, which is over $600 in today's money equivalent.

-They are made primarily of Bakelite Plastic and Metal Castings.

-They have two viewfinders:  one to focus with and one to compose your shot with.

-They have no metering system, so you use an external meter or use the Sunny 16 rule to set exposure.

_MSP9725

So I cleaned the best looking one out of the bunch, the 1942 model, and made sure everything worked by using a dummy roll of film that I have to practice loading and advancing the film and shooting the camera.  After I felt confident on the operation, I loaded it up with fresh film and took it into the back yard.  I did find it difficult to get it into focus.  The focusing viewfinder and the composure viewfinder are small.  And while rewinding the film after I was through, I only rewound 1/2 of the roll when I opened up the back (oops) and ruined half of the roll.  But I developed it anyway and got just a few in focus out of that half of a roll.  Hey, but it was a 76-year-old camera and it worked! 1942 Argus C3 Test Shot  Now, am I going to use the camera to take photos?  No, it will be a shelf decoration.  But I know it works and it was great fun finding out about it and its history.  Oh, by the way, I asked my photo buddy what he wanted for the cameras, and he said I could just keep them.  He only had 20 bucks in them.  Thanks, John!  So when you find an old camera that you want to put on your shelf for decoration, find out all you can about it.  It's great fun, and you'll enjoy your decoration even more, especially when someone asks about them.  Get out and shoot!

Bell & Howell /CannonHere is the new addition to my film cameras . 1961 Canon Canonet 19. The Canon Canonet 19 is a sleek retro looking camera with great lines and a non-cluttered look.  It was the first of the Canon Canonet line of cameras.  The Canonet line ran from 1961 through the mid-'70s and was the first attempt at making cameras for the everyday man that wasn't a professional photographer.  Up until this camera, Canon was making Leica copies with minor variations.  Canon wasn't the strong brand that it is today.  A rangefinder type camera, Canon had only made one SLR to this point.  Rangefinders were still king.  This camera is a 35mm film camera with an auto function (shutter priority) and a light meter with no battery!  It has a 45mm f1.9 lens and a leaf shutter, which makes this a quiet camera to use.  This camera is great for street photography and everyday photography with a bright and large viewfinder as rangefinders do.  As you can see by the Bell & Howell/Canon logo, Canon partnered with Bell & Howell to make this camera.  Bell & Howell was a motion picture camera maker based in the United States.  But make no mistake, this is all a Canon product.  This camera can be shot in manual, although the meter doesn't work when in manual so you would either have to use the Sunny 16 rule or an external meter.  Here are some of the features. _MSP9739

-35mm film and can shoot to ASA 200 in auto.  In 1961 ASAs didn't go very high.  But with a lens with a f1.9 aperture, shooting in room light at 1/60 isn't a problem.  In manual you can shoot any ASA you want.

-Slenium Photocell wraps around the lens element so any filter that is placed on the camera the photocell see's through it so no compensation is needed.  Also no battery is needed.

-The camera in auto will not let the shutter work if the exposure isn't right.  You can push on the shutter button but nothing happens.  So in auto you can't shoot under or over exposed.

-The viewfinder, like most rangefinders, is bright and large.  Since you're not looking through the lens, frame lines are drawn to show what will be in the frame.  Also the aperture setting is at the bottom of the viewfinder to let you know what aperture you're at.

_MSP9738 - Self-timer.  This camera has a self-timer that is about 7 sec long.

-The film advance lever is located at the bottom of the camera giving the top of the camera clean lines.  It's in an odd place, and Canon moved it to the traditional top of the camera in later models.

This camera was touted as the poor man's Leica and sold off of the shelves.  You can still find these in yard sales for a great price, and they are great lightweight walk around cameras.  These are the cameras that gave Canon its popularity from the common man.  Still getting used to mine, but so far I love it.  Right now it's a 57-year-old camera that still takes great photos and looks great doing it.  Get out and shoot!

Old Eyes I have started shooting film again. Why, you ask?  I began my photography obsession many years ago in the mid '70s, which is when I bought my first film SLR (Single Lens Reflex).  Of course, back then there was really no choice, just film.  So I shot like most teenagers do, taking pictures of friends, family, and events.  I always had my camera nearby.  I only knew enough about photography to get a good exposure, and that was about it.  As I grew older, joined the military, and got married, I started taking photos again and got a little more serious.  In the mid '80s I was shooting color slide film and developing it at home.  I did that for a while.  Later in the late '90s and early 2000s, I was shooting black-and-white film, developing and printing at home.  This was a big operation and labor intensive, especially when you make your one-and-only bathroom a darkroom.  When digital came out, I jumped on it full bore and set my trusty fully-manual SLR on the shelf, and that's where it has stayed for 15 years.  I had been shooting manual for so long I had to learn how to shoot aperture priority and shutter priority and all of the fancy stuff that cameras were doing.  It was like I was learning all over again how to shoot a camera.  I started with a point and shoot and worked my way to the biggest, baddest camera Nikon had to offer and all of the lenses to go with it.  I had to learn how to process my photographs in Lightroom and Photoshop.  Slowly, but surely, I started to go away from the big full frame cameras and started shooting mirrorless crop sensor cameras.  And I loved the way they felt in my hand, like 35mm SLRs did.  And I just love my mirrorless camera and lenses. IMG_1114

But something was missing.  I can't put my finger on it, but it was the sound that a mechanical camera makes.  The weight of the camera.  Rewinding the film.  The analog process I was missing.  I listened to a podcast called The Digital Story by Derrick Story, and he also has a blog The Analog Story.  I listened and started to get excited about film again.  I wanted to crank that crank and manually focus and turn dials that clicked.  I wanted to shoot film again.  I've heard that shooting film will make you a better digital photographer.  It will slow you down.  I don't want to go fully to film.  I will always be a digital photographer first, but I do want to shoot some film when the occasion suits.  How to go about it now in the digital age when film is kind of scarce?

First, I got my old trusty 35mm Pentax MX off of the shelf and cleaned it up well.  I had to replace the light seals that go around the door.  Those are the little felt or foam pieces that keep the light from ruining your film.  That was a chore.  It took me a couple of times before I got it right, but I did.  What about the light meter in the camera?  Was it any good?  The only way to find out was to get a roll of film, shoot it, and get it professionally developed.  I went to my local Walmart and guess what?  Film was on sale -- four rolls for five bucks!  So I bought 2 ,8 rolls of film.  I shot a roll of film in a couple of days and took it to Walgreens to get developed.  Well, things have changed in 15 years.  They have to send your film off, so it takes a week to get it back.  But not really because they don't give the negatives back.  You just get a CD with the scanned JPEGs on them.  All for 15 bucks!  I  was not a happy camper over the price.  But when I got my photos back, they were all correctly exposed!  So yay!  Light meter works and is accurate!  Now, I can't afford 15 bucks every time I shoot a roll of film, so I had to come up with a way that I could develop them myself.  I had never developed color negative film before, but I had done black and white and color slides.   I had all of the equipment.  I just had to get the chemicals and learn how.  So I did.  I developed my first roll of film, and it worked out great!  I had color negatives! 

                                                                                                   So now I have color negatives that I need to get scanned into my computer so _DSC0012-3 _DSC0012-Edit-2 I can get them into Lightroom and Photoshop and print.  But how?  I really don't have a scanner that can do a good job.  I don't want to spend any more than I have to.  So I decided to use my mirrorless camera to scan the negatives to get them into the computer.  I used my iPad with a white background to produce the light that shines through the negative.  I had an old film holder that I had from the black-and-white days to hold the film, and I used my Sony A6300 and an adapted Nikon 60mm macro lens that I have to focus manually.  I had the camera tethered to my laptop so I could look at the negative larger to make sure it was sharp.  And it worked!  I don't know If I'll keep using this system.  I would like something that autofocuses because my old eyes don't work like they used to.  But for now IMG_1118 this will do until I find a better way.

