
Hey Everyone! Hope everyone is healthy and safe. As you know photography is an expensive hobby. Unless you're one of the lucky ones and have a disposable income, acquiring good gear may take a while. That is a good thing, because if you just went out and got what everyone else says is the best gear, you might be disappointed because it might not be right for you. Gear is personal because I think that photography is art, and the gear we use is just the tools we use to make that art. And artists use all kinds of tools to make their art.
Photography gear has changed in recent years and is more complicated than it used to be. Back in the film

days you got a camera body and you used it for 20 years. There was really no upgrade to do. It was all mechanical. But since the digital age has come there are upgrades every year, and people are upgrading (in my opinion too soon) every couple of years. That's expensive and maybe not as mush needed as it used to be in the early days of digital. My advice is to take your time, be patient, and research before you make the decision. Slowly upgrade your equipment one piece at a time. Here's what I mean.
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Most of us invest in a first camera in some kind of kit where they give you a cheap lens along with your camera body. My advice is to use that cheap lens until you can save enough money to upgrade the kit lens. Take your time and research which lens you want to upgrade to. Learn to use that cheap lens until you think it's causing you to not be able to get the shots you want to get. The same can be said for camera bodies. Use the body until you think it is hurting your photography. The camera bodies that I am using are about four camera body versions behind the newest versions. But I'm sticking with the one I have until I think it's not doing the job for me and I need an upgrade. Sure, the newest ones do all kinds of neat things with all of their bells and whistles, but for the type of photography I do (landscape/travel), I really don't need that animal eye detection or that 4K video mode or so many frames per second. And when you upgrade a body or lens, it doesn't have to be a brand new one. You can upgrade to a used lens or body. In my kit, for example, the main body I use was purchased used, and two out of my three main lenses were bought used. I did just upgrade my long telephoto lens, only for one reason. I wasn't getting the shots I
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wanted because the reach on the one I had was too short in my opinion to get that occasional wildlife or long-range shot. So I put away a little cash each week, and when I got enough and did all of the research, I purchased a new one. I will probably sell my old one before too long to offset the cost of maybe something else. Tip, when buying from a local camera shop, you may be able to trade in old camera gear for store credit to help you upgrade to newer systems. You might not get what you would if you sold it outright, but sometimes it's hard to sell on eBay or to friends. When I switched from Nikon to Sony, it took a while to sell all of my Nikon gear, but I eventually did and used that money to upgrade kit lenses I had with my Sony gear. The point I'm getting to is that upgrading is a slow and ongoing process that never ends. I have a great kit now, but it took me a long time to get there. I will be upgrading in the future, but it will be slow and methodical, which will save me money and frustration in the future.
Well, that's enough for this time. Slow and steady is the course for upgrading camera and photography gear. So get out and use that gear, and keep shooting!

Hey everyone! Hope everyone is healthy and safe. This week's topic is about upgrading your camera kit to a full frame sensor camera set up. Is the grass always greener on the other side? As photographers we are always looking for an advantage or something to make our photographs better. Buying new gear is something we think will improve our photography. I am no different than any of you. I love gear and do have GAS (gear acquisition syndrome). Nowadays, I try to do it smarter and research instead of emotionally making decisions about gear. Almost every YouTube video by your favorite photographers praise the advantages of full frame cameras over smaller sensor cameras. But they are all professionals or professional-want-to-be's and make their living from photography. I am not. I am a hobbyist and do photography just for me. So do I need to go by the same standards that professionals go by? I have owned and used both full frame and crop sensor cameras and will give you my take on this subject. Today we're going to look at the advantages and disadvantages of full frame cameras and the questions you should ask yourself before you buy one.
Advantages of Full Frame. There are lots of advantages of full frame cameras, especially if you make your

Living as a professional Photographer and depend on your equipment to put food on your table. Full frame cameras tend to be built better than their smaller sensor counterparts. They are heavy duty and sometimes built like a tank. They tend to be better weather sealed in most cases to keep dust and moisture out in rugged weather conditions. Larger sensor cameras collect more light than smaller sensors, so they are better in low-light conditions. They can have more resolution with massive amounts of megapixels, and you can print larger prints. Depth of field (the amount of what is in focus in the frame) is shallower. They are great cameras and perform well under many circumstances.
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Disadvantages of Full Frame. There are some disadvantages of full frame also that aren't talked about as much as advantages are on YouTube videos. Full frame cameras have large files. The files take up lots of space on your computer, and your computer needs to be pretty fast to edit them. So if you get a new full frame camera, you better upgrade your computer system also. Full frame cameras are big and bulky and heavy, whether they are mirrorless or DSLR. Although the mirrorless camera body may be smaller, the lenses are the same size. A 70-200mm f2.8 lens is heavy! Shallow depth of field was mentioned in the advantages, but can also be a disadvantage. If you're doing landscape or architecture photography, you want depth of field, not shallow depth of field. And of course the elephant in the room is price. On average, full frame cameras are at least twice the cost of smaller sensor ones. Lenses are much more expensive also.
Questions you should ask yourself. There are many questions you should ask yourself before going to a full

