Spring "Low Country" Photo Workshop

April 26, 2024  •  Leave a Comment

Hey Ya'll! Hope everyone had a great week! I sure did I went on a workshop to the Low Country of Georgia and South Carolina. The camera club that I have been a member for over a decade decided this year to take a trip in the spring. Usually we only do a Fall Colors trip in the Mountains somewhere but this year we did a spring trip. We had one planned in 2020 but COVID put a stop to it. Our fall trip is a week long trip but we wanted our spring trip to be shorter to give people who can't take a whole week off to go to the mountains a chance to go on a trip with us. Our trip was to start on a Wednesday and come home on a Sunday. Last year we took a scouting trip to help plan our trip for this years workshop. Afterwards we (Mike, Robert and myself) had many meetings and came up with an itinerary for the trip. We had settled on two days in Savannah Ga. and two days in Beaufort SC. Caitlin our club's president secured our lodging at both places and as always she did a great job. So then there was just the countdown to the day the trip began. We had 10 people attend and one of them was a former member that had moved away to Tampa Fla. and he drove up to meet us in Savannah. So here goes a day by day of our workshop.

Day 1.  The day was a travel day mostly. We wanted to get there as quick as we could to be some rain that was in the forecast for the next day. We arrived early enough to park our cars at our first rental. (we were too early to check in) Our Florida compadre met us just as we were getting ready to head out. Our house was just a couple of blocks away from the famous Forsyth Park and fountain there. So that's where we headed first. We tried to get as much in as we could walking the streets of Savannah because we knew that rain was on the way the next day.  We wondered down from Forsyth park towards the waterfront stopping along the way for drinks and to take photo's.  When we finally got to the waterfront we found a place for supper. We had a nice supper and explored the waterfront area. We then started the way back to Forsyth Park to get a nighttime shot of the fountain. We did so and headed back to the house. We did a lot of walking and some folks took an Uber from the waterfront back to the house instead of walking the 10 or so blocks. It was a good full day!

Day 2. The weather dictated most of this day. Thunder and heavy rain early in the morning. When the rain slacked up a bit we headed out to Tybee Island to maybe get a shot of a lighthouse or two but the rain was too heavy so we just got something to eat at a local restaurant and headed back to the house. By early afternoon the weather had gotten better but our President had gotten a touch of food poisoning and was really out of commission for the rest of the day and most of the next. Some of us went to the Tybee Island Lighthouse and to Pulaski National Monument to take some photo's of the light houses. It was very windy but we managed to get a couple of shots. We decided to have Pizza delivered that night to the house instead of going out to eat. The rains didn't ruin our time in Savannah but it did seem to cut it short.

Day 3. The first thing on our agenda was a sunrise at Tybee Island pier. We loaded up very early with all of our stuff because we were going to Beaufort SC and checking out of the Savannah house. We had a nice shoot at the pier and had another hearty breakfast.  Then off to the Beaufort area. We were too early to check in and our house was at a gated community just outside of Beaufort.  Our first stop was to get some photos of Shrimp boats which we did then we went to Port Royal Cypress Wetlands. This was a fantastic spot to shoot wild birds, alligators, snakes and other wild life.  We spent quite a while there walking the boardwalks and taking in all the sights and sounds. We then walked to a local place and had lunch that was quite good. Our president stomach was starting to get better. We stopped at a ruin of an African American church and took some photo's and then went to Hunting Island State Park to scout out the next mornings shoot. We had planned to go to a seafood restaurant that evening but we needed reservations and had called too late for the day so we made reservations for the next day. We then went to a place that was near our next shoot which was Sheldon Ruin Church to do some light painting. We stopped by the house to drop off our luggage and then headed out . We went to the restaurant under much hype of the menu of Steak and Potatoes. We got there and there was no steak and patatoes but the menu was Wings and things. It still was a great dinner and we went to the church to do some light painting which worked out great. Then it was back to the house to get some shut eye and up early for another shoot.

Day 4. Up early! We headed out to Hunting Island State Park to shoot the driftwood trees with the sunset. We got there and it was dark and we headed out down a short trail to get to the beach . It was in a different place than the scouting trip and it was fabulous!  There were many trees there and we got there about an hour before the sun peeked its eyes out so we got really good shots. After we exhausted the shots there we went to the lighthouse there at the state park and the "No See Ums" were out! Got a few shots of the Lighthouse and it was off to Beaufort to eat breakfast. The restaurant was packed and we are a group of ten so it's hard to seat us and we waited quite a while for seats. We finally got in and had a great breakfast or brunch it was so late. By then everyone was done and wanted to go back to the house. So we didn't shoot the town of Beaufort as much as I wanted but  folks were tired. We had reservations at a very cool restaurant that evening and had a great meal of seafood. When we got back to the house we were going to do some light painting. We were going to use sparklers and lights out on the beach. We got to the beach and the "no see ums" were terrible swarming. They died down a little later but were bad at first. We tried to light the sparklers but they were duds and couldn't get them lit. We dished that idea and worked with some colored lights that we had brought and got some good shots.