Now they're in the computer, but still a negative, so there was some processing that needed to be done.  The image needed to be inverted to make it a positive image. That could be done in Photoshop.  The colors also needed to be adjusted because negative film is made to be projected onto film paper, and the color cast are made for that.  The first couple of times I did all of this manually.  There are programs that will do this for you.  Of course they cost money, and I'm trying to do this on the cheap.  I did some research and found a free action that will color correct you photos in Photoshop.  It does a pretty good job, better that I was doing manually.  It's good enough now that I can live with it.  Later on I may want to upgrade to a software that does a better job.  So after I get everything into Lightroom, it's just like all my other photos.  I can go through my regular work flow and can publish to Flickr, Facebook, Instagram, or even print if I want.

It seems like a long process and it is.  But I really enjoy it.  Analog photography is like listening to LPs on a record player, maybe not as clear and it has pops and scratches.  But to me, that's what makes it great.  That's all for now.  Keep shooting!

Podcast In my current "real job" I do about an hour or so commute every day to and from work.  To occupy my time, I have listened to the radio, audio books, iPod, and all sorts of things to keep my mind working on these two boring hours a day.  I'm kind of slow to learn new things, and I have only found out and started listening to podcasts for about a year now.  I only listen to photography-related podcasts, and I do have some favorites that I will share with you later.  Photography podcasts are a great way to learn new things, photography news, tips and techniques, and learn from more experienced seasoned photographers. So for these two hours a day, I'm doing photography.  Maybe not taking photographs, but getting inspired to take photos or about new gear or to try a new technique.  So here are my favorites. Itunes podcast

1. The Digital Story Photography Podcast.  This Podcast is currently my favorite and has over 600 episodes that last about 30 minutes each. Derrick Story, a California-based photographer/Author/workshop instructor, covers a variety of different topics related to photography.  He also runs The Nimble Photographer and The Analog Story blogs.  He is truly a great storyteller and a pleasure to listen to. He is into lightweight gear and shoots Micro 4/3's cameras.  He is the one that got me back into film photography again.

2. The Landscape Photography Podcast.  This podcast is about landscape photography and is hosted by Nick Page, a Washington State based photographer and a young photographer that has become pretty famous in a short time.  He also has a YouTube channel where he will take you with him on his trips around the west coast and abroad on workshops shooting landscapes.  His podcasts are very informative and funny at times.  He does interviews with famous landscape photographers.  His photo editing tips and tricks with luminosity masks have helped me a lot.

3. Tripod.  If you like Nick Page, you will like this older podcast.  This podcast was done by Nick before he got his own show, and it is much like the landscape photographer podcast.

4.  Recompose Photography Podcast.  This is hosted by Juan Pons and Andy Williams, two very seasoned and famous landscape and wildlife photographers.  Based out of the Northeastern US, they conduct workshops all over the world.  They formerly ran the Alpha Mirrorless Podcast for the TWIP (This Week in Photo) network, which is also a great podcast.  They go over tips and tricks and gear.  Super podcast.

5. Photo Taco Podcast.  Hosted by Jeff Harman, a California-based photographer/instructor, this podcast covers a variety of subjects from backing up your photos to astro photography. Very informative. This is a part of the Master Photography Team.

So these are my top five podcast shows, and here is a list of good shows that you may also like. logopodcast

1. Master Photography Podcast.  This podcast has different topics from travel photography, portraits, landscape, street photography, and the business side of photography.

2.  Photography Tips from the Top Floor.  This is a podcast that originates from Europe and is very good.  It almost made my top five.

3.  The Candid Frame.  This podcast centers around interviews with famous and up-and-coming photographers.  This podcast has been around for years and is very interesting.

4.  This Week In Photo  Another well-established podcast with over 500 episodes. 

5. Picture This! This is a podcast by Chelsea and Tony Northrup.  Both photographers and instructors and very big on YouTube.  They usually have a different perspective of topics and are very funny.

These are abut 10 podcasts to listen to.  There are a lot more, but these are my current favorites.  Podcasts are good to listen to while you're doing house work or yard work or even editing photos.  They are a good source of info and keep your head in the photography game.  So try them and keep on shooting!

Elvis in Window "I only shoot in RAW because only amateurs will shoot in JPEG."  Have you heard this or something simular to this?  I have and I probably have said it myself.  Don't get me wrong.  I still think shooting RAW is the best way to shoot.  But what's wrong with a JPEG?  That's what you see when you look at your photo on the LCD screen of your camera.  And I bet that's what you see 99% of the time on your computer and mobile device.  So why shouldn't we shoot in JPEG too?  How many times have you gotten home after a shoot and what you saw on the back of your camera is what you wanted in the first place and you had to spend time processing your RAW photo to get back to the JPEG rendering that was on the back of your camera?  I know I have.  We have very powerful cameras that we have paid a lot of money for.  The technology of these cameras is amazing!  We have WiFi and all of these modes that we can shoot in.  But if you're like me, you're shooting in RAW and spending time on the computer changing photos to get them to look like what's on the back of your camera or changing them to B/W.  Why don't we let the camera do this for us?  I listen to a lot of podcasts (a future blog), and I started hearing about shooting in RAW+JPEG.  And there are some really good reasons to do so.  This weekend I shot in RAW + JPEG for the first time, and I loved it!  Flag Sail

Shooting in RAW+JPEG lets you use the power of your camera for processing your images.  First, you shoot in RAW because of all of the reasons that you've always heard about.  You can correct all of the mistakes better, you can change the white balance on the fly, you can do a lot of stuff with a RAW file that you just can't do with a JPEG.  But at the end of the day how many photographs do you really do all of this heavy lifting of the shadows and really working the photograph?  The answer for me is not much.  This weekend I went out with my photography club and I took 300 photographs.  Out of those 300, I really only had to work hard on one photograph to make it look the way I wanted.  And I had the RAW file to do that with. When you shoot RAW, what you download onto your computer isn't what you saw on the back of your camera.  So you spend time getting that RAW image to look like the JPEG that you saw.  Why not just use the JPEG if it looks the way you want it to out of camera?  Why spend the time making the RAW look like your JPEG?  Just use the JPEG.

_MSP9038 I love black and white photography.  When I shot film, that was what I shot most of the time.  Did you know you can set your camera up to shoot RAW + JPEG and then set your camera profile to shoot B/W.  You will now get the RAW file with all of the color and all of the info and a JPEG in B/W.  You will also see on the back of your camera the photo in B/W.  And I'm telling you the JPEG rendering is very good!  Your camera company has spent a lot of time and research money to make them look great!   The most work you'll have to do in post is crop.  Depending on your camera you may have many modes:  portrait, vivid, B/W, sepia, sunset, and many more to play with.  This will free up your creativity because you know you always have that RAW file in the background if you need it.

Using WiFi and posting to social media.  Posting to social media is what I do with most of my photographs.  Cameras have been out with WiFi for quite a while, but how many of us actually use them?  I must admit that I don't use it often.  But using the JPEG file makes it easier because there is less processing that needs to be done, and the file is smaller and easier to transfer via WiFi.  I did this this weekend (Memorial Day Weekend).  I went to my local Veterans Cemetery and took some shots of the tombstones with the flags.  I sent the JPEG to my phone using WiFi, sent it to "Snap Seed" to do a little crop, and then sent it to social media.  And it looked great!  I could have done this with my iPhone, but I wouldn't have gotten the shot I wanted.