frame sensor camera. The first question is what type of photography do I do, and do I need full frame to do it? If you are a professional, I think the answer may be yes, but many professionals do use smaller sensor cameras with lots of success. If you are a portrait photographer and that's all you do, the answer may be yes. If you are a landscape photographer, the answer may be no. In landscapes you want the largest depth of field in your subject, not mentioning the weight of the equipment you'll have to carry to get to those subjects. If you are a street photographer, I would say no. The small size and being able to conceal your camera is an advantage over the large sensor. If you shoot sports, the answer may be no. Many sports photographers shoot crop sensor cameras in JPEG to make the files smaller because they shoot so many photographs at one time, like a machine gun. The same may be said for wildlife photography. If I am a hobbyist and only shoot for myself and my photos go to Instagram and Facebook and only print occasionally, then the answer is, no, I don't need a full frame camera. If you're a gear head and really enjoy spending lots of money on new gadgets and must have the newest, then knock yourself out and buy that full frame.

My Two Cents. As a former full frame Nikon shooter and now a crop sensor Sony shooter, I can see both sides of the argument. For me it kind of happened full circle. I started with a crop sensor Nikon and had to have that full frame and all of the gadgets that went with it to big fast glass. And the photos I was getting were great. Then I got a mirrorless camera for hiking because the full frame with a 24-70mm lens was over seven pounds and heavy and the mirrorless was much lighter. I started using the mirrorless more and more. And before I knew it I was grabbing the crop sensor 90 percent of the time over the full frame. Finally, after a couple of years, I went on a workshop where my crop sensor camera was my main camera, and my full frame I used as my backup. I go to this workshop every year, and the photos are similar year after year. I compared shots from the crop sensor and from the full frame from the year before and really had to pixel peep (zoom in really far) to tell the difference. To the naked eye I couldn't tell. I had over $15,000 invested in the full frame set up and only a few thousand for the crop sensor. That's when I made the choice to go to crop sensor and sell all of my full frame stuff. I took a beating on selling everything, but in the long run I'm really happy with the kit I have now and feel confident that my photos are of the best quality. I shoot as a hobby. I don't need all of the megapixels, and I'm not printing a lot. Most of my photos go on Instagram or Facebook. When I go on photoshoots with my friends, I have the smallest kit, and I love it. It doesn't weigh me down, and I have more energy to go exploring and find new things to shoot. It is totally the best decision I have made in my photography journey, and I wish I had asked these questions before I jumped into full frame in the beginning. Those are my thoughts on the subject. Please think long and hard before you commit to full frame. If it's right for you, great.
Until next week keep shooting, stay safe, and go outside!