Day 5. Day 5 was packing up and heading to Magnolia Plantation before going home. We went to the plantation and it was nice. We took a train ride and walked through the gardens and saw the plantation grounds. It was a nice place to visit. Then we all headed home.

All in all it was a great trip and I got some good photo's. I always look forward to the clubs trips and workshops and can't wait until the fall trip.  Until next week Get Out and Shoot!


Photographing with Film VS Digital

April 19, 2024  •  Leave a Comment

Hey Ya'll! Hope you're having a great week! I know I've been writing a lot about film photography the last month or so and it's mainly because I've been really into film during the same time. I've talked about camera's, developing and scanning and even how to meter. I have talked about all of the technical and material stuff but I haven't talked about the feel of shooting with film again. We photographers are really into gear and the how-to of photography and I think sometimes we forget about the why and the feeling of photography. We concentrate on megapixels and how many frames per second and auto focusing . We forget all of the famous photographers over the last 100 years didn't have any of these modern convinces and their photographs still stand over and above a lot of modern photographers. Not that there aren't great photographers now but gear isn't the reason of what made them great. It's the feel , the art of the photography that made the greats great. To me shooting film is back to basics.

Back to Basics. Shooting film makes me go back to basics. The seeing the scene. With film photography I have to slow down. Each shot cost money. Even with me developing my own film and Scanning it myself its almost 50-.75 cent per shot which doesn't sound like a lot but does add up after you're used to shooting for free with digital. Each shot matters. So you take your time waiting for the perfect scene. When you find that perfect scene then there is the metering part. These are 50 plus year old camera's and trusting how you are metering is really key to getting a good exposure. Knowing if you're going to error in exposure you should error in over exposure. Framing and composition is very important. Although you can edit that in post every time you crop you introduce more grain. Every part of the process in film photography affects the way your final image will turn out .  The film itself is very important. The manufacturer the ISO of the film do you want to shoot black and white or color. All of these things matter when shooting film.  Even the way you develop the negatives and what chemicals you decide to use will change the way the final image will turn out.  Everything matters when making decisions when shooting film.  Maybe that's why I like it so much. You have to be involved in the shooting process and even the developing process. They all make a difference when shooting film. You are involved. You make all of the decisions. The camera's I use for film are 100% mechanical. The only thing that is electronic is the meter. I really like that. Film fits the style of photography that I like Travel and Street.  For younger photographers that are just discovering film it's all new and the nostalgia of film. For me it's back to the roots that I remember.  Are the images better than what I get with digital?  If you're looking at technical things like sharpness color and pop. No not really but if you're looking for the "how does it make you feel" factor then yes. You've heard me say this before it's like listening to a vinyl record album compared to listening to a digital recording. The vinyl has pops and cracks that you can hear but that gives it character and something you can't put your finger on. Film is the same way. The grain and the colors just give it that something.

Shooting Digital. When I first started shooting digital 24 years ago I had to learn what Aperture Priority, Shutter Priority, and being able adjust your ISO.  I had to relearn. I had shot manual for over 20 years and had only had film cameras that were mechanical manual camera's. I din't even have auto focus. That was something else I had to learn.  After a couple of years I had it all figured out and became basically an Aperture Priority photographer just like I am today.  When I'm shooting digital I tend to shoot a lot and almost anything compared to when I shoot film. If something looks a little interesting I shoot. I don't think so much because my camera does all of the thinking for me. I pick the aperture and the camera does the rest. Really if you looked at my photo's most everything starts at F8 and my camera at this point is just a point and shoot. I will adjust my Aperture depending on what look I want but basically I put on F8 and let it eat.  I don't have to think about metering, I don't have to think about ISO or focusing . The camera does it all and it does it great. But after a while you stop thinking and just point and shoot. It (to me) takes the fun the artistry to it out of the shot. If you mess up when you're taking the shot you can fix it in post. Digital images you can do so much in post that its an art in itself . And believe me if Ansil Adams had Lightroom and Photoshop he would be one of the experts .  But everything seems so slick and automatic.  For me it seems like the involvement feels less than when I shoot film. Don't get me wrong I'm not knocking digital I love to shoot digital but I also love to shoot film. 