Would I do this for all types of photography?  No, I wouldn't.  I wouldn't do this for portrait photography.  Landscape? Maybe. Sports, no.  I would shoot JPEG.  But photography like travel, urban, street, and almost anything else I would.  And I will.  So the next photo walk you do, try RAW+JPEG and see what you get.  You'll be surprised.  Have fun and keep shooting!

Screen Shot 2018-02-03 at 7.16.10 AM Hey everyone!  I have done a few blogs and videos on different portions of my process but haven't really gone through the whole thing.  So just imagine that you've just gotten back from an outing of shooting and you have taken all of these great photos.  You've looked at them on the back of your camera, but you need to get them off and into your computer for processing.  I shoot in RAW format.  But when looking at the back of your camera, you're looking at JPEGs which have been compressed and have been processed by your camera.  So if you really like the photo that's on the back of your camera, you still have some work to do to make the RAW file with no corrections to look like the back of your camera. We also want to safeguard our images, make backups for safety in case of equipment failure.  So now you have your SD card with all of your images on it.  This is Copy 1 of your images.  Let's get the images onto your computer.

Import into Lightroom

Getting the images onto my computer, I will hook up a card reader and insert my SD card.  I use Adobe Lightroom to do almost all of my editing and all of my organizing. I have made a video that is a couple of years old, and it's basically how I do things now, except I don't store any of my photos on the hard drive of the computer.  I keep all of my photos on an external drive.  I also just copy to my external.  I "don't copy as DNG."  I still like the DNG, but it takes too long to convert.  Everything else is basically the same.  Lightroom stores everything in catalogs.  I have one master catalog that has all my images through the years in it.  It is stored on my main IMac computer.  When I'm traveling or camping, I have a mobile catalog that is stored on an SSD external drive so I can edit and cull photographs while I'm away.  When I get back home, I can transfer those photos back to the master catalog with all my edits from my mobile computer/laptop intact.  Think of the Lightroom catalog like your iTunes library.  All of your images edits are kept there like all of your music on iTunes library.  Notice I said all images "edits" are kept there.  Your original RAW files are still on your hard drive, whether it's internal or external. Here is the link to the import video that I have on YouTube.  

Importing into Lightroom

Library Module and Culling

After you have your photos in Lightroom, the culling process starts.  This is choosing the best images (the ones you want to process).  This can be Arrows and blocksArrows and blocks. Correlation of the parts. Relations. a big job!  If you say took 500 images, out of those images you'll probably only have maybe 50 at the most that are worth processing.  So getting down to the 50 or 20 good photos that you want to process is culling.  There are many ways to do this, and you kind of have to figure this out for yourself.  But this is how I do it.  I go through four or five images at a time and pick the ones I like by rating them to a "1" rating.  I do this very quickly, and here is my logic for this.  When you walk into a room full of people, it doesn't take but a few seconds for you to find the prettiest/most handsome in the room.  Our mind's eye picks out the person in a flash and will also find the best photo in a flash.  Now after going through the photos, I have knocked out the 500 number to about 100 real quick.  Then if I need to I'll do it again and rate a 2  to the best photo and I have knocked the images down to 25.  I can process those photos and then I can pick all of the unrated photos and delete them.  By doing this you will keep the number of useless photos down and keep the speed of your computer up.  Now, I don't get rid of everything.  If I have photos with family or friends in them, I usually keep them.  But the rest of the unrated photos are deleted.  I don't need 50 shots of the same tree that I will never use taking up space on my computer.  One or two will do.  Here is a video that I made a couple of years ago on the library module and my culling process.

Library Module and Culling 

Processing (Five-Step Tango)

tango-party-design-poster-vector-illustration_10083-26 My processing  procedure has not changed in many years.  I use a process called the five-step Tango that I hijacked from a photographer/teacher, Jack Davis, a long time ago, and it works well for me.  I usually take less than five minutes on most photos to process unless I'm doing a portrait or a composite that will take longer when I bring it into Photoshop. Some people really get into this portion of the workflow process and that's great.  But for me, the least amount of time I spend on the computer after a shoot the better.   I have a couple of videos on processing that I will link here also.  Here is the link to the YouTube videos.

Five Step Tango

Lightroom Develop Module Part 1

Lightroom Develop Module Part 2

Exporting Photos

fb-art Now that you have your photos processed, what next?  How do you share what you have done so far?  In the film era, you sent your film away or you processed it yourself and had prints made.  Today you have many options.  You can share with family and friends many ways through the internet.  Facebook, Instagram, Flickr, 500px are just some of the ways you can share your images.  What about prints?  What about Canvas?  Putting your photos into calendars, cups, stickers?  For me personally, most of the photos I take flickr and process are shared through the internet with the above-mentioned websites and of course this site!  I love to see the feedback and ratings I get from these sites and friends.  I also create a couple of canvases and I do print small for my house or family and friends, usually 5x7 and 8x10's.  But what about the future when I'm long gone?  I think prints are one way for future generations so see my work.  I've also started making books.  We did this for an end-of-year project this year with my camera club, and it was pretty great.  So that's one project that I will be doing yearly and maybe for large trips in the future.

Storage

I still have my original RAW photos on my SD card.  I also have another copy of them on my external drive that I have been using for all of my edits.  In the digital age at least two copies of your work is needed to be safe that you don't lose what you have done.  So now I have to place the SD card back into my camera to use again.  So I will need to format the card which will erase all of my RAW data, and I will only have one copy of my images.  I have done many backup strategies in the past, and the one discussed in my last blog post Backup Strategies (check out that blog for more detail)  is the one that I use now.  Backing up to a cloud-based storage.  That backs up my main computer and external drives.  But what about my laptops and mobile devices?  I also back those up to external drives every couple of weeks or so using time machine or PC's backup program.  I'm real big into backups after I had my Macbook Pro have some problems with a video card and I had to have the motherboard replaced.  I had just done a backup of my laptop.  So when I got it back from Mac, I just ran a restore and it was back to where I left it and I didn't lose anything.   By having one copy of my files at home and one on the cloud, if anything happens like a fire, a hard drive crash, or a stolen computer, I still have a backup on the cloud.

I hope this helps in some way and doesn't confuse anyone.  This is my workflow process, and it works for me and for what I do in photography.  I am not a professional photographer, just a photography enthusiast/hobbyist who loves to share.  Keep shooting!

_MSP6749 Hey Everyone! Hope everyone is dealing with the cold weather better than I am.  As I get older the cold affects me more than it used to.  Anyway, this blog is about my mobile computing solution.  I have two main computers.  Both are Macs:  my iMac, which has a 27-inch Retna screen which is awesome, and a 15- inch Macbook Pro that is awesome!  It's an older one, but I have upgraded the ram and the hard drive and it's quick and works great. To replace it would be very expensive with a new model, and then to have it broken or stolen would break my heart.  And it's pretty large and heavy compared to newer models.  So I wanted to get a mobile computing device that ticked three boxes. Box 1, it had to be inexpensive so if it broke or got lost not a big deal.  Box 2, it had to be small and lightweight.  And Box 3, it had to be able to run Lightroom so I could backup files to an external hard drive.  So I went on a search for the machine that would tick those three boxes.  And let me tell you that was hard, but I finally made a _MSP6753 decision and went with a machine that will work.