Hey, everyone! I hope everyone is doing well and is healthy. I'm all in, are you? What does the title of this blog mean? I heard a saying a while ago that you only get what you put into something, whether it's photography, a hobby, or a project. If you don't put in the hard work, you won't get the results you're looking for. We are surrounded by great photography, whether it's in a magazine, Instagram, Flickr, 500PX, or Facebook. These photographs are impressive, and we think that ours aren't compared to them. But what we forget is that these are the contributors' best photos. They probably took hundreds of photos to get the one that you're freaking out about. That said, they put in the effort by shooting hundreds of photos to get that great one.
Putting in the work. In photography, like most things, you must put in the work. When I learn a new
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photography technique or editing procedure, I do a lot of research and practice, practice, practice. But I'm all in! I make mistakes and fail. But I keep going. I have an addictive personality, and I can't stop until I can do whatever I was trying to learn. As photographers, we never know it all and are, or should be, constantly learning. That's one of the things that I love about photography. You never stop learning and can experiment with all kinds of stuff. When I'm in, I'm in! In life you must put in the work if you want it to turn out great. Nothing ever happens without trying and putting forth the effort.
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Failing. Failing is a part of life. Everyone fails at something and fails many times. When you fail to do something, you have just learned a way not to do it. Those who do not try are the only ones who won't fail. By trial and error do we learn the best in my opinion. I can read about it all day long. But if I actually try to do it and I fail a couple of times before succeeding, then I will have it forever. Because I didn't only learn how to do it, but I also learned how not to do it. And sometimes that is just as important as learning how to do something. I just had a big fail that is and isn't photography related. I lost a camera! I have, or had, a Canon G7XMII point and shoot camera. (Because I always want a camera that is better than my phone with me). What I think happened was that it was very hot one day at work so I took the camera out of my car and brought it inside where it was cool. When I
went to leave, I think I placed the camera on the roof of my car while loading up and left it there. Then I drove off. I didn't notice it for a day or so. I have searched everywhere for it with no luck. I'm going to get with the security at the place I'm working and see if anyone found it and turned it in. This was a big fail! And it's not the first time I've done it either. When I was in high school, I placed a lens on top of my car and drove off. Luckily I found the lens in the gutter by the street unharmed. Hopefully I'll find this camera. If not, I will have learned a big lesson and will have to replace it costing more money than I want to spend. We all have fails.
What I'm trying to say is you can't sit on your couch watching TV then go to a pretty place, pull out your camera, press the shutter button and expect to have a masterpiece. It just doesn't work that way. You have to learn by trial and error how to compose shots, how to set up your camera, and how to post process your images to get that masterpiece. You have to learn all of the things to do and not do to get that shot that people will "ooh and ahh" over. It's just not one click. Thanks for listening to me on my soapbox for a while. Hope everyone has a great week, and until next time be safe and get outside and shoot!

Hey Everyone! Hope y'all are healthy and happy. Last week we talked about the pre-shoot checklist, and this week I want to talk about the extra stuff you should have in your camera bag. Last week it was all about the essentials that you need to have with you when you go on a photo shoot. This week it's about the extra things that I think you should have with you when you go out shooting. First of all, this is just things that I think you should carry, but you can modify or customize it to your specific needs. So let's get on with the list.
1. Emergency rain poncho. Have you ever gotten caught in the rain? Well I have. I hiked in a couple of miles to get to a waterfall that I wanted to photograph. When I got there it started to look a little stormy, and I was thinking, great, this will make my photos better with the stormy mood. But then the bottom fell

out. I was two miles from the car or any shelter standing in the pouring rain with my expensive camera equipment getting soaked! Luckily, I did have a trash bag with me that I could cover my camera bag with to keep my gear from getting too wet. But I was soaked. From that day on I always have an emergency poncho with me. They are cheap and don't weigh much. You can get them for five bucks or so. And if you're careful you can reuse them. I have used mine a couple of times in the last few years. I should replace it. LOL

2. Cold weather gear. When it's cold outside and you're holding a metal camera, your hands get cold quickly! In the wintertime bring some sort of gloves, head gear, and something to go around your neck. You will stay so much warmer and get better shots because of it. Hand warmers are a must in wintertime. They are cheap and last for hours, and one in your pocket or jammed into a glove is great! There are all kinds of gloves you can get. I would suggest one that you can handle your gear with. They make special gloves for photography, but you don't need to get those expensive ones (although I just got a pair last year and love them). Any glove will do to protect your hands.
3. Hot weather gear. When it's hot outside, you need to protect yourself also. Wearing cool, non-cotton clothes is a first step. A hat that can protect

you from the sun is also good. But what happens when it gets warm? Bugs! Bring some sort of bug protection. You can get it in small bottles or packets. I bring packets of bug protection with me always. Sunburn sucks! Bring sunblock and use it. I also have these in packets that go in my bag all the time. They take up little space and are lightweight. There are all kinds of advances in cool-wear technologies. They make bandanas that you can get wet and put around your neck to keep you cool. When it's super hot outside, that's what I use. They are very lightweight when dry and don't take up much space.
4. External battery. It goes without saying that everyone will have their phone with them when they are out and about taking photos. We will use them for navigation, sending photos, and all sorts of things. But when they are dead, they are useless. The same is true for our cameras. When the battery is dead, they are useless. The small external battery can be used to charge my phone when it gets weak. I could recharge my battery in my camera (most cameras can do this now), or I could recharge my GoPros. I use a 5200ma/h, and it's always in my bag. Just remember, the bigger the battery, the heaver and bulkier it is. It takes about 2000 ma/h to completely charge your phone and, depending on your camera battery, maybe a little