Conclusion. I love the involvement I have when I shoot film. I love the process from start to finish. I think that shooting film makes me a better digital photographer. I think that going back and forth between film and digital makes me a better photographer. Where if I only shot digital I get into the point and shoot mode and don't think as much because I know I can fix in editing.  If you take a better photo in digital then when you edit you even get a better photo. So if you look at the technical aspect of Film VS Digital I'd say that Digital wins but if you are looking at feel and that X factor I'd say that Film wins. So until next week get out and shoot !


How to Meter for Film Photography

April 11, 2024  •  Leave a Comment

  Hey Ya'll! Happy Friday! Hope your week is going great! Me ? I'm doing well and excited about this weeks topic. As you know I have been working on a film project this year and have been getting into and relearning how to shoot film. It's not as strait forward as you would think it .  Many of the camera's that are used "now a days", are old camera's and the meters that are in them may not be as accurate as they used to be when they were brand new if they work at all. For one thing they don't make the same batteries as they used to .  Batteries used to be made with mercury which was outlawed and they Alkaline which is not as stable as mercury was.  The voltages are different too which affects the accuracy of the meter. So if you have a in camera meter that works and that is accurate you are very lucky. What is nice about these old camera's is that you don't need a battery to operate the camera the only thing that the battery operated was the meter.  So we just have to find a different way to meter. That's what this blog is about.

Shooting film is different than digital. When shooting film you hear expose for the highlights because you can bring the detail out of the shadows. So you can shoot up to a Stop under exposed with no problems. I set my exposure compensation at 1/3 under exposed just to save the highlights. If you over expose the highlights you can't get the details back. Film is the opposite . All the details are in the highlights so if you want to error you Over expose. Most films can be over exposed one or two stops but can only be under exposed one stop. The best practice is to get it right in camera and a good meter that you can trust no matter if it's in your camera or not. Hope that explanation isn't too muddy.

When metering for film and not using the camera's meter ,if it had one, there are a few choices. You can go with inexpensive to expensive and from convenient to not so much. Here are the ways. The Sunny 16 rule. This was developed by Kodak many years ago and works great but might not be as accurate so we are going to stick to mechanical meters. So the meters are.  Use your Smart Phone, A on camera meter that attaches to hot or cold shoe, Handheld meter, and a Spot Meter. I'm only going to talk about 3 of these. Spot metering although is very accurate it is very expensive to buy a meter that does this. And unless you are a high end professional photographer I wouldn't recommend. Film is expensive enough. But the other three I have used and will discuss. You can also use the obvious your digital camera set to the same ISO and transfer the settings to your Film Camera. But that's big and bulky and you have to carry 2 camera's. And it's a pain. But it does work.

Smart Phone, You can use a APP on your phone. Some are even free. Your smart phone uses the camera on your phone and you point the phone at the scene press a button and the app will give you the settings for your camera .  I used an app that I paid 5 dollars for and I got that I could calibrate the phone to match a trusted meter that I have. Using this is easy but cumbersome and inexpensive because you already have the phone and can use a free app. If you are only going to shoot film every now and then this might be the way to go.

Hand held meter, A dedicated hand held meter is accurate and easy to use. I think is a must for any serious photographer to have. Very useful in flash photography. The draw back here is that they are rather expensive and are bulky. You can get a decent one for 200 to 300 dollars. If you already have one like I do this is another no cost alternative. But it is bulky and something extra to put in your pocket or around your neck. 

Hot/Cold shoe Meter, These little meters connect using the Hot/Cold shoe on your camera. So they are always on your  camera and you don't have to have something in your pocket or carry with you. They come in two basic colors black and a silver to match your camera . They come in many prices mine was 70 bucks. Mine is accurate but can be adjusted if not. The one I have is USB rechargeable so no batteries. These are handy and sit atop of your camera but may take away from the look of your camera if your into the coolness of film cameras .  Some of them have dials that may mimic what your  camera has and look cool also. Mine has a dial and a digital read out for the numbers. I think the most convenient of the three.

Shooting film is fun but expensive so you want your meter to be right. All of these choices work and give accurate readings.  My choice is the hot/cold shoe one just for the convenance of it. It's always there I don't have to fish into a pocket to pull a phone or another meter out. It's USB chargeable so I don't have to mess with batteries. It was fairly inexpensive I've paid more for filters. So if you want to shoot film these are the choices for metering but you could always go the Sunny 16 rule. So until next time. Get out and Shoot!