The machine I went with was the Lenovo Miix 320.  It is a 2-inch laptop/tablet with 4 gb ram and 128 SSD hard drive.  The operating system is Windows 10 64bit with a 10.1 display at 1920x1200 resolution. It has a detachable keyboard and can be used as a tablet. I got this machine refurbished off of Ebay, and it looks like brand new.  I was a little nervous ordering it off of Ebay, but everything worked out okay.  This little machine has ticked all of the boxes mentioned above.

Box 1, had to be inexpensive.  My goal was to try to keep the price under $300, which is almost impossible, so that's why I went with refurbished.  That actually kept the price down and brought in all kinds of computers that were available.  I wanted a laptop that had a real operating system not a Crome Book that are selling for the price range that I want.  This machine came in at $199!  Tick!

Box 2, small and lightweight.  This little 10-inch screen machine only weights 2.2 lbs.  It does have a small screen, but the resolution is great and sharp.  The keyboard is crunched together a bit, but it has full-sized keys and doesn't take long to get used to.  It's small enough to go into a small backpack or small shoulder bag. Tick!

Box 3, has to be able to run Lightroom and make backups to an external drive. This is probably the most important box of all.  The minimum ram requirement for Lightroom to run is 4 gb of ram, which this machine does have, just does. That's one of the reasons I wanted an SSD to increase the speed.  It does run Lightroom.  I won't be processing a lot of photos on it, but it's nice to know I can without any problems. The machine comes with 2 USB 2 ports and one USB C port, so transferring files via USB works fine. Tick!

_MSP6755 So this machine handled all of my criteria for my mobile machine.  Would I love to have a 13-inch Macbook Air?  You bet.  But they just cost way too much.  If money weren't a factor, that's the way I would go.  But it isn't.  I'm really surprised at how well this little computer works.  Browsing the internet and all other regular computer functions, this little computer works great.  It runs Lightroom well enough to process photos, cull, and backup with no problem, although it is a little slow but not that bad. I think that this little machine will work well for what I need when I go camping or on a photo outing without worry of theft or breakage.  I'm not really promoting any brand or operating system because I'm a die hard Mac guy, but for this purpose I hope this little machine will be the ticket!  Only time will tell.  Keep shooting!

Hey 

First, let's talk about mobile backup.  When you're on a vacation, trip, or workshop that lasts a couple of days, how do you back up files? In film days you didn't.  You just put your roll of film in a safe spot and hoped for the best.  With digital it's good to have multiple copies of your files for safety when the storage device you are using fails, and they will fail.  Here is the system that works for me and how I back up my files.  First, let's say I'm on a week-long workshop somewhere very remote, no internet or phone service, just beautiful landscapes everywhere.  My first backup is my SD card.  I have purchased enough of them to last a week.  SD cards are pretty cheap now.  You can get them wherever you see a sale, and before you know it you'll have quite a few.  Before my trip, I format all of my cards and put them in a card case that I have labeled Day 1, 2, 3 etc... On day one I use the Day 1 card.  At the end of the day, I back that card up to an external drive that I take with me, then take the card and put it in the case and put the card labeled 2 into my camera and am ready to go.  I don't format anything while Im on a trip.  Now I have two copies of my images from Day 1.  Pretty simple and fairly inexpensive.  When I travel, I have my cards in one bag and my external drive in another.  The external drive doesn't need to be real fancy.  You can get one for 50 bucks, give or take.  If you get an SSD external drive, it will cost a little more, but for speed and durability I would recommend it.  These external drives don't need to be huge. They could be 250-500 gig because they are only temporary until you get home to back them up again.

At home, back up.  I have gone through so many different strategies for backing up files.  I have bought external drives, put files on CDs and DVDs, and tried to mirror external drives, but I really haven't found a system that has really been easy or efficient until now.  First of all, let me say that most people save way too many images.  For example, if you took 20 photos of this spooky tree and you picked one image to process and used that one for making a canvas five years ago, why are you keeping the other 19 that you didn't like then and haven't used since?  DELETE them!  Save space, time, and effort backing them up.  Now, I'm not talking about family photos.  I keep all photos of family members that are halfway decent.  I do.  But workshop or just riding around photos, cull out the ones that you know you're not going to ever use again. What I usually do when I import photos into Lightroom after a shoot is I go through them, and the ones I like I'll give them one star.  I then will go through those and cull even more, etc... At the end of the year, I'll go through all my photos, and anything without one star I get rid of.  I'm probably not going to use anything after a year anyway. So that's step one. Get rid of excess.

Step two has changed over the years.  Let me start by saying there are many ways to back up your files, and my way is by no means the best for everyone, just best for me so far.  The most important thing is to back up your files.  No mater how you do them make a back up of your art. My first backup plan was like most of your plans I had none! I put everything on my hard drive with no backup incase of drive failure.  Of course as my drive got full my computer slowed down so I had to find a way to get files off of my computer.  So I started making CD's with files on them.  I would take older folders of photo's and put them on CD's and that got them off of my computer but still didn't have a backup.  Then I got my first external drive and I would put one copy of my photo's on computer and one on external drive my first real backup. But I didn't have a backup of what was on the CD's.  So then I got another External drive and Copied all of my files from the CD's to the external drive and copied my external to the other external drive. Now for the first time I actually had a backup of all my files.  But how to keep the backup? Thats the trick it actually takes me to physically make the backups.  Which if your like me "Lazy" its hard to do.  So then I tried to import to both drives but then I had raw files on one drive and processed files on the other.  What to do?  I want a system that will be simple.  I want a backup that is safe away from my active backup (the one that I'm using in Lightroom).  

I'm on a podcast listening craze for the last couple of months and one of the podcast that I've listen to was Alpha Mirrorless with Juan Pons and Andy Williams.  Both are wildlife and Landscape photographers that travel half of the year and I've pretty much copied what Andy Williams does for his backups. You can listen to their backup episode #17 which gets into detail. So I've just started a cloud based backup system through a company called BackBlaze which can automatically back up your computer and any external drives connected to them for 50 bucks a year. There are many more companies that do this but I used this one on the advice of Andy Williams and Juan Pons.  What I like about it is I don't have to think, its simple I don't have to take the time to make the backup.  If something should happen to my system you can retrieve from the cloud or they will ship you a external drive with all your files on them.  They have been in the business for quite a while with a good safety reputation.  The only downside of this is that it takes a while for the initial download of all your files.  Im still in that process but after the initial it should be fairly quick.  Then Ill have a copy at my house and one away from my house incase of a fire theft or computer crash or whatever. And I can access from any computer anywhere to download a file.

Thats pretty much my system when I import to lightroom from my SD card or from my mobile external drive (I keep my photo's on external drive not computers hard drive) it goes to my drive and will be backed backed up by Backblaze on the cloud. I have tried to make my back up plan like my camera situation by making it simpler, smaller and more efficient.  Again this is my system use any system you want but please use a system and keep on shooting!

Hey everyone!  Hope everyone had a nice Thanksgiving holiday and ate lots of Turkey!  I know I did.  This blog is about how I plan to manage my Lightroom catalog on my laptops for next year.  File management is an ongoing process for me, and I change it every so often.  This year I'll be adding a small travel laptop to the mix.  

Currently, I have my iMac with a 27-inch monitor that I love.  I also have a 15-inch Macbook Pro that I have had for years and have upgraded the memory and hard drive on to an SSD, and I just love it!  But it's a little on the heavy side, and I want a small laptop or 2-inch computer to take with me when I travel. _DSC4702  Whether it's camping in my Teardrop trailer or on photo workshops with my photography club, the last couple of years I have kept a separate Lightroom catalog on my laptop and my all photos catalog on my iMac separate and merged them at the end of the year.  It's not too hard to do and seems to work out okay.  But if I add another computer to the mix, what then?  Do I work with three Lightroom catalogs?  And when I have my photos on a laptop catalog, it can be difficult to look at them on my iMac if I haven't transferred them to it.  So here is the solution that I plan to try this year.  I'm going to purchase an SSD external hard drive for faster operating speed.  I'm going to create a Lightroom catalog and put the catalog and everything on the SSD drive.  Then, no matter what computer I'm using, I can bring up the catalog on the SSD drive and edit my photos on the iMac, MacBook Pro, or my travel computer.  