bit more. (But you should already have fresh batteries.) It has come in handy on long trips recharging my phone or a photo buddy's phone.
5. Light. Now, I'm not talking about a photography flash, although some people do carry one with them all the time. I'm talking about a flashlight or headlamp of some kind. Headlamps will come in handy when doing

sunsets or sunrises. Being able to get to or come back from a photo location, safely is a must. And they free up your hands. They don't have to be expensive or bulky either. I have gone through several over the years, and now I have a headlamp that is in my main bag (I think it cost 15 bucks) that works like a champ. I have had more expensive ones, and usually they are more complicated to use and don't work as well for me, at least as the cheaper ones. I also have one that will clip onto a hat like a baseball cap, and it's very small. ( I keep that one in my street shoulder bag.) But any kind of small, mini flashlight will do. They can also come in handy for light painting small subjects.
6. Rain Covers. These are the rain covers for your lenses and camera bodies while shooting in the rain. Shooting in the rain can be very cool, and you can get some great shots. But water and electronics don't mix well. You can get lens rain covers that are not more than clear plastic for five bucks or so, and again they are lightweight and don't take up much room. I shoot with a small camera, so I made a rain cover out of an old pair of rain pants that I cut up and customized to my camera. I have used the five dollar ones, and they work great. Just make sure you get one that will cover your camera and lens and also make sure it's not too big. They make covers that will fit over like a 500mm lens and camera, and if you're shooting small like me, that's just too big.
7. Business Cards. I know this sounds silly, especially if you're not a professional, but hear me out. Business cards are cheap! You can get 250 for

about 10 bucks. You can have your name and your email address on them and website if you have one. When you meet someone who is interested in what you're doing or ask if you're a professional, you can pull out a card and have them check out your website. Or if you took someone's photo and you can offer them a copy, give them a card and they can email you so you can send them the photo. It's an easy way to share your info, and kind of cool. I carry a couple in my bag and have a couple in my wallet if someone asks about my photography.
8. Pen/small pad. I always carry a pen with me. If I'm talking to someone, I can get their info or email address and write it on the back of one of my cards or a small note pad. I can also take notes of places I've been. I know this is old school and most people use their phones for this now, but this is my list. LOL
9. Microfiber cloths. I have lots of these in my bag. I put one in every compartment of my bag so they are always handy. They are under every lens and camera body in the bag. I always have one in my pocket for my glasses or in case someone else needs one quickly. If you are out and it's misty or water for some reason gets on the lens, you can wipe quickly and clean/dry. These are cheap and come with lots of things you buy. I try to use brightly-colored ones so they don't get lost in the bag. (I can see them better.)

10. Personal things. In this section, I'm talking about things that are personal to you. I have glasses cleaners that come in the little pouches for my glasses because I smudge them when taking photos. I bring a couple of the tooth pick/dental floss things with me for after I eat. I bring toilet paper and/or wipes for emergencies. And don't forget the hand sanitizer and I guess mask would be appropriate now. I also put my car keys and wallet in my bag and secure them when on a hike so they won't fall out of my pockets and I lose them.
Extra Extras. Here are a few others I thought about: a lens pen to clean/brush lenses of dust; a hand blower ( a must - should have been one of the 10); an allen wrench that fits your tripod and quick connect plates; sensor swabs to clean your sensor; a rain cover for your pack; silica gel packs that you get in everything - throw one into your pack; sunglasses/case to protect your eyes from harsh sunlight; and I'm sure you can think of more.
All of these things I mentioned above are extra. I assume that you're bringing cameras, lenses, batteries, and SD cards. These are extra things that I have in all of my camera bags when I go out and about. Being prepared like the Scouts is always good advice. I hope this list helps or has given you an idea of what to carry when you go out shooting. So get out there and start shooting! So until next week stay safe and healthy.

Hey Everyone! Hope y'all are healthy and safe this week. I've got a question for you. Have you ever gone to a photoshoot or location with your camera and gone to use it and your battery was dead or you forgot to put your SD card in? This week I will be talking about things to to before you go on that photoshoot, a pre-shoot checklist if you will. And hopefully this will keep you from making a mistake that will keep you from getting that shot.
First, before we talk about the checklist, I would like to talk about organization. I am an organized freak. I like to have a place for my things and things to be in their place. That includes my camera bag. I like to have my bag organized so when I look in it I can tell immediately if something is missing. I know that some people just open their bag and chunk it in, kinda like my wife does with her purse. And they can never find anything and spend a lot of time digging through their bag instead of taking photos. I have two main bags. I have a 30-liter Shimoda backpack that has become my main bag when doing long hikes for landscapes and can carry all the gear I'll need. Then I have my what I call my "purse" that is an over-the-shoulder bag that is great for street photography and just walking around when I don't need all of my gear. In each bag I have a certain place for everything. My batteries go in a certain place, my shutter release in another, lenses go in certain places... you get the idea. That way at first glance I can tell if anything is missing. Like I said, I'm an organization freak.