My Newest Film camera is 50yrs old!

April 05, 2024  •  Leave a Comment

Hey Ya'll! How's your week going? Mine? Pretty good. It's a rainy day so I thought I would catch up on writing some Blogs. This week I want to talk about an old camera I just got off of eBay for 100 bucks. As you know by reading my blogs I like used and old stuff. I have a photography project shooting film that I'm in the process of and I do have a couple of great film cameras. But I just needed one more! LOL I was looking at a camera that could shoot manual and maybe auto a little and had a fixed lens. There is all kinds of newer automatic plastic camera's but I wanted one a little more advanced and it needed to look good too. I like the rangefinder style of cameras especially for what I'm going to used it for. Street and walking around a EDC (Every Day Carry) film camera.  I have a 1961 Canon Canonet (the original) but it's big and heavy and the lens is 45mm. A little long for what I like for walking around with. I have a Pentax MX a great camera and I have all the lenses to go with it but I will bring all of the lenses (I can't help myself) which makes it too heavy and bulky and no auto on it at all its fully manual. What I decided on was a Canon Canonet 17QL GIII. It is the last version of the Canonet that Canon released in 1972. They produced the camera until 1982.  They were very popular cameras and that means there are lots of them out there so the prices will stay down. Now buying from eBay is not for the faint of heart. There is a lot of trust going on because these are not established camera companies that you are buying from . Usually it's an individual that is selling them. I have been very lucky on the things that I have bought and sold on eBay and have had no problems. So I found one and purchased it. One of the main reasons that I got it was because the light seals had been replaced already something that you have to do with old cameras because they just go bad so I just went for it. When it came in I was pleasantly surprised it was in good shape . I cleaned it up and inspected it . Everything seemed to work. There was no visible fungus on the lens and all functions worked. So I had to put it to the test and run a roll of dummy film through it to make sure it advanced and rewinded when I wanted it to. It passed again. Now it was time for a real test . So I got a roll of Kodak Gold 200 and loaded it up.

So now lets talk features of this new to me but old camera. It is a rangefinder camera which means when you look through the viewfinder you're not looking through the lens but through a window on the side of the camera. Inside that window you can see a yellow frame which is where you're photo will be. There is a meter on the right that only works in the auto mode. Auto mode for this camera is Shutter priority . You pick the shutter speed and the camera picks the aperture .  If the camera thinks that you are over or under exposed it will not let you take the photo.  The meter runs off of an odd sized battery. The original batteries were Mercury and newer ones are Alkaline . The mercury ones keep the correct voltage longer so the meter will read accurately longer. Alkaline work but they don't last as long. I checked the meter and it reads accurate with a new battery in it. Meters in older camera's are usually broke or don't read properly so this is a plus for this camera. This camera comes with a battery check button where you can push the button and a light will shine letting you know that the battery is okay. The lens on this camera is a 40mm f1.7 which is a nice fast lens although I would like a wider one but that's what it comes with. The lens is very sharp and crisp and has good contrast. It is a 48mm filter thread which is a odd size. I had lots of filters and lens hood for 49mm so I got a set up ring that goes from 48-49mm so all of my old stuff would work on this camera. When shooting in Manual mode you have to use an external meter or the Sunny 16 rule. I will have a blog on how to meter for film on old manual camera's like this one. You can use a meter or an app off of your phone. This camera is a quick loading camera that means you don't have to thread the film into a slot when loading it you just lay it down and it will do it for you. It has a film indicator window on it so when you advance the film it will let you know that the film is advancing. It also had a ready to fire indicator window that will be orange when the shutter is ready to advance. And of course it has a counter to let you know how many shots you've used. It uses a leaf shutter which goes from B "bulb" to 1/500 of a second. Not super fast so I might need a ND filter if I want to shoot at open apertures in sunlight. This will mainly be a walking around camera so I think that I'll be good with the Sutter speed. It does have a self timer on it although I have read and heard on Youtube not to use it because if it breaks you're camera will not work and this function is prone to failing on this model. Not a problem I have a I phone for that. It does have a hot shoe that I haven't tested . Not planning to shoot flash with it but its nice to know I could.