_DSC4701 I haven't purchased my travel computer yet, but I have a few requirements that I'm looking for.  First, it should be small and portable with an 11 to 12 inch screen.  It has to have the ports so I can back up photos to an external drive.  I want it to have a Solid State Drive (SSD) for optimum speed and as much RAM that I can get at a low price (maybe 8gb).  And it must be cheap, in the $300-ish range.  That way if I break it, lose it, or if it's stolen, I'm not heart broken like I would be with my Macbook Pro.  I don't plan on storing anything on it, so the hard drive doesn't need to be large. 128gb will be fine.  I really don't plan on doing a lot of editing, but I want it to be capable of running Lightroom Classic so I can cull out bad photos and maybe edit one or two photos now and then.  Other than that, it will be a web browsing, email checking computer.  Now with the price range I just gave, you can figure out that my travel laptop will not be an Apple product.  I would love for it to be, but I want my travel computer to be cheap.  So it will be a Windows operating system, and I will have to format my drive so it will work with Windows and Mac products so I can pass the information between the two operating systems.  I currently use Adobe Creative Cloud for Photographers, which is a $10 per month subscription for both Lightroom and Photoshop.  You can only run two computers on the subscription at a time, so I'll have to sign out of one of my devices and sign onto my travel laptop for this to work.  From what I have read, this should be possible.  Adobe even gives you instructions on how to do so.

AMT2016-sony-a6300-review-0423-2Photographer: Anthony Thurston Well everyone, I have finally made the switch.  I am officially a full-time, mirrorless shooter!  As you may know, I have been shooting DSLRs in some form or fashion for many years.  I went from entry-level cameras to professional grade cameras and lenses.  I used to shoot film cameras when I was younger, completely manual operation from exposure to focusing.  So I have evolved from film shooting, black and white developing in the bathroom, to color slides, to point and shoot digital, to entry level DSLR's, professional DSLR's, and now to mirrorless cameras.  There was a learning curve at each step, and I would like to think that my photography skills improved with each level.  So you're probably wondering, why switch if I have been shooting professional-grade cameras?  I have many reasons.  But first, let me say that the professional cameras are great!  I'm not putting them down in any way or fashion.  I learned a lot using them and am thankful that I went through the process of getting them and using them.  But why switch?  Let me go through how I got hooked on mirrorless cameras.

About five or six years ago, my photography got me out of the house to start exploring different areas of our state.  I started _MSP9570 hiking all of the trails I could find at State and National Parks and wanted to do more.  My son and I decided that we wanted to start back packing.  This entails hiking into the woods with everything you need to camp overnight:  tent, sleeping bag, food, etc... Well, we soon found out that the packs were heavy, and then when you carry a full-frame camera and a couple of professional lenses, the weight really added up.  A camera and a couple of f2.8 lenses could weigh up to 20 pounds. That's like three one-gallon jugs of milk that you carry around with you on top of all of your camping supplies.  That made the pack very heavy, and it was already heavy enough with just the camping stuff.  There were many pack configurations that were tried to relieve the weight of the camera and lenses, but nothing seemed to work.  I was working on getting lighter camping equipment, but the weight of the camera was just too much.  I had to come up with a solution that would still give me good quality photos, so I started looking into micro 4/3 cameras.  I set up a checklist of things that I wanted out of a little camera.  Some of them were that it had to be able to shoot in manual, it needed to be able to shoot in RAW, and it needed to be able to change lenses. I actually had it down to two cameras, an Olympus and a Sony.  They both had great reviews, but I finally picked the Sony because of the sensor size.  It had a larger ASP-C sized sensor, and the Olympus had a micro 4/3's, a smaller sensor.  So weight was the first thing that brought me to the mirrorless cameras.  But after a big learning curve, there were many other things that brought me to become a mirrorless camera user.  Here are some of them:

11-sony-a6300 1. Sensor Quality.  Sony makes a lot of sensors for many camera companies besides Sony.  There is Nikon, Iphone, and maybe more, but those are two big ones.  The sensors are great, and the quality of the photographs I was taking were just as good as my professional camera as far as I could tell.

2. Customizable buttons.  The Sony cameras are very customizable.  The camera comes with custom buttons, and all of the buttons can be customized to you and your style of photography.  For instance, I love back-button focus, so my camera is set up for it.

3. Size.  Not only is it lightweight, but it is also small.  A small footprint camera takes up less room in a pack or bag, and you can carry more with you and still be lighter than a full size DSLR.  I think this makes you a more nimble/mobile photographer.  I think that this makes you a better photographer, especially at the end of the day when the photographers have been lugging around a big camera and you are still rested enough to keep looking for good shots, not looking for somewhere to sit down. 20171102_untitled shoot_0001

4. Price.  Overall, the price of mirrorless cameras can be cheaper, especially in the ASP-C sensor sized camera. Now, like everything you can spend as much as you want for mirrorless.  But like everything else, you don't have to.  You can also adapt vintage lenses from the film days to your camera with a cheap adapter.  I use some of my Pentax and Nikon lenses on this small body, and it brings me back to the days of film when everything was manual. And the size is about the same also.

5. What you see is what you get.  WYSIWYG when you look through the view finder or the back of the camera.  What you are looking at is what the sensor sees, so you know before you take the photo if it is correctly exposed or in focus.  There really is no need to chimp, and it takes the guesswork out of exposure and lets you concentrate on composure, light, and subject.  After the big learning curve, there is less fiddling with the camera.

22730511_10210704932196387_7018311079726609722_n All the things above and more make the mirrorless cameras more fun to use.  Isn't that why we love photography so much? It's fun! That's the reason I am gearing down, not up!  I have sold all of my big boy cameras and lenses and now only have one camera. I think this will make me think more about photography and less about gear.  Now when I go somewhere I carry my camera, three lenses, and filters.  The lenses are 10-18 f4, 18-105 f4, and a 70-200 f4 full frame equivalent to 105-300.  This kit is very light, and I can carry it very easily in a shoulder bag that I call my purse.  I used this system at our annual photography workshop a couple of weeks ago, and it was fantastic!  While everyone was lugging around a large camera and one lens, I had my purse with three lenses at my disposal at the same weight or less.  I know famous people like Jason Lanier and Gary Fong have made the switch, but they are sponsored by Sony.  I am the only one that I know of that has made the switch from DSLR to mirrorless.  I know I'm the only one in my photography club that has made the jump into full-time mirrorless.  Some have dabbled in mirrorless, but none have gone full in.  I believe I am the first of many that will eventually switch to mirrorless. For me and the photography that I do (landscape, travel, and occasional portraits), this camera works for me.  I don't need the professional camera rig.  This mirrorless fits me and the photography that I enjoy.  So choose the gear that is right for you! Keep shooting!