Now for the checklist. I have heard about professional photographers who have a printed checklist that they keep in their camera bags so when they get ready to go on an assignment they can quickly go through the checklist and make sure they have everything they will need before they leave the house. I'm not asking you to do this, but it wouldn't hurt. This is a generic checklist that you can customize for yourself and the type of photography that you do. Different types of photography may require different types of gear. I got the idea for this checklist from a podcast "Master Photography Podcast," and his list was geared more toward portrait photographers. Most of the people I know don't shoot people but more landscape, street, and wildlife, so I will make more of a generic list that you can customize for yourself.

1. Batteries. Of course this was going to be one of the first things on the list. But not only batteries, but charged-up batteries. This is something that you may have to think ahead on because you can't start charging when you're ready to go out the door. I shoot mirrorless camera, and they are notorious for sucking the juice out of batteries. So I carry quite a few. When I get home from a shoot, one of the first things I do is put batteries on the charger, even before I take my SD card out of the camera. When they are charged they go back in my bag, and I know they are fully charged. Another thing to think about is not just your main camera, but also any other ones like GoPros, infra red cameras, or point and shoots. I carry GoPros with me sometimes, so that means those batteries also. Just something to think about.
2. SD Cards. Always, and I mean always, have extra SD cards in your bag. If you were editing the night before and you forgot to take the card out

of the computer and you get to your location and no card, no photos. I always carry extra cards with me. Not many, just one or two. I rarely fill up a card, like almost never fill one up, but if one failed I have an extra. If you're a landscape or sports photographer, you could fill a couple of them up pretty easily in a day. One thing to remember when it comes to SD cards is they only have so many times that they can be formatted and reused. It's a good idea to rotate you cards so you're not using the same one every time. I have a bad habit of doing this, and I'm going to start rotating more. SD cards are fairly cheap. And unless you're shooting sports or wildlife where you shoot a lot with one shutter release or video, you don't need the fastest cards. The ones that are 95mb write speed are fast enough for just normal photography.

3. Check Camera Settings. Sit down and go through your camera settings. I know this sounds silly, but if you were trying something that you don't normally do or have a new camera, this is really an important step. I got a new camera a few years ago, and my wife and I went to a bluegrass festival. Lots of people and lots of things to shoot. I was excited to get that new camera going. Then I started to take photos and the shutter wouldn't work! I got frustrated trying to figure out what was happening to my camera, my wife tapping her foot waiting on me and I'm missing shots. What had happened is that I had the shutter on a time delay and had not put it back to normal. So every time I hit the shutter nothing would happen, but it was counting down the time. Check settings like ISO, what mode you're in, how your meter is set up. Get all these things dialed in before you leave and you won't miss the first shot because your camera wasn't ready.
4. Specialized "Gear." This is the section that looks at what type of photographer you are: portrait, street, landscape, wildlife, sports, or macro.

Each kind of photography might need special things. For portrait photographers, it might be flashes or lights and all that goes with it, especially batteries for those flashes. Make sure you have all of those batteries recharged and ready to go beforehand. For a street photographer, maybe it's a special lens like a 35mm that you might not have with you all of the time, maybe model releases also. For landscape, maybe filters and a tripod. Wildlife and sports, those big lenses cleaned and ready to go. As you can see, there are all kinds of items that can go in this section of the checklist and must be customized by your individual needs. One good item for all of us is some sort of flashlight or headlamp. It sucks going for a sunset and the sun goes down and you're in the dark and can't see.
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5. Confidence and Excitement. Now that you have all of your things in order, you can have the confidence that you have all you need and can start taking photos when you get to wherever you're going to take photos. You can now concentrate on the photograph and be excited about being out doing photography, knowing that you have done your best to keep those bad misfortunate "Oh, I don't have an SD card!" or "Oh, my battery is dead!" moments.
Well, this has gotten a little long-winded, but I hope this will help you in your photography outings. Next week we'll talk about extras I carry in my camera bag. Until next week, be safe, keep shooting, and get outside!
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