I took my new little camera with me on a photowalk to Kinston NC about 20 miles from my house and walked around town shooting things I saw. I used either a phone app that I had calibrated to be accurate or my digital camera to compare to make correct exposures.  So when I shot it was a little time consuming. I'd have to Meter , Set the camera , Focus and shoot. Focusing on this camera is a little different than other camera's. There is a little patch in the middle of the screen and when you're out of focus there will be two object there you focus until there is one object . It works really well as I got some really sharp shots from this photowalk. I got kind of into a grove shooting this little camera and enjoyed it quite a bit. The next day I developed and scanned the film myself and was shocked on how good this camera did.  So for about 120 dollars (which includes shipping) I've got a good little rangefinder camera that will shoot in auto and manual with a nice sharp lens! Well that's it for this week . I've been having a ball shooting film again and going through all of the processes of developing and scanning. Until next week . Get out and Shoot!


Vintage Lenses on New Cameras

March 29, 2024  •  Leave a Comment

Hey Y'all! Hope you're having a Super week. This week I want to talk about gear again. LOL ! Thats what I do. Now you know I love shooting used gear. And if you've been reading my blogs from the beginning I do like shooting film also. But what about shooting vintage lenses on your new mirrorless camera? Can it be done? You bet it can and it's pretty easy and fun to do.  Bringing life into old and vintage lenses is great. The older lenses were built to last. Film lenses and camera's were built to be used a lifetime and still have lots of life left in them. I personally shoot a camera that is over 60 years old and it still functions like it was new. New 60 years ago not like new today. If that makes sense. Now I'm not saying that a vintage lens is sharper or quicker than a new lens is because it's not but it has a quality that gives it  character.  Vintage lenses are manual focus lenses and have an aperture ring that you have to manually have to set.  So getting sharp focus is up to you.  But why would you ever shoot a vintage lens on a new mirrorless camera? The first reason is that it's just cool and fun to shoot. Some of these lenses come in focal lengths that just aren't common anymore. I have three or four vintage lenses but the one I like to use the most is a 28mm. It's a focal length that you just don't see anymore on modern lenses. Another reason to use vintage on new cameras is to get some photography mojo working again. It slows us up to take time to compose and focus the shot. Instead of just pointing and shooting like we can now with our modern cameras and phones. So how do I find a vintage lens to shoot? You may already have one on an old film camera that is stuck way back in the closet. If you have an old SLR film camera chances are you've got a 50mm f1.4 lens on it.  It really doesn't matter if your old camera was a Canon, Minolta, or Nikon you can adapt it to your new camera. If you don't have one you can find one on Ebay or in a pawn shop very cheaply. Sometimes less than 100 bucks. Now think of that a 50mm f1.4 for 100 bucks. These old lenses are built with high quality metal and glass and are fantastic.  Now these are manual focus lenses but can easily be zone focused for street photography for fast shooting. All the markings are there for easy set up. Speaking of set up how do you make your new camera use vintage lenses?

I shoot Sony cameras but I'm sure you will have the same settings on whatever camera you have you will have to dig a little in the manual or look up online. The first thing we need to do to shoot vintage lenses on new cameras is to get a lens adapter. For example the vintage lens that I use is a Pentax 28mm. I shoot Sony so I have to get an adapter that takes the Pentax mount and adapts it to a Sony mount. You can get these adapters off of Amazon for 25 bucks or so. Modern mirrorless camera's are little computers with all kinds of sensors on them. Old vintage lenses have no electronics at all so when you put the adapter on your vintage lens and hook it to your camera your camera doesn't know that there is a lens there. Most camera's are set up by default not to release the shutter if no lens is attached. So you will have to go into the menu and find that setting and change it. Most modern camera's have Focus Peaking to help focus when in manual.  The camera highlights in some color the areas of the image that is in focus. You will have to also turn this on to help you focus. My cameras have in body stabilization. How great is that to have a 50 year old lens and now it is stabilized ! When you put a modern lens on the camera it can see what focal length it is through the electronics on the camera even if it's a zoom lens.  The camera adjust the Stabilization to match the focal length. When you use a vintage lens you have to put that number in. For example I set it to 28mm for my lens. Then when the camera can't see the focal length it goes to 28mm otherwise it's in Auto and adjust to what lens I have on. Now if I changed to a 50mm vintage lens instead of the 28mm I would have to go and change to 50mm. But since this is the only one I am using currently I don't have to change this setting. And that's about it. You can set your camera on Manual or Aperture Priority like I do. I adjust my Aperture by the ring on the lens and focus and shoot. If you're in Manual you do the same but set the shutter speed like normal. So that's really all there is to do. So if you have a vintage lens you only have to come out of pocket about 25 dollars or so for the adapter and you can rock and roll with a vintage lens.

So be the cool kid on the block like me? LOL ! And until next week Get out and Shoot!

 

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