22814418_10210727646164222_1824769434837060805_n Hey everyone!  I hope you've had a good couple of weeks. Well, this is a Part II to the "Does Gear Really Make the Photo?" blog.  My camera club went on our 

22687733_10210704932316390_5072236385493429418_n Using this camera on this trip was fantastic and I think made my photography better because I could carry so much with me without being weighed down like a pack mule.  I used a little side bag that I called my purse that held my camera, three lenses, batteries, SD cards, GoPro, filters, sunglasses, and phone.  And I had room for a sandwich also if I wanted one. LOL! The weight of this bag wasn't any more that that of a full frame camera and a good 24-70 f2.8 lens.  I loved having this bag with me.  I could change lenses on the fly, and it was better than a backpack because I didn't have to take it off to access it.  The three main lenses I carried were a Sony 10-18 f4, a Sony 18-105 f4, and a Sony 55-210mm f4.5-6.3.  The last lens was the weakest in the set and at a range that I don't use often, but I did get a few good ones out of it.  This lens I will replace with a better quality one.  While on the trip, I used a Canon 70-200 f4 L non IS lens with an adapter that makes it autofocus with my Sony.  It 22730511_10210704932196387_7018311079726609722_n worked great and quality was fantastic.  I will be purchasing this lens soon.  My main lens was the 18-105mm and was a great walk-around lens.  Worked well on the long exposures also.  The 10-18 was a fantastic performer when I used it mostly for long exposures.  I had circular polarizers that I used often and a Lee filter kit that I used for waterfalls (long exposures) and sunrises and sunset. And all of this fit into my little purse quite well.  I had the flexibility to add and remove things as I needed them all while being lightweight.  As I get older and less agile, the weight and size of my gear makes a difference in my stamina, and that will affect my photography.

The quality of my little mirrorless camera didn't surprise me.  It is a fantastic camera with a great sensor.  As you probably know, I have been using a Sony crop sensor mirrorless for the last couple of years.  I first bought one to use hiking and slowly fell in love with it.  I upgraded from a Sony A6000 to a A6300 this year, and it is a great camera.  A mirrorless crop sensor has been my main camera for a couple of years now, and I think I'm going to take the plunge and get rid of all of my Big Boy camera and lenses and go to a mirrorless crop sensor from now on.  I have already sold a couple of lenses and plan to sell my full frame bodies and other lenses and flashes that I have.  I'm going to gear down instead of gearing up like I usually do.  The quality of my photos was the same or even better in my opinion.  Below are some photos that I have taken from two years ago and from this trip.  I put them side by side so you could see if there was a big difference in quality of the photos.  Take time to look at them and see if you can tell which one was a full frame camera with F2.8 glass and which one was my little mirrorless Sony with F4 glass.

The photos on the left side column were taken with a full frame Nikon D800 with F2.8 lenses.  The photos on the right were taken with a mirrorless crop sensor Sony A6300 with F4 lenses.  To me it is hard to tell the difference, especially if they are going to be used on the internet or to make prints or canvases that I would print.  Are the full frame cameras great?  You bet they are they are fantastic!  The professional 2.8 glass is awesome!  But do I really need it for the type of photography that I'm going to do?  I don't think so. The mere size and weight of theses cameras are what is really turning me, and the quality of the shots that I'm getting with this small camera is some of the best I've shot.  If I were doing a lot of portraiture or weddings, the larger camera would be an asset.  But for what I do, it is not.  So now I am taking inventory and getting rid of all of my larger gear.  Will I ever buy a full frame camera again?  Probably, but it will be of the mirrorless cameras that are full frame which makes them smaller.  But for now I'm going to stick with the camera that I used this year.  Any thoughts?  Let me know and keep shooting!

Photo 1 D800 70-200 2.8Max Stansell Photography 20171022_GAPC FC Day 8_0113Sony A6300 70-200 f4

2015-10-24-MSP-022Max Stansell Photography 20171018_GAPC Fall Colors 2017_0016 20171018_GAPC Fall Colors 2017_0018 Looking Glass Falls NCMax Stansell Photography 2015-10-24-MSP-073Max Stansell Photography 20171022_GAPC FC Day 8_0090

20170826_untitled shoot_0002  Hey, Everyone !  I've got a new product review that I want to share with you.  As you may know, I have fallen in love with the Sony Alfa series of cameras for doing the majority of my personal photography.  Most of this stuff is outdoors, but I wanted a flash that would do TTL.  I am a big believer in the Yongnuo brand of inexpensive flashes for my Nikon camera and have several that I can use in manual mode with my Sony A6300 which is fine, but I wanted at least one flash that I could use TTL with and hopefully one that would easily travel.  So I started my search for a small flash that could do TTL. 

20170826_untitled shoot_0001 I stared with Google and of course my beloved YouTube.  The flash that kept coming up was the Nissin i40 made in Japan.  It does TTL and high-speed sync with a guide number of 40.  So I looked it up on Amazon and it was $260, which was out of my price range. Then I saw the Neewer N40S made in China.  It's pretty much a copy of the Nissin i40 and the price is right at 75 bucks, so I had to try it.

My first impression of it when I got it was that it was small.  It feels well built and comes with a case that is well built. The guide number is 40, and the guide number of my Yongnuos are 58.  So they are not quite as strong as the Yongnuos are.  But thats okay.  I'm not looking to do a lot of flash photography with my Sony.  Very easy to operate with dial and not a digital display with complicated menus.  The unit can be run in manual, automatic , TTL, and high-speed sync, and it has a video light built in.  Now, the video light is not its strongest feature, but it's kind of cool that it has one.

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Here are two photos that were both taken at 1/2000 sec @ f4.0, the one on the left without flash and one on the right with flash. High speed sync check!  This little flash has ticked all the boxes on my checklist.  I think for the money and what I'm going to use it for, it's the right one for me.

Keep shooting!

They say that admitting to a problem is the first step in solving a problem, so here goes.  I have been a gear hound for a long time.  I have GAS (Gear Acquisition Syndrome).   For some time now I have been under the impression that gear makes the photo, and I'm not alone.  There are lots of you just like me.  I have accumulated some of the finest gear that money can buy, and my photos have improved.  But was it because of my gear or the know how that I have acquired learning how to use this gear? My Camera's  To be honest, I think it is a little of both.  Good gear does matter to a point for sharpness, depth of field, and dynamic range.  But composure, making long exposures, and composition are all things that the camera does not control, we do.  Do we really need the top of the line gear if this is just our hobby and most of what we use our images for is for putting on some website?  Do I need 36 megapixels?  Do I need 42 megapixels?  I say no unless your printing for billboards!  So what do you need for good photos?  My answer is simple.  The best camera you can afford.  Most of all the new cameras that are coming out now will do the job.  So don't max out your credit cards buying the most expensive thing out there just because some article says to do so.  So what is my criteria for a good camera?  One, that you can put it in full manual mode, that you can shoot in RAW, and that you can change lenses (some of the built-in zooms work fine too).  I don't think megapixels make a difference in today's cameras.  All of them have plenty. DSCF0513

My camera club goes to the mountains once a year and spends a week with the fall colors,  waterfalls, and wildlife.  This week is the most photo active time of the year for me as I am not a professional full-time photographer.  Some of my best photos of the year come from this trip.  I usually carry my big camera and all of my expensive lenses with me and really get good results.  A couple of years or so ago I purchased a Sony mirrorless camera that has become my go-to camera.  It's small and compact compared to my big Nikon rig that I have.  I bought it for backpacking because of its size and weight, but I have come to love it.  So this year when my camera club goes to the mountains, the Sony mirrorless camera will be my main camera for the trip.  I will use it for the waterfalls, wildlife, all the fall colors, and everything else.  I will take my Nikon and one lens as a backup.  The Sony kit will contain the following items:

1. Sony A6300 body
2. 2 kit lens 16-50 mm and 55-210 lens
3. 18-105mm F4 lens and 10-18mm F4 lens
4. Pentax 28mm  f2.8 manual focus lens W/Sony adapter
5. Nikon 60mm f2.8 macro manual focus lens W/Sony adapter

My Nikon will be the D800 with 24-70mm 2.8 lens.

10404408_10203141767201989_3296463740236017661_n We will be visiting some of the same waterfalls that we have visited in the past that I used my Nikon on, and I want to see what the difference is with my Sony mirrorless and my full frame Nikon.  Will my photos be better, worse, or the same?  I believe they will be the same, but only time will tell.  If they do turn out the same or even better, what does that mean?  Will I get rid of my expensive equipment?  Will I sell?  I don't know.  I still like my big camera and lenses for portraits, especially when using studio lights or flashes.  But I could use my mirrorless to do the same.  All that is still up in the air.  But for the foreseeable future I will be using my Sony for everything except portraits.

How many times have you been looking at Facebook or some other social media outlet and saw a fantastic photograph, only to be dismayed when you found out it was taken with an iPhone?  Remember, photography is supposed to be fun and not a contest to see who has the most or the biggest gear.  Enjoy your photography, and save your money so you can go to more places to use your photography.  Remember, it's not the camera.  It's the photographer that takes great photos.  I plan on gearing down and making things more simple, not more complicated. Get out and shoot! 

Umstead 2 Located in Raleigh, North Carolina, the William B. Umstead State Park is a great park with 22 miles of hiking trails that are well used.  The park is situated in Raleigh and the townsfolk use it a lot for hiking, trail running, biking ...   Umstead 3 The 22 miles of trails give you access to most of the park and vary in lengths from short to long trails.  A couple of my photography friends and I went up there to do some hiking and get some exercise.  Of course, being photographers, we had to document the event.   GOPR2757DCIM\101GOPRO We had a great time of fellowship and also had a little foot problems by one of the guys that I'm sure will be corrected by our next hike.  Please enjoy the video from the link below!

Umstead State Park Hike Video

As a landscape and nature photographer, hiking is kind of second nature.  You have to get to great locations to get great shots that everyone else does not have.  The longer your hike is, the more important it is to pack light.  Weight matters!  My everyday/hiking kit I try to keep as light as possible.  The kit I'm going to show you is right at 7 lbs.  My big professional Nikon D800 camera and one lens weigh in at 5 lbs. That's only one lens, no tripod filters or anything else, just camera.  My hiking kit consists of four lenses (I have other ones in the wings to switch out if I need to), a tripod, filters, and lots of other goodies.  Here is a photo of my stuff and an itemized list.

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1. Camera Sony A6000 (crop sensor) with Pentax 28mm f2.8 vintage lens which I used on a film camera about 30ish years ago. With the crop sensor, the lens is at a focal length of about 42mm, good for close photographs like a walk in the woods.

2.Wide angle lens Sony 10-18mm f4.  Gives me a focal length of 15-25mm with the crop sensor.  Super sharp lens for big landscapes like the mountains.

3. Mid Range Telephoto- 18-105mm.  This one gives me a focal range of 25-150mm.  This is the lens that gets swapped out a lot with other lenses.  This is a great all-in-one lens and has given me some great photos.  Depending on where I'm hiking, this may or may not be in the bag as it is sometimes swapped out for a vintage 35-70mm f2.8 lens.

4. Telephoto Pentax 80-200 mm f4.6.  Gives me a focal range of 120-300mm.  This is a cheap plastic lens that I got 30 years ago, but it's lightweight and pretty sharp.  This is the range that I use the least.

5. Peak Design clip.  This allows me to put my camera right on my backpack strap to keep my hands free but gives me quick access to my camera.

6. GoPro Session 4 on a hat clip.  The GoPro is the newest addition to my camera kit.  I used to use my phone for everything video-wise, but this is a great piece of kit!  I can use it for biking also and it's waterproof.

7. Peak Design Leash.  Love this for this small camera.  It gives me a sense of security when it's strapped to my wrist!

8. Batteries and Charger.  Mirrorless cameras can eat up batteries, so I carry two extras and odds and ends in this case.

9. Polarizer Case.  I carry circular polarizers for most of my lenses.

10. ND Filters.  I carry a variable circular natural density filter and step-down rings to fit most of my lenses.

11. Anker 10500 mAh.  I use this to charge GoPro, camera batteries, and iPhone.

12. Bag for GoPro and cleaning clothes for lenses.

13. Joby Gorilla Pod for GoPro.

14. Stick Pick Mount. Allows me to put GoPro on my hiking stick like a selfie stick.

15. Trail Pix Ultra light Tripod.  I'm able to use this with my hiking sticks with one from a buddy and create a tripod that will handle up to 7 lbs.

16. Altoids, Advil, Tums, moist lens clothes for my glasses and or lenses.

17. Outdoor Products Hydration Pack.  I got this from Walmart for 40 bucks, and it works great for this small load.

18. Fleece skull cap, neck warmer, waterproof gloves, and bandana for keeping warm and such.

19. Kelty Trekking Poles.  This is probably one of the best kept secrets in hiking.  Trekking poles will save your knees and save your butt from falls.  They are great long trips.

20. Emergency poncho, wet wipes.  Poncho is for rain showers.  I got caught in the rain once on a hike and just got drenched, and since then I always carry an emergency poncho.  And for those emergency bathroom breaks without a bathroom, the wet wipes or toilet paper is a must.

21. Finn the Explorer, sunglass case, lens brush.  Finn the Explorer is new, and he travels with me.  I try to take a photo of him when we go to a new place.  Sunglass case and lens brush are self explanatory.

_DSC7397 In August my wife and I took a weekend trip to Charleston, South Carolina.  We took our Teardrop trailer and stayed on Joint Base Charleston.   Joint Base Charleston is a base comprised of Air Force and Navy, and we stayed on the Navy side for a very reasonable price.  If you are military or retired military, don't forget to check out military bases for camping spots.  They are very reasonable, clean, and safe.  Charleston is a big place with lots to do, and you can't see it all on a weekend. _DSC7375  My suggestion is to divide it into smaller trips to really get a good taste of Charleston.  That's what we did.  We decided to just go to the historic downtown area of Charleston and take a guided tour of the city from the back of a horse drawn 

carriage. Besides the downtown there are many things to see in Charleston.  There is the Aircraft Carrier Yorktown that is a floating museum that I really want to go see.  There is Fort Sumter with all of its Civil War history which I think you  have to take a ferry or water taxi to get to.  There are  _DSC7405 museums and an aquarium that you can go see if the weather gets rainy.  Folly Beach isn't far with all the beach things that you come to expect from a coastal community.   _DSC7347 There are old plantations that you can visit like Magnolia Plantation.  There is the Angle Oak Live Oak tree that is estimated to be over 500 years old located at Angle Oak Park.  So you can see that there is lots to do.  And, oh yeah,  Charleston is known for its fine restaurants! Lots to do and see and eat in Charleston!

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_MSP2088Max Stansell Photography Yet again I have had a long break between blog posts, mostly because of my laziness, I guess.  Life gets in the way.  My wife and I have been taking trips in our Teardrop camper, work, and all sorts of things seem to get in the way.  My biggest  photoshoot of the year has been on my photography club's fall colors trip to West Virginia this year.  It was a great trip on the heels of Hurricane Matthew.  We went to places that we haven't been to before, which made it new and exciting.  Seven total of us went, with five of us staying the whole time.  We stayed in a great cabin in Davis, West Virginia, and drove every day somewhere new.  I think we logged 2000 miles for the whole trip.  The colors at our cabin seemed to be the most vibrant from all of the places we visited.  I also took a GoPro Session 4 with me to record some of the actions and have made some short YouTube videos to watch that I will link you to.

Day 1: Blackwater State Park, WV/Swallow Falls State Park, MD

The first day took us to Blackwater State Park in West Virginia, which was about a 20-minute ride from our cabin.  Actually, I would almost consider this our second day because the first day consisted of driving to West Virginia from Goldsboro, but this was our first day of shooting.   _MSP2370Max Stansell Photography The colors at Blackwater State Park were very nice, and the waterfall was great.   We were here on a Monday, and there were not too many clouds.  After the waterfall, we went to an overlook that looked into the valley and had some great views.  From here we traveled to Swallow Falls State Park in Maryland where we were greeted with some great falls and a small hiking trail.  The drive to and from Maryland was a beautiful drive with lots of farm houses.  Here is the link to the Day 1 Video.  Day 1 Fall Colors Workshop Video

Day 2: Babcock State Park, WV and New River Gorge Bridge National Park, WV.

Day two took us to Babcock State Park, home of the famous Glade Creek Grist Mill.  If you look up West Virginia, you'll see this mill.  It was a fairly long drive, but we left early and, after _MSP2491Max Stansell Photography a small detour made it to the mill.  We spent a couple of hours taking photos of the Mill and then went to lunch.  After lunch we went back to the park so Tim could fly his drone.  Then we were off to New River Gorge National Park.  I believe when it was built it was the first or second largest suspension bridge, but now I think it's third.  Regardless, it is a big bridge, and we spent the afternoon taking our time photographing this large structure.  Here is the link to the Day 2 video.Day Two Fall Colors Workshop Video

Day 3: Seneca Caverns, Seneca Rocks, Dolly Sods, WV

We started our third day underground with a tour of Seneca Caverns, which took us 150 feet underground.  We had a great tour guide and enjoyed our time underground with some interesting photos to boot. 2016-10-12-MSP-051  After the caverns we went to Seneca Rocks, which are a number of large rocks that go along the ridge of a mountain.  And then we were off to Dolly Sods.  Dolly Sods was a beautiful mountain top with great views all around, but it took about an hour long dirt road drive to get there.  Dolly Sods wasn't very far from our cabin, so it was a good place to end the day.  Here is the link to Day 3 video.Day 3 Fall Colors Workshop Video

Day 4: Harpers Ferry, Antietam National Battlefield, WV

Harpers Ferry, West Virginia is a very historic place and a lot bigger than I thought.  I had always seen it in hiking videos and it looked like a sleepy little town, and I wasn't expecting it to be connected with a national park.  We drove to Harpers Ferry and met one of our photo buddies there and enjoyed the day wandering the streets of Harpers Ferry.  We then drove over to Antietam and went on the battle field tour and really got some good photos of the surrounding area.  We then went to the National Cemetery at 2016-10-12-MSP-141 Sharpsburg and had great light to get some moving photos. Then we drove back to our cabin. Here is the link to the Day 4 video.Day 4 Fall Colors Workshop Video

Day 5: Cass Scenic Railroad State Park, WV

Day five took us to Cass Scenic Railroad State Park in West Virginia, and some of our group had been there before.  I wasn't really expecting much but was pleasantly surprised to find lots of photo ops and had a good history tour from our tour guide.   _MSP2974 We rode the train on a two-hour trip.  They have a four-hour trip also, but I recommend the two-hour instead of the longer one.   We had a great time, had lunch there in the park restaurant, and really enjoyed the whole experience. Here is the link to the Day 5 video.Day 5 Fall Colors Workshop Video

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_DSC6406 Hey Everyone!  I know it's been a while since I've posted, but as all of you know, life gets in the way of things.  A lot has gone on since we last met.  My wife and I have taken a couple of trips in our new Little Guy Trailer and are getting better at using it and learning all of the ins and outs of it.  Well, now to my new 

You have heard of 365 day photo projects that have you take or post a photo every day for a year.  As simple as that seems, if you work 40 plus hours a week and commute another 15 on top of that, you really don't have time to plan, take, and process a photo a day.  I propose in my project to print a photo for every day of the year.  In other words, print at least 365 photos a year.  In my new year's resolutions I had to print more.  This project will certainly do this.  Now you don't have to print one every day, just 365 a year so you can print in batches.   _DSC6457

One of my most favorite things to do with family is to look at old photographs of years gone by.   When my parents were young and everything was in black and white, you would look at the photo and then turn it over to see what was written on the back.  In the digital age, we don't have many times where we bring out the shoe box and look at photos, and I'm afraid that in the future this act will be lost.  So I've come up with this project.  I may even go back a few years and print those as well.  I want my grandchildren to be able to tell their  children and show them the photos that I have taken and hold them in their hands.  

IMG_4152 This is not an artwork project.  It's more of a journalistic project.  The prints don't have to be large (they can be 4x6), and they don't have to be perfect prints.  They don't have to be artsy.  They can be plain snapshots of everyday things like your house, car, everyday stuff along with your artsy stuff.  Your family wants to see photos of family along with your fancy shots, so mix them up.  

​So go find some shoe boxes and start filling them up with memories for your family. _DSC6932

_DSC6468 A couple of  weekends ago my wife and I became the proud owners of a Little Guy T@G Max Teardrop camping trailer.  Teardrop trailers have been around since the '30s when a Popular Mechanics Article was written on how to build one. These little trailers are really a travel trailer that was designed to be a way to stay overnight without getting a hotel on a long trip. They can be pulled by almost any car and are great for camping, tailgating, or any kind of travel.  We got one so we can travel more and see different places without paying too much money for hotels, food, etc...  These little trailers can have all kinds of amenities with them. _DSC6464  Mine has a queen size bed, TV, AC, AM/FM, DVD, 2 burner stove, sink, fridge, and everything runs off of a 12-volt deep cycle battery, except the AC.  So you could be away from electrical outlets and still watch TV or cook, etc...  They even have solar panel hookups if you want to recharge your battery if you're way off the grid.  

What I like about them is that they get my wife and me out of the house together.  Now, I love to go backpacking and hiking and taking my camera with me deep into the woods, putting up a hammock or tent and staying there all night.  My wife doesn't like roughing it as much as I do though.  The Teardrop camper brings amenities of home with you as you camp. _DSC6448  We have been tent campers for quite a long time and enjoy setting up a tent in a state park or national park, but we decided to upgrade to this little guy that is really a tent and kitchen on wheels.  But it doesn't have the cost of a big RV trailer that would have to be towed by a larger vehicle than we have and would require a lot more maintenance than we would like to do in our older years.  Right now it's a bit of a learning curve trying to figure out everything with the trailer, but we are fast learners.  

We took one trip already with our Teardrop.  We went to a state park not too far from here to Medoc Mountain State Park, a nice little park that's about an hour and a half away and a great spot for our maiden voyage.  And everything went pretty well.  The weather didn't cooperate very much.  It was chilly and calling for rain, which it finally did late at night. IMG_2254  We stumbled through getting things set up and put in the right places, learning about the stove as we cooked a couple of meals in our new kitchen.  We are towing our new trailer with my old faithful truck, my 1999 Ford F150 "Betsy."  We plan on buying a new car in a couple of years.  But until then "Ole Betsy" will be our tow vehicle.  This weekend I built a hard tonneau cover for my truck for security and maybe a little of gas milage boost would be a plus.  It turned out pretty good, and I saved myself hundreds of dollars.  I plan on going on another trip this coming weekend.  I'm sure there will be a blog about it.  

Keep shooting!